tag:blogger.com,1999:blog-51653403357487723662024-02-07T02:55:05.086+01:00Trigger InsideThere are only two kinds of music: good and bad.Unknownnoreply@blogger.comBlogger327125tag:blogger.com,1999:blog-5165340335748772366.post-58970382567556329152017-06-16T15:07:00.001+02:002017-06-16T15:10:47.853+02:00And now for some boobs: The Brighton Port Authority - “Toe Jam” (feat. David Byrne and Dizzee Rascal)<table><tbody>
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OK, so the time has come. Nobody follows my blog, so I have to fire the big guns (or rather big boobs) in a last-ditch resort for saving my blogger career. So here we go. Let me present you a video with naked chicks.
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And seriously... This is a brilliant song by <a href="https://en.wikipedia.org/wiki/Norman_Cook">Fatboy Slim</a>'s <a href="https://en.wikipedia.org/wiki/Norman_Cook#2008.E2.80.932012:_The_Brighton_Port_Authority">The Brighton Port Authority</a>, featuring the one and only <a href="https://en.wikipedia.org/wiki/David_Byrne">David Byrne</a>, whose distinct vocals and nonchalant delivery fit perfectly with the lighthearted melody and the funny video.
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And speaking of the video - yes, there are naked chicks in it. But all the fun parts are covered with censor boxes. I am sure it required a huge amount of editing, as it has been done in a very funny and creative way. It is not very often, when you can see censorship actually adding some value to the censored material. Absolutely brilliant. Just watch it for yourself. Oh, and the guy behind the video is the acclaimed music video director <a href="https://en.wikipedia.org/wiki/Keith_Schofield">Keith Schofield</a>.
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<iframe src="https://player.vimeo.com/video/67152073" width="720" height="405" frameborder="0" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>
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The Brighton Port Authority - “Toe Jam” (feat. David Byrne and Dizzee Rascal)
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</tbody></table>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5165340335748772366.post-3080642530740263192017-06-06T16:36:00.000+02:002017-06-06T16:36:24.674+02:00I will show you this infographic: Autokratz - “Stay the same”<table><tbody>
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I just want you to see this video, because it is absolutely brilliant - creative and funny. Musically it is also worth noting, if one is into electro, as it illustrates a single from the debut EP of the band <a href="https://en.wikipedia.org/wiki/AutoKratz">AutoKratz</a>, but it definitely stands out because of the video, directed by <a href="http://www.lauriethinot.com/">Laurie Thinot</a>. The video is a parody of infographic with charts changing to the beat of the track. It was presented in 2009 at <a href="http://saatchi.com/en-us/new-directors-showcase/new-directors-showcase-years/">Saatchi & Saatchi's New Directors Showcase</a> - a part of the <a href="https://en.wikipedia.org/wiki/Cannes_Lions_International_Festival_of_Creativity">Cannes Lions International Festival of Creativity</a>.
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<iframe src="https://player.vimeo.com/video/44378896" width="720" height="576" frameborder="0" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>
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Autokratz - “Stay the same”
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One more lucky find. It was posted on the channel presenting short films, which it is indeed. But at the same time this is a video to a song by a New Zealandish band <a href="https://en.wikipedia.org/wiki/The_Phoenix_Foundation">The Phoenix Foundation</a>. I've never heard of them, but judging from this song, this is a mistake I have to correct as soon as possible.
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This is a truly brilliant video, combining very original animation with perfectly corresponding music. It was directed (or in this case rather "made") by <a href="https://en.wikipedia.org/wiki/Reuben_Sutherland">Reuben Sutherland</a>, a visual artist specialising in mixing up live action and animation.
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And the music is also original. I guess it could be labeled "post rock", but it wouldn't do justice to this great piece. This is a combination of atmospheric instrumental rock fueled by prominent guitars with electronic sounds straight out of <a href="https://en.wikipedia.org/wiki/Jean-Michel_Jarre">Jean-Michel Jarre</a>'s most "cosmic" tunes. The result is something I would call "space rock".
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OK, enough <strike>talking</strike>writing. I have to book a ticket for a nightflight to Venus.
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<iframe width="720" height="405" src="https://www.youtube-nocookie.com/embed/Fp5EM4WFBd8" frameborder="0" allowfullscreen></iframe>
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The Phoenix Foundation - "Hitchcock"
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A higher quality version can be found <a href="https://vimeopro.com/prodigiousfilms/reuben-sutherland/video/152280067">here</a>.
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</tbody></table>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5165340335748772366.post-17768019055941662082016-02-26T14:03:00.000+01:002016-02-26T14:03:13.602+01:00She's got talent: ElettroVoce Duo - "Parlando"<table><tbody>
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I ran into this video by chance, as this form of art is not my main field of interest. This is a recorded live performance of the act <a href="http://zubel.composer.pl/ElettroVoce/info_eng.html">ElettroVoce Duo</a>, comprising of Agata Zubel (voice) and Cezary Duchnowski (computer). And <a href="https://en.wikipedia.org/wiki/Agata_Zubel">Agata Zubel</a> herself is supposedly a young but already renown Polish vocalist and composer of contemporary academic music. And you just have to hear what she can do with her voice.
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That's not something I would call "music", as it obviously does not qualify for repeated listening. But judged on its own merits, as an artistic performance showing technical prowess, insane command of the voice and infinite imagination and creativity in finding new ways of expression and stretching the boundaries of what is humanely possible to do with the voice - it is absolutely brilliant to watch.
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<iframe width="720" height="405" src="http://www.youtube-nocookie.com/embed/6vtWoOPUdFc" frameborder="0" allowfullscreen></iframe>
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ElettroVoce Duo - "Parlando"
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<a href="https://www.jamendo.com/album/155815/between-the-lines">
Classy trip-hop offering (8/10)
</a></span>
<br /><br />
<blockquote>
<div style="font-family: Georgia,"Times New Roman",serif;">
<i><span style="font-size: x-small;">
The new magic stories with a unique atmosphere of colorful Karmuazine's music.
</span></i></div>
</blockquote>
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This a classy trip-hop offering. Great female vocals, fine English accent (at least from my non-native perspective), professional production, catchy melodies, dreamy atmosphere. Highly recommended for fans of trip-hop or simply good pop music.
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The album is available for free under CC licenses on <a href="https://www.jamendo.com/album/155815/between-the-lines">Jamendo</a>. You can also buy a <b>lossless FLAC</b> version on <a href="https://karmuazine.bandcamp.com/album/between-the-lines">Bandcamp</a>. This release is copyrighted.
<br /><br />
<hr width="50%">
<br />
<div align="center"><b>SUPPORT INDEPENDENT ARTISTS</b></div>
<br />
If you like this album and you can afford it, consider supporting the artist by <b>buying</b> the full album or single tracks directly from the artist on <a href="https://karmuazine.bandcamp.com/album/between-the-lines">Bandcamp</a> - for as low as $ 0.7 per track.
<br /><br />
[<a href="https://www.facebook.com/Karmuazine/">Facebook</a>] | [<a href="https://soundcloud.com/karmuazine">SoundCloud</a>]
<br /><br />
<a rel="license" href="http://creativecommons.org/licenses/by-nc-sa/3.0/"><img alt="Creative Commons License" style="border-width:0;" align="absmiddle" src="http://i.creativecommons.org/l/by-nc-sa/3.0/80x15.png" /></a>
<a rel="license" href="http://creativecommons.org/licenses/by-nc-nd/3.0/"><img alt="Creative Commons License" style="border-width:0;" align="absmiddle" src="http://i.creativecommons.org/l/by-nc-nd/3.0/80x15.png" /></a> (2 tracks)
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<iframe style="border: 0; width: 170px; height: 450px;" src="https://bandcamp.com/EmbeddedPlayer/album=1164634490/size=large/bgcol=333333/linkcol=4285BB/transparent=true/" seamless><a href="http://karmuazine.bandcamp.com/album/between-the-lines">Between the Lines by karmuazine</a></iframe>
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</tbody></table>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5165340335748772366.post-43414505755233991542014-07-29T17:01:00.000+02:002014-07-29T17:01:22.248+02:00Obsessions - "Obsessions" [EP]<table width="100%"><tbody>
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<a href="http://obsessions.bandcamp.com/album/s-t-7">
<span style="font-size: large;">
A classy rock / punk rock offering (8/10)
</span></a><br />
<blockquote>
<div style="font-family: Georgia,"Times New Roman",serif;"><span style="font-size: x-small;"><i>
Obsessions powstał na początku 2013 roku jako poboczny projekt osób związanych z takimi warszawskimi zespołami jak The Black Tapes i Capital. Szybko okazało się, że taka mieszanka osobowości i pomysłów oznacza, że Obsessions wyjdzie poza salę prób i zacznie funkcjonować jako pełnoprawny zespół. I tak się stało.
<br /><br />
Po debiutanckim występie przed amerykańskim Obits w warszawskiej Cafe Kulturalna zespół wszedł do studia i zarejestrował cztery autorskie utwory, który złożyły się na debiutancki materiał, który wyda Antena Krzyku. Na winylowej siódemce, bo to jest odpowiedni nośnik dla takiej muzyki! Pomyśl o Hot Snakes i przefiltruj to przez całą brytyjską scenę muzyczną końca lat 70. a otrzymasz Obsessions w pełnej krasie.
</i>
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This is a really surprisingly good minialbum from the Polish band Obsessions. I know nothing about them except that supposedly this is a side project of the three musicians connected with another Polish act <a href="https://www.facebook.com/theblacktapes">The Black Tapes</a>. They claim they play punk rock, but in my humble opinion this is just a straightforward rock. It is uptempo and loud, definitely influenced by punk, but lacking punkish aggressiveness. Anyhow, they are good. They know how to play, the songs are well recorded, riffs are great, vocal lines are catchy, the singer's singing manner is adequately slovenly. No genre bending here - pure rock at its best. So keep rocking, boys - it is nice to hear such classic approach for a change.
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The album has been released on vinyl only (sic!) by the Antena Krzyku label and you cannot officially download it in any digital format. You can buy a vinyl in some online stores for around 7 euros (<a href="http://wsm.serpent.pl/sklep/albumik.php,alb_id,40331,OBSESSIONS-%281%29,OBSESSIONS">serpent.pl</a>, <a href="http://seeyousoon.pl/produkt/obsessions_1,obsessions,22686">seeyousoon.pl</a>). But you have to act fast, as only 250 records have been made. You can also listen to the full album online on <a href="http://obsessions.bandcamp.com/album/s-t-7">Bandcamp</a>, but downloads are switched off. Of course, it is possible to download it anyhow in Bandcamp's preview quality (mp3 @ 128 kbit). No option to pay the artist this way, though. What a pity.
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</div>
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<iframe width="150" height="450" style="position: relative; display: block; width: 150px; height: 450px;" src="http://bandcamp.com/EmbeddedPlayer/v=2/album=137146144/size=tall2/bgcol=333333/linkcol=4285BB/" allowtransparency="true" frameborder="0"><a href="http://obsessions.bandcamp.com/album/s-t-7">s/t 7" by obsessions</a></iframe>
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</tbody></table>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5165340335748772366.post-34168529335897174632014-07-29T16:36:00.001+02:002014-07-29T16:42:02.758+02:00Bramajam - "Get on your feet"<table><tbody>
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<a href="http://www.jamendo.com/en/list/a60278/get-on-your-feet">
<span style="font-size: large;">
Poor quality midi demo (1/10)
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<blockquote><div style="font-family: Georgia,"Times New Roman",serif;"><i><span style="font-size: x-small;">
</span></i></div></blockquote><br />
It's just a poor quality midi demo. These are not even full tracks, just short excerpts. There is no mastering at all, there are different volume levels, analog noises. Samples sound terrible. Maybe melodies as such would deserve a better rating than 1/10, but in its current state this "album" is unlistenable. Stay away, people.
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The album has been released on <a href="http://www.jamendo.com/en/list/a60278/get-on-your-feet">Jamendo</a> and is available for downloading in mp3 format.
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<div class="separator" style="clear: both; text-align: center;"><img border="0" height="178" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuBSuZ02zUIwWM-70qKNm_khRdwYF1XM40sDOlYnCL_q7tI9JjwQjSIDOdh0oh4c64ErOYc9SWgDcdWaamc98Q-1Gq7SmmmHiz4Tx5dsJZ0eVFepzAg3JRt_qKlX3FCFA4-vot6dqyumA/s200/Trash_bin+%2528icon%2529.png" alt="Beware!" width="200" style="float: right; margin-bottom: 1em; margin-left: 1em;" />
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<a href="http://creativecommons.org/licenses/by-sa/3.0/" rel="license" style="margin-bottom: 1em; margin-left: 1em;" target="_blank"><img alt="[Creative Commons License]" id="ccimage" src="http://i.creativecommons.org/l/by-sa/3.0/80x15.png" style="cursor: move; height: 15px;" title="[Creative Commons License]" /></a>
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</tbody></table>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5165340335748772366.post-38585709904380372922013-09-19T14:18:00.000+02:002013-09-19T14:18:44.990+02:00Bownik, Adam Certamen - "Magma"<table><tbody>
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<a href="http://www.jamendo.com/en/list/a5535/magma">
Fine ambient electronica (8/10)
</a></span>
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<blockquote>
<div style="font-family: Georgia,"Times New Roman",serif;">
<i><span style="font-size: x-small;">
Musical reflection of Mundus subterraneus.
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</blockquote>
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Fine ambient electronica. Especially fans of space music, the sound of 80s and such artists as Klaus Schulze or J.M. Jarre should be delighted. The only thing I didn't like is a track no. 2. It's a short piano miniature and while Adam is a skilled player, this piece lacks the power of his space-musical compositions.
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[<a href="http://archive.org/details/jamendo-005535">mirror @ archive.org</a>] | [<a href="http://bownik.w.interia.pl/">Artist's Website</a>]
<br /><br />
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If you like this album and you can afford it, consider supporting the artist by making a <b>donation</b> on <a href="http://www.jamendo.com/en/artist/4180/adam-certamen-bownik">this page</a> - use the button "Donate" in the upper left corner.
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<div style="text-align: center;"><object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://fpdownload.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=7,0,0,0" align="middle" height="300" width="200"><param name="allowScriptAccess" value="always"><param name="wmode" value="transparent"><param name="movie" value="http://widgets.jamendo.com/en/album/?album_id=5535&playertype=2008&refuid=1011928"><param name="quality" value="high"><param name="bgcolor" value="#FFFFFF"><embed src="http://widgets.jamendo.com/en/album/?album_id=5535&playertype=2008&refuid=1011928" quality="high" wmode="transparent" bgcolor="#FFFFFF" allowscriptaccess="always" type="application/x-shockwave-flash" pluginspage="http://www.macromedia.com/go/getflashplayer" align="middle" height="300" width="200"> </object><a href="http://pro.jamendo.com/" style="display: block; font-size: 8px ! important;">Royalty-free music for professional licensing</a></div>
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</tbody></table>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5165340335748772366.post-27089775878727171212013-03-25T19:39:00.000+01:002013-03-25T19:51:20.822+01:00Pan:core - "Memories (2001 - 2005)"<table width="100%"><tbody>
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<a href="http://www.jamendo.com/en/list/a2769/memories-2001-2005">
<span style="font-size: large;">
Piano + electronica + beautiful melodies (9/10)
</span></a><br />
<blockquote>
<div style="font-family: Georgia,"Times New Roman",serif;"><i><span style="font-size: x-small;">
auf diesem album habe ich eine auswahl an tracks zusammengestellt, die ich im laufe der letzten jahre gemacht habe.<br />
jeder einzelne von ihnen hat für mich eine persönliche bedeutung.<br /><br />
die klangqualität ist eher mittelmäszig und das mixing ist wirklich nicht so gut - und dennoch;<br /><br />
ich mag es sehr.<br /><br />
vielleicht kann euch das eine oder andere stück berühren.
</span></i></div>
</blockquote><br />
More classical album than other Pan:core's recordings. It mostly comprises of simple but beautiful melodies played on piano / keyboard with electronic background. A very melancholic album. And it includes another stunning electronic cover of a classical tune - this time a piece from <a href="http://en.wikipedia.org/wiki/Antonio_Vivaldi">Vivaldi</a>'s <a href="http://en.wikipedia.org/wiki/The_Four_Seasons_%28Vivaldi%29"><i>The Four Seasons</i></a> (17 - spaetsommer). Pan:core's covers are masterpieces.
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As to the rest of the album, it is very good, but I prefer his more electronic and experimental side, as on <a href="http://www.jamendo.com/en/list/a2734/no-way-to-win"><i>No Way To Win</i></a>. He's a true master of this genre. It becomes clear after listening this album to the end, because the last track is completely different from the rest - it's not a simple piano tune, but hard electronic experimental madness. ;-) I instantly felt sorry that not all 18 tracks were in this style.
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And a final remark - I like both sides of Pan:core - simple piano pieces and experimental electronic madness, so I don't mind mixing them on one album. But I'm afraid that for some listeners, who like only straightforward music, the ending of this album would be unbearable and could ruin all the fun they had from listening to this record.
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<div style="text-align: center;"><object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://fpdownload.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=7,0,0,0" align="middle" height="300" width="200"><param name="allowScriptAccess" value="always"><param name="wmode" value="transparent"><param name="movie" value="http://widgets.jamendo.com/en/album/?album_id=2769&playertype=2008&refuid=1011928"><param name="quality" value="high"><param name="bgcolor" value="#FFFFFF"><embed src="http://widgets.jamendo.com/en/album/?album_id=2769&playertype=2008&refuid=1011928" quality="high" wmode="transparent" bgcolor="#FFFFFF" allowscriptaccess="always" type="application/x-shockwave-flash" pluginspage="http://www.macromedia.com/go/getflashplayer" align="middle" height="300" width="200"> </object><a href="http://pro.jamendo.com/" style="display: block; font-size: 8px ! important;">Royalty-free music for professional licensing</a></div>
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<a rel="license" href="http://creativecommons.org/licenses/by-nc-sa/3.0/"><img alt="Creative Commons License" style="border-width:0;" src="http://i.creativecommons.org/l/by-nc-sa/3.0/80x15.png" /></a>
<br /><br />
[<a href="http://archive.org/details/jamendo-002769">mirror @ archive.org</a>]<br />
[<a href="http://pancore.de/">Artist's website</a>]
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</tbody></table>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5165340335748772366.post-5904865349446046232013-03-18T01:34:00.001+01:002013-03-18T01:34:55.588+01:00Gardzienice, Osrodek praktyk teatralnych - "Orkiestra antyczna" (2003)<table><tbody>
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<blockquote style="font-family: Georgia,"Times New Roman",serif;"><span style="font-size: x-small;"><i>
Maybe not as hypnotic, not as mesmerising as the first album, </i>Metamorfozy<i>, but still exceptional piece of music, both as something simply enjoyable or something to listen to and as a set of highly elaborated compositions. Work of Gardzienice is one of the most convincing reconstructions of ancient mousikē - they do their best to squeeze out as much as possible from incomplete data and to reconstruct irreconstructible.</i> [<a href="http://rateyourmusic.com/release/album/gardzienice/orkiestra_antyczna/"><b>junusynu @ rateyourmusic.com</b></a>]
</span></blockquote>
<br /><hr width="50%"><br />
<blockquote style="font-family: Georgia,"Times New Roman",serif;"><span style="font-size: x-small;"><i>
The music itself is 4-stars, but the priceless scientific book on the subject that accompanies it is worth additional half star. This is by far the most convincing and probably accurate reconstructions of Ancient music I've ever heard. Recommended for everyone interested in ancient mysteries and theater, not recommended for those imagining Ancient Greeks as some clean-singing noble elves. </i> [<a href="http://rateyourmusic.com/release/album/gardzienice/orkiestra_antyczna/"><b>hattivat @ rateyourmusic.com</b></a>]
</span></blockquote>
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Osrodek praktyk teatralnych "Gardzienice" (Centre for Theatre Practices "Gardzienice") was founded in 1977 by <a href="http://www.culture.pl/web/english/resources-theatre-full-page/-/eo_event_asset_publisher/eAN5/content/wlodzimierz-staniewski">Włodzimierz Staniewski</a>, and formally registered in 1978. The name comes from the village where the theatre is located. The group gained international critical acclaim, and is classified as an experimental anthropological theater. In 1997 the association established the Academy for Theatre Practices. This carries out numerous projects: research, arts, music, and cultural investigation into the humanities.
<br /><br />
<i>Orkiestra antyczna</i> (The Ancient Orchestra) was a scientific project directed by <a href="http://pl.wikipedia.org/wiki/Tomasz_Rodowicz">Tomasz Rodowicz</a> and <a href="http://www.culture.pl/baza-muzyka-pelna-tresc/-/eo_event_asset_publisher/eAN5/content/maciej-rychly">Maciej Rychły</a>, focused on reconstruction of music of ancient Greece and Rome, conducted in cooperation with musicologists. The reconstructed music was then played and recorded by the theatre's musical ensemble. This CD record accompanied the Polish edition of the book <i><a href="http://books.google.nl/books/about/Music_in_Ancient_Greece_and_Rome.html?id=PDBMPo1VkhYC">Music in Ancient Greece and Rome</a></i> by <b>John Landels</b>. The <a href="http://wsm.serpent.pl/sklep/eng/album.php?alb_id=4517">book</a> (and so the CD) is currently out-of-print.
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<div class="separator" style="clear: both; text-align: right;">
<a href="http://boycott-riaa.com/mission.html" imageanchor="1" style="clear:right; float:right;margin-left:1em; margin-bottom:1em"><img border="0" height="50%" width="50%" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj66YEgibGFxTr37M9esgfQ3JDsf5ArlofL0H8uopMQ1d0nbnoZrPVjgYwL3jsm9jgzoBh3vuu-lOV8VDdOXamsGSKvpD2UklSgQXYcfiQ7DwfmnFhdsTInZce_ClEM_Nd9rkPMu2t3N2k/s200/riaa-fuck-em.jpg" /></a></div>
<br /><br />
<div class="separator" style="clear: both; text-align: right;">
<a href="http://www.culture.pl/web/english/resources-theatre-full-page/-/eo_event_asset_publisher/eAN5/content/gardzienice-centre-for-theatre-practices">Biography</a><br />
<a href="http://en.wikipedia.org/wiki/Gardzienice">Wikipedia EN</a><br />
<a href="http://pl.wikipedia.org/wiki/O%C5%9Brodek_Praktyk_Teatralnych_%22Gardzienice%22">Wikipedia PL</a><br />
<a href="http://artrock.pl/recenzje/462/osrodek_praktyk_teatralnych_gardzienice_orkiestra_antyczna.html">Review PL</a><br />
<a href="http://gardzienice.org/">Official Website</a><br />
<a href="https://www.facebook.com/gardzienice">Facebook</a><br />
<a href="http://www.youtube.com/user/Gardzienice">YouTube</a><br />
<a href="https://plus.google.com/115758546252240694677/posts">Google+</a><br />
<a href="https://twitter.com/gardzienice">Twitter</a>
</div>
</td></tr>
</tbody></table>
<table><tbody>
<tr><td align="justify" valign="top">
Projects like this one are highly controversial among the scholars, as well as "classical" music critics and fans, because the sources from which we can learn about works, practices and instruments of ancient music are not even scarce - they are almost non-existent. And I mean it - just to give you some perspective, we are talking here about building instruments, which nobody have touched for 2 thousand years, on the basis of <a href="http://commons.wikimedia.org/wiki/File:Satyros_aulos_Louvre_MNE987.jpg">pictures found on ancient ceramic vessels</a>. Or "reconstructing" songs upon seven and a half words and not many more musical notes found on a broken stone slab (like it is with the track no. 13: "Hode Galatan Ares"). The painful truth is that nobody knows how these notes have been sung and how this music sounded. Therefore, maybe it would be more proper to call such efforts "artistic interpretation" rather than "scientific reconstruction".
<br /><br />
Some may say I'm a little bit too harsh, not respecting hard work of these researchers. That is not true. I have great esteem for them. But let's be reasonable. Just imagine that in two thousand years some future civilization will play <a href="http://en.wikipedia.org/wiki/Ludwig_van_Beethoven">Beethoven</a>'s <a href="http://www.youtube.com/watch?v=e4BysqPWgfc">For Elise</a> on a "piano" built from <a href="http://www.animaatjes.nl/cliparts/muziek/vleugels-en-piano/animaatjes-vleugels-en-piano-35888.jpg">this illustration</a>, after "reconstructing" the piece on the basis of a few random bars coming from the burnt score and a review from a magazine. It may be a great work, but do you think it will sound anything like the composition that I linked above? No way.
<br /><br />
So is this album a disappointment? Not at all! All I say is - let's not treat it like a definitive recording of ancient music, but rather as a suggestion: <i>it might have sounded like that</i>.
<br /><br />
So how is it, when judged on its own merits? Brilliant. Astounding. Breathtaking. Mesmerizing. I have to stop right now, because I'm running out of adjectives. You're lucky you're reading me in English, because in Polish I'd go on like this for several more pages. Each of these songs is so powerful, hypnotic, full of emotions that you are immediately carried away by the procession of ancient Greeks. You can only hope you won't end up offered as a sacrifice to Greek gods.
<br /><br />
So all this long introduction was to prepare you for what I am about to write now: I don't give a fuck if this is true ancient music or just a new-age'y / folky imitation. This is a masterpiece of Music. Who cares for labels. Let's just listen to this awesome record and praise ingenious people that created it.
<br /><br />
I have to end with a small disclaimer. Due to high originality and uniqueness of this music, this record is of course not for everyone. For the majority of pop/rock oriented public it would be probably just a cacophony. But if only you have open mind (and ears) for sonic experiments and you are not afraid of new musical experiences and unusual sounds, I am sure you will be delighted.
<br /><br />
<b><u>Tracklist:</u></b><br />
<pre style="font-size: small; background-color: black; width: 560px;">
01. Promoleth' Helikona [02:44]
02. All' o chryseokitharin [03:14]
03. Tripoda manteion [04:02]
04. All' o Phoibe [05:12]
05. En, klyta megalopolis Atthis [02:22]
06. Ganytai [02:54]
07. Alla Latous [01:50]
08. Paian, o Paian [02:49]
09. Kronos archon [03:18]
10. Melipnoon [02:56]
11. Chelidon [02:46]
12. En kymasin [04:01]
13. Hode Galatan Ares [03:17]
Playing Time.........: 41:30
</pre>
<iframe width="560" height="315" src="http://www.youtube-nocookie.com/embed/videoseries?list=PL128B7204FEE1FAA3" frameborder="0" allowfullscreen></iframe>
<br /><br />
<u>Support artists, not recording industry</u><br />
Pay the artists directly. They do not profit from CD sales. If you buy brand new mainstream albums in regular record stores (no matter whether online or offline, CDs or downloads), almost all the money goes to the recording industry mafia and is later used for committing crimes such as unlawful harassment of fans and bribing authorities to implement changes in law, which would infringe basic human rights. If you really want to support mainstream artists (and you should, if you love their music!), go to concerts or buy merchandise off the official websites.
<br /><br />
If you can afford buying music, but it is not possible to pay a particular artist without a mafia tribute, consider supporting some independent artists instead. You can find many great acts on such websites as <a href="http://magnatune.com">magnatune.com</a>, <a href="http://jamendo.com">jamendo.com</a>, <a href="http://cdbaby.com">cdbaby.com</a>, <a href="http://bandcamp.com">bandcamp.com</a>, <a href="http://megatotal.pl">megatotal.pl</a>. Supporting independent artists helps fight the recording industry mafia.
<br /><br /><br />
<div style="height: 500px; overflow: scroll; width: 550px; font-size: small; background-color:black;">
<pre>
Log translation at http://eachelper.uphero.com/
EAC extraction logfile from 16. January 2004, 8:17 for CD
Unknown Artist / Unknown Album
Used drive : TEAC CD-W524E Adapter: 0 ID: 0
Read mode : <b>Secure with NO C2, accurate stream</b>, <b style="color:red">NO disable cache</b>
Combined read/write <b style="color:red">offset correction : 0</b>
Overread into Lead-In and Lead-Out : No
Used output format : Internal WAV Routines
44.100 Hz; 16 Bit; Stereo
Other options :
<b>Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No</b>
External ASPA drivers installed
Track 1
Filename D:\Track01.wav
Peak level 98.8 %
<b>Track quality 100.0 %</b>
Copy CRC 10331797
<b>Copy OK</b>
Track 2
Filename D:\Track02.wav
Peak level 98.8 %
<b>Track quality 100.0 %</b>
Copy CRC 428A152B
<b>Copy OK</b>
Track 3
Filename D:\Track03.wav
Peak level 98.8 %
<b>Track quality 100.0 %</b>
Copy CRC 86843217
<b>Copy OK</b>
Track 4
Filename D:\Track04.wav
Peak level 98.8 %
<b>Track quality 100.0 %</b>
Copy CRC 68C0ED12
<b>Copy OK</b>
Track 5
Filename D:\Track05.wav
Peak level 69.9 %
<b>Track quality 100.0 %</b>
Copy CRC 885A0836
<b>Copy OK</b>
Track 6
Filename D:\Track06.wav
Peak level 69.9 %
<b>Track quality 100.0 %</b>
Copy CRC 712FCEA6
<b>Copy OK</b>
Track 7
Filename D:\Track07.wav
Peak level 84.2 %
<b>Track quality 100.0 %</b>
Copy CRC 7685152A
<b>Copy OK</b>
Track 8
Filename D:\Track08.wav
Peak level 98.8 %
<b>Track quality 99.9 %</b>
Copy CRC 8BF6F7AA
<b>Copy OK</b>
Track 9
Filename D:\Track09.wav
Peak level 98.8 %
<b>Track quality 100.0 %</b>
Copy CRC 1126E199
<b>Copy OK</b>
Track 10
Filename D:\Track10.wav
Peak level 68.6 %
<b>Track quality 100.0 %</b>
Copy CRC 3BFA1331
<b>Copy OK</b>
Track 11
Filename D:\Track11.wav
Peak level 98.8 %
<b>Track quality 100.0 %</b>
Copy CRC 3BEBCCA5
<b>Copy OK</b>
Track 12
Filename D:\Track12.wav
Peak level 57.6 %
<b>Track quality 100.0 %</b>
Copy CRC A371DF12
<b>Copy OK</b>
Track 13
Filename D:\Track13.wav
Peak level 98.8 %
<b>Track quality 100.0 %</b>
Copy CRC 2BF5905B
<b>Copy OK</b>
<b>No errors occured</b>
End of status report
</pre></div>
<br /><br />
<div style="height: 200px; overflow: scroll; width: 550px; font-size: small; background-color:black;">
<pre>
[CUETools log; Date: 2013-02-17 03:35:10; Version: 2.1.4]
[CTDB TOCID: rEfT3DdSkNX.fCUkHt7wTZe5t68-] disk not present in database.
[AccurateRip ID: 001425c0-00c803a9-9709ba0d] disk not present in database.
</pre></div>
<br /><br />
<div style="height: 500px; overflow: scroll; width: 550px; font-size: small; background-color:black;">
<pre>
-----------------------
DON'T MODIFY THIS FILE
-----------------------
PERFORMER: auCDtect Task Manager, ver. 1.5.1RC4 build 1.5.1.5
Copyright (c) 2008-2010 y-soft. All rights reserved
http://y-soft.org
ANALYZER: auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
FILE: 13 - Hode Galatan Ares.wav
Size: 34783772 Hash: DFDC6447392FA8D6338CCEB3A3AB7AF3 Accuracy: -m0
Conclusion: <b>CDDA 100%</b>
Signature: 5C5303371F3C477810BA2791173047AE9E71115D
FILE: 12 - En kymasin.wav
Size: 42568892 Hash: 54C8A3B652ABBF6A33D20E7D0C30F245 Accuracy: -m0
Conclusion: <b>CDDA 100%</b>
Signature: 4437AA67B490C6E136343B999AD2B3179282B062
FILE: 11 - Chelidon.wav
Size: 29437676 Hash: 1A704EF74157270221BC1CA43B21727F Accuracy: -m0
Conclusion: <b>CDDA 100%</b>
Signature: 4B95F76F76E76961C5F01180B60BC458CCFA02BD
FILE: 10 - Melipnoon.wav
Size: 31149932 Hash: 6B679538C25085A6E0B0E306FD4245F5 Accuracy: -m0
Conclusion: <b>CDDA 100%</b>
Signature: 052F1E357222E01FCBA604D543CFC4C9C0879280
FILE: 09 - Kronos archon.wav
Size: 34950764 Hash: 7457A8D8FB349367F4C0345B826F3E47 Accuracy: -m0
Conclusion: <b>CDDA 100%</b>
Signature: 40D2727B9309779B215DADC23321731E1F1B3981
FILE: 08 - Paian, o Paian.wav
Size: 29933948 Hash: 0BF400E0F95FE33C27E682CE54DD9D63 Accuracy: -m0
Conclusion: <b>CDDA 100%</b>
Signature: AAE1CFFD22BFCB7260957AC54498F21C7CC9D449
FILE: 07 - Alla Latous.wav
Size: 19427564 Hash: 3D55B4B1BAE79D84B23C161885830873 Accuracy: -m0
Conclusion: <b>CDDA 100%</b>
Signature: 9AF4072F6A29B518072EFB18D778D0FF8DE5F994
FILE: 06 - Ganytai.wav
Size: 30853580 Hash: FE692BAD6DD09C3FC217360C150BE798 Accuracy: -m0
Conclusion: <b>CDDA 100%</b>
Signature: DD26E6EB5B3B6A017E2629FF98E2E1574EFFB86C
FILE: 05 - En, klyta megalopolis Atthis.wav
Size: 25095884 Hash: E0E1FA076C8B4437499811DEF286A1D2 Accuracy: -m0
Conclusion: <b>CDDA 100%</b>
Signature: D95016E28321CB7472AC52DE05835D6343B63B3B
FILE: 04 - All' o Phoibe.wav
Size: 55105052 Hash: B6B9345C13E74A91743C8BE45F309C40 Accuracy: -m0
Conclusion: <b>CDDA 100%</b>
Signature: 18127B806FAD19A75568D47AFBC5192CE8083516
FILE: 03 - Tripoda manteion.wav
Size: 42691196 Hash: A6D99541FC9E772E02F2D5AAB3D34304 Accuracy: -m0
Conclusion: <b>CDDA 100%</b>
Signature: C4B6C128D704E0E29B00C7CD74C6B9D694C124FC
FILE: 02 - All' o chryseokitharin.wav
Size: 34365116 Hash: DC3BBC44BC88D5F285736D49B4D8ECA5 Accuracy: -m0
Conclusion: <b>CDDA 100%</b>
Signature: 7DADF892E94ABDC64950E628433F42EAD19D510D
FILE: 01 - Promoleth' Helikona.wav
Size: 28971980 Hash: 454CE927365ADEDE9CED8A862BAC9E7F Accuracy: -m0
Conclusion: <b>CDDA 100%</b>
Signature: 8375ADCC2D28357F86A718C7388407C8BF0FC196
</pre></div>
<br />
As you can see in the EAC log, the person that ripped this CD used a wrong offset setting: "Combined read/write offset correction" is set to "0", what probably means there are some missing samples (but note that it does not mean these differences are audible - it just means the copy is not formally "exact"). I carefully listened to this rip and I heard no audible ripping errors. Further, bear in mind that this CD is no longer available.
<br /><br />
The read mode line should usually say "disable cache", but it may say "NO disable cache" for drives that do not cache data.
<br /><br />
Interested? Ask Uncle Google the magic question:<br />
<pre style="width: 550px; font-size: x-small; background-color: black;">
rEfT3DdSkNX.fCUkHt7wTZe5t68- avax
</pre>
</td></tr>
</tbody></table>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5165340335748772366.post-64509563474544104412013-03-14T18:12:00.000+01:002013-03-15T16:26:38.711+01:00YouTube sidebar recommends: The Grates - "Turn Me On" <table><tbody>
<tr><td align="justify" valign="top">
Damn you, YouTube sidebar! I have some work to do, you know?!
<br><br>
This time simply a fantastic video to the song (not bad either) by the Australian act <a href="http://en.wikipedia.org/wiki/The_Grates">The Grates</a>. It was directed by Dimitri Basil. Dimitri is not on Wikipedia (yet), but you can read an <a href="http://www.aaabackstage.com/featured-interviews/interviews/835-industry-interview-dimitri-basil-director.html">online interview</a> with the guy. I hope his future career will be as successful as this clip.
<br><br>
</td></tr>
<tr><td align="center" valign="top">
<iframe width="720" height="405" src="http://www.youtube-nocookie.com/embed/P7C52UlwiNI" frameborder="0" allowfullscreen></iframe>
<br><br>
The Grates - "Turn Me On"
</td></tr>
<tr><td align="justify" valign="top">
</td></tr>
</tbody></table>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5165340335748772366.post-91414430667800645632013-03-14T14:54:00.000+01:002013-03-14T14:54:22.815+01:00Music is well, thank you: Selah Sue - "Raggamuffin"<table><tbody>
<tr><td align="justify" valign="top">
Some people like to complain that true music died and all that contemporary artists produce is shit. Usually it is strangely related to those people getting older and becoming less open, more nostalgic and focused on the past. Well... What can you do? The world moves on.
<br><br>
However, as long as you can still top the charts just with a good melody, powerful voice and acoustic guitar, I officially announce: the Music is well, thank you for your concern.
<br><br>
OK, good looks won't hurt, either. ;-P
<br><br>
</td></tr>
<tr><td align="center" valign="top">
<iframe width="720" height="405" src="http://www.youtube-nocookie.com/embed/-IunmW3wI5Q" frameborder="0" allowfullscreen></iframe>
<br><br>
<a href="http://en.wikipedia.org/wiki/Selah_Sue">Selah Sue</a> - "Raggamuffin"
</td></tr>
<tr><td align="justify" valign="top">
</td></tr>
</tbody></table>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5165340335748772366.post-24059778608629635632013-03-14T11:49:00.000+01:002013-03-14T11:49:30.548+01:00Back to the '60s: Miss Li - "My Heart Goes Boom"<table><tbody>
<tr><td align="justify" valign="top">
A stylish take on the sound of the '60s. A stylish take on the videos of the '60s. Both missions accomplished.
<br><br>
</td></tr>
<tr><td align="center" valign="top">
<iframe width="720" height="405" src="http://www.youtube-nocookie.com/embed/58nmD7Yu1Og" frameborder="0" allowfullscreen></iframe>
<br><br>
<a href="http://en.wikipedia.org/wiki/Miss_Li">Miss Li</a> - "My Heart Goes Boom"
</td></tr>
<tr><td align="justify" valign="top">
</td></tr>
</tbody></table>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5165340335748772366.post-58611855496913522152013-03-12T20:54:00.000+01:002013-03-13T03:49:43.224+01:00Pan:core - "No Way To Win"<table width="100%"><tbody>
<tr><td align="justify" valign="top">
<a href="http://www.jamendo.com/en/list/a2734/no-way-to-win">
<span style="font-size: large;">
Brilliant diverse electronica (10/10)
</span></a><br />
<blockquote>
<div style="font-family: Georgia,"Times New Roman",serif;"><i><span style="font-size: x-small;">
this is my first 'more than 8 tracks' album.<br />
the tracks are of different type.<br />
i think, i dont want to keep a style forever, if you know what i mean.
<br /><br />
the classical sample in 'cant stop' IS NOT ripped from try^d.<br />
track 4 is a little 'hello' to black era - an amazing triphop-combo from italy, which you can find also on jamendo.<br />
their track 'in front of the corner' inspired me somehow, as you can see at the name of my album :)
<br /><br />
enjoy. :)
</span></i></div>
</blockquote><br />
This is a very diverse recording. Each track is completely different from the others. Some are calm and hypnotic, some are noisy and aggressive, almost industrial. They have only two things in common. They all belong to the genre of electronica and they are all great. Each melody is very original and artful. The album is under half an hour but has more bright ideas than whole discographies of some other artists. ;-)
<br /><br />
You can also <a href="http://pancore.de/bin/mp3/nowaytowin/2006_pan_core_-_nowaytowin.zip">download</a> this album for free directly from the artist at his website in .mp3 file format.
</td> <td width="10"></td> <td align="right" valign="top">
<div style="text-align: center;"><object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://fpdownload.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=7,0,0,0" align="middle" height="300" width="200"><param name="allowScriptAccess" value="always"><param name="wmode" value="transparent"><param name="movie" value="http://widgets.jamendo.com/en/album/?album_id=2734&playertype=2008&refuid=1011928"><param name="quality" value="high"><param name="bgcolor" value="#FFFFFF"><embed src="http://widgets.jamendo.com/en/album/?album_id=2734&playertype=2008&refuid=1011928" quality="high" wmode="transparent" bgcolor="#FFFFFF" allowscriptaccess="always" type="application/x-shockwave-flash" pluginspage="http://www.macromedia.com/go/getflashplayer" align="middle" height="300" width="200"> </object></div>
<a rel="license" href="http://creativecommons.org/licenses/by-nc-sa/3.0/"><img alt="Creative Commons License" style="border-width:0;" src="http://i.creativecommons.org/l/by-nc-sa/3.0/80x15.png" /></a>
<br /><br />
[<a href="http://archive.org/details/jamendo-002734">mirror @ archive.org</a>]<br />
[<a href="http://pancore.de/">Artist's website</a>]
</td></tr>
</tbody></table>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5165340335748772366.post-15618092420836299872013-03-12T19:46:00.000+01:002013-03-14T19:51:58.483+01:00Double brilliance: Ane Brun - "Do You Remember"<table><tbody>
<tr><td align="justify" valign="top">
A brilliant song illustrated by a brilliant video. It was directed by Magnus Renfors and it has been nominated as the music video of the year in the Norwegian music awards <a href="http://en.wikipedia.org/wiki/Spellemannprisen">Spellemannprisen</a>.
<br><br>
"Do You Remember" is the third chapter from a short film based to music from Ane's album <i><a href="http://en.wikipedia.org/wiki/It_All_Starts_with_One">It All Starts With One</a></i>.
<br><br>
</td></tr>
<tr><td align="center" valign="top">
<iframe width="720" height="405" src="http://www.youtube-nocookie.com/embed/1lI30Qw69AQ" frameborder="0" allowfullscreen></iframe>
<br><br>
<a href="http://en.wikipedia.org/wiki/Ane_Brun">Ane Brun</a> - "Do You Remember"
</td></tr>
<tr><td align="justify" valign="top">
</td></tr>
</tbody></table>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5165340335748772366.post-53166262908392116412013-03-11T13:50:00.000+01:002013-03-11T13:50:39.105+01:00Pan:core - "Kithara Kodex"<table width="100%"><tbody>
<tr><td align="justify" valign="top">
<a href="http://www.jamendo.com/en/list/a2472/kithara-kodex">
<span style="font-size: large;">
Brilliant dark experimental electronica (9/10)
</span></a><br />
<blockquote>
<div style="font-family: Georgia,"Times New Roman",serif;"><i><span style="font-size: x-small;">
If you like my music, i would be happy to read some nice words on a postcard.<br />
just send it to maik sommer – hechtstr.47 – 01097 – dresden – germany
<br /><br />
enjoy.
</span></i></div>
</blockquote><br />
Brilliant dark experimental electronica. Thank you, pan:core. At first I didn't like the cover of "Moonlight Sonata", because of the hip-hop beats in the background. But the ending is so powerful and haunting that I had to revise my opinion. The only track I still don't like is "Intro" - it is just tiring, ugly and, in the first place, doesn't fit the rest of the album. It's like a mole on a beautiful face.
<br /><br />
[<a href="http://archive.org/details/jamendo-002472">mirror @ archive.org</a>]<br />
[<a href="http://pancore.de/">Artist's website</a>]
<br /><br />
<a rel="license" href="http://creativecommons.org/licenses/by-nc-sa/3.0/"><img alt="Creative Commons License" style="border-width:0;" src="http://i.creativecommons.org/l/by-nc-sa/3.0/80x15.png" /></a>
</td> <td width="10"></td> <td align="right" valign="top">
<div style="text-align: center;"><object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://fpdownload.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=7,0,0,0" align="middle" height="300" width="200"><param name="allowScriptAccess" value="always"><param name="wmode" value="transparent"><param name="movie" value="http://widgets.jamendo.com/en/album/?album_id=2472&playertype=2008&refuid=1011928"><param name="quality" value="high"><param name="bgcolor" value="#FFFFFF"><embed src="http://widgets.jamendo.com/en/album/?album_id=2472&playertype=2008&refuid=1011928" quality="high" wmode="transparent" bgcolor="#FFFFFF" allowscriptaccess="always" type="application/x-shockwave-flash" pluginspage="http://www.macromedia.com/go/getflashplayer" align="middle" height="300" width="200"> </object><a href="http://pro.jamendo.com/" style="display: block; font-size: 8px ! important;">Royalty-free music for professional licensing</a></div>
</td></tr>
</tbody></table>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5165340335748772366.post-39062700694739299372013-03-10T00:58:00.001+01:002013-03-10T00:58:35.612+01:00Peszek, Maria - "Maria Awaria" (2008)<table><tbody>
<tr><td align="justify" valign="top">
Maria Peszek is a highly acclaimed Polish singer/songwriter. She is considered to be controversial, especially by right-wing retards and tabloids, because she is not afraid to openly discuss - both in lyrics to her songs and in interviews - themes such as sex, faith, patriotism and mental diseases. Each of her three albums was a commercial success, at the same time being praised by the critics and receiving many awards in her native Poland. She sings exclusively in Polish.
<br /><br />
<i>Maria Awaria</i> (Maria the Failure) is a loose concept album about sex, love and femininity. All lyrics are in Polish and they are really good, witty and powerful, being an important factor in making these songs as awesome as they are. Therefore, this album may not appeal to non-Polish speaking public, as some tracks are built around lyrics with musical background playing only a small part ("Milosc w systemie Dolby Surround", "Reks", "Ladne slowa to").
<br /><br />
Nevertheless, I still encourage you to check this album out, because many other tracks are brilliant from the musical side too (e.g. "Rosol", "Hujawiak", "Maria Awaria", "Muchomory"). From the musical perspective this is a pop (or pop rock) record, with some jazz and modern electronica influences. The album is masterfully produced by one of the best Polish producers and electronica composers, <a href="http://en.wikipedia.org/wiki/Andrzej_Smolik">Andrzej Smolik</a>, so the said musical background is full of pleasant surprises on many occasions. Many of Peszek's vocal lines are catchy as hell too and should be enjoyable even without understanding of her lyrics.
<blockquote style="font-family: Georgia,"Times New Roman",serif;"><span style="font-size: x-small;"><i>
<i>Maria Awaria</i> To zdecydowanie najbardziej kobieca i erotyczna płyta na polskim rynku od czasów... Hmmm... No właśnie, takiego albumu jeszcze w kraju nad Wisłą nie było.
<br /><br />
Maria Peszek na swoim drugim krążku odkrywa przed słuchaczami swoją kobiecą naturę. Bez zażenowania śpiewa o tym, że "dla własnej wygody zapuszcza swe ogrody i kolekcjonuje wzwody". Zdradza też swoje swoje erotyczne fantazje. Zachęca kochanka do lizania, solenia i miętolenia swego drobnego ciała.
<br /><br />
Z niemal fotograficzną dokładnością opisuje również style współczesnych kobiet, które z jednej strony "chude, wysokie z wydepilowanym krokiem", a z drugiej mogą być kurami domowymi. Odkrywa też swoją romantyczną duszę i w piękny, metaforyczny sposób (swoim delikatnym aksamitnym głosem) śpiewa o tęsknocie.
<br /><br />
I od razu zapewniam: mimo różnych – może kontrowersyjnych – stwierdzeń teksty nie są wulgarne, nie przekraczają cienkiej granicy dobrego smaku (choć się do niej niebezpiecznie zbliżają).
<br /><br />
Jeszcze słowo o samej muzyce, za którą odpowiedzialny był <a href="http://pl.wikipedia.org/wiki/Andrzej_Smolik">Andrzej Smolik</a>. To miks przeróżnych styli muzycznych: od delikatnego, transowego, nastrojowego trip-hopu i chilloutu pełnego "powietrza" i ciepłych muzycznych plam, przez nieco jazzujące swingi, altarnatywnego retropopu, po elementy starego rocka z lat 60-tych. I mimo takiego przemieszania gatunków płyta jest zaskakująco spójna. Szczerze polecam!
</i> [<b><a href="http://gramuzyka.redblog.gk24.pl/2012/03/20/maria-peszek-maria-awaria-recenzja/">Mariusz Rodziewicz</a></b>]
</span></blockquote>
<br />
<b><u>Tracklist:</u></b><br />
<pre style="font-size: small; background-color: black;">
01. Mis [03:33]
02. Kobiety pistolety [04:52]
03. Marzne bez Ciebie [03:28]
04. Rosol [02:38]
05. Milosc w systemie Dolby Surround (feat. Edek) [03:48]
06. Reks [00:26]
07. Hujawiak [03:29]
08. Maria Awaria [03:40]
09. Superglue [02:26]
10. Cialo [04:00]
11. Rozpuda [03:27]
12. Hedonia [03:57]
13. Ladne slowa to [03:03]
14. Muchomory [03:47]
Playing Time.........: 46:40
</pre>
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<br /><br />
<div class="separator" style="clear: both; text-align: right;">
<a href="http://muzyka.onet.pl/artysci/katalog/maria-peszek,159851,artysta.html">Biography (in Polish)</a><br />
<a href="http://en.wikipedia.org/wiki/Maria_Peszek">Wikipedia EN (artist)</a><br />
<a href="http://pl.wikipedia.org/wiki/Maria_Peszek">Wikipedia PL (artist)</a><br />
<a href="http://pl.wikipedia.org/wiki/Maria_Awaria">Wikipedia PL (album)</a><br />
<a href="https://www.youtube.com/user/TVmariapeszek/">YouTube</a><br />
<a href="https://www.facebook.com/peszekmaria">Facebook</a><br />
<a href="http://www.myspace.com/marysiapeszek">Myspace</a><br />
<a href="http://db.cuetools.net/?tocid=NPAvW0aE.cv1COuiDGoKPTtpr6M-">CueTools DB record</a>
</div>
</td></tr>
</tbody></table>
<table><tbody>
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<iframe width="560" height="315" src="http://www.youtube-nocookie.com/embed/videoseries?list=PLAVixqj1dcEYMlTsZqjm--R1Lqmwf2_1R" frameborder="0" allowfullscreen></iframe>
<br /><br />
<u>Support artists, not recording industry</u><br />
Pay the artists directly. They do not profit from CD sales. If you buy brand new mainstream albums in regular record stores (no matter whether online or offline, CDs or downloads), almost all the money goes to the recording industry mafia and is later used for committing crimes such as unlawful harassment of fans and bribing authorities to implement changes in law, which would infringe basic human rights. If you really want to support mainstream artists (and you should, if you love their music!), go to concerts or buy merchandise off the official websites.
<br /><br />
If you can afford buying music, but it is not possible to pay a particular artist without a mafia tribute, consider supporting some independent artists instead. You can find many great acts on such websites as <a href="http://magnatune.com">magnatune.com</a>, <a href="http://jamendo.com">jamendo.com</a>, <a href="http://cdbaby.com">cdbaby.com</a>, <a href="http://bandcamp.com">bandcamp.com</a>, <a href="http://megatotal.pl">megatotal.pl</a>. Supporting independent artists helps fight the recording industry mafia.
<br /><br /><br />
<div style="height: 500px; overflow: scroll; width: 550px; font-size: small; background-color:black;">
<pre>
Log translation at http://eachelper.uphero.com/
Exact Audio Copy V0.99 prebeta 4 from 23. January 2008
EAC extraction logfile from 4. October 2008, 18:22
Maria Peszek / Maria awaria
Used drive : TSSTcorpCDDVDW SH-S203P Adapter: 1 ID: 0
<b>Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No</b>
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
<b>Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No</b>
Null samples used in CRC calculations : No
Used interface : Native Win32 interface for Win NT & 2000
<b>Gap handling : Appended to previous track</b>
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 3:33.05 | 0 | 15979
2 | 3:33.05 | 4:52.42 | 15980 | 37921
3 | 8:25.47 | 3:28.09 | 37922 | 53530
4 | 11:53.56 | 2:38.54 | 53531 | 65434
5 | 14:32.35 | 3:48.62 | 65435 | 82596
6 | 18:21.22 | 0:26.48 | 82597 | 84594
7 | 18:47.70 | 3:29.01 | 84595 | 100270
8 | 22:16.71 | 3:40.23 | 100271 | 116793
9 | 25:57.19 | 2:26.24 | 116794 | 127767
10 | 28:23.43 | 4:00.70 | 127768 | 145837
11 | 32:24.38 | 3:27.41 | 145838 | 161403
12 | 35:52.04 | 3:57.34 | 161404 | 179212
13 | 39:49.38 | 3:03.19 | 179213 | 192956
14 | 42:52.57 | 3:47.35 | 192957 | 210016
Track 1
Filename M:\Maria Peszek - Maria awaria\01 - Mis.wav
Pre-gap length 0:00:02.00
Peak level 96.9 %
<b>Track quality 100.0 %</b>
Test CRC 58068A12
Copy CRC 58068A12
<b>Track not present in AccurateRip database
Copy OK</b>
Track 2
Filename M:\Maria Peszek - Maria awaria\02 - Kobiety pistolety.wav
Pre-gap length 0:00:00.24
Peak level 96.7 %
<b>Track quality 99.9 %</b>
Test CRC 3465DB9D
Copy CRC 3465DB9D
<b>Track not present in AccurateRip database
Copy OK</b>
Track 3
Filename M:\Maria Peszek - Maria awaria\03 - Marzne bez Ciebie.wav
Pre-gap length 0:00:00.26
Peak level 96.4 %
<b>Track quality 100.0 %</b>
Test CRC C96B8BFE
Copy CRC C96B8BFE
<b>Track not present in AccurateRip database
Copy OK</b>
Track 4
Filename M:\Maria Peszek - Maria awaria\04 - Rosol.wav
Pre-gap length 0:00:01.46
Peak level 97.7 %
<b>Track quality 99.9 %</b>
Test CRC DFFDD702
Copy CRC DFFDD702
<b>Track not present in AccurateRip database
Copy OK</b>
Track 5
Filename M:\Maria Peszek - Maria awaria\05 - Milosc w systemie dolby surround feat Edek.wav
Pre-gap length 0:00:01.23
Peak level 96.2 %
<b>Track quality 100.0 %</b>
Test CRC 7B0659E3
Copy CRC 7B0659E3
<b>Track not present in AccurateRip database
Copy OK</b>
Track 6
Filename M:\Maria Peszek - Maria awaria\06 - Reks.wav
Peak level 96.4 %
<b>Track quality 100.0 %</b>
Test CRC 4117F80F
Copy CRC 4117F80F
<b>Track not present in AccurateRip database
Copy OK</b>
Track 7
Filename M:\Maria Peszek - Maria awaria\07 - Hujawiak.wav
Pre-gap length 0:00:00.02
Peak level 96.6 %
<b>Track quality 100.0 %</b>
Test CRC 8DB1B481
Copy CRC 8DB1B481
<b>Track not present in AccurateRip database
Copy OK</b>
Track 8
Filename M:\Maria Peszek - Maria awaria\08 - Maria awaria.wav
Pre-gap length 0:00:00.44
Peak level 96.3 %
<b>Track quality 100.0 %</b>
Test CRC EA6867E2
Copy CRC EA6867E2
<b>Track not present in AccurateRip database
Copy OK</b>
Track 9
Filename M:\Maria Peszek - Maria awaria\09 - Superglue.wav
Pre-gap length 0:00:00.06
Peak level 96.1 %
<b>Track quality 100.0 %</b>
Test CRC 19C8A0F3
Copy CRC 19C8A0F3
<b>Track not present in AccurateRip database
Copy OK</b>
Track 10
Filename M:\Maria Peszek - Maria awaria\10 - Cialo.wav
Pre-gap length 0:00:01.63
Peak level 96.4 %
<b>Track quality 100.0 %</b>
Test CRC 7C2D73DE
Copy CRC 7C2D73DE
<b>Track not present in AccurateRip database
Copy OK</b>
Track 11
Filename M:\Maria Peszek - Maria awaria\11 - Rozpuda.wav
Pre-gap length 0:00:01.67
Peak level 96.6 %
<b>Track quality 99.9 %</b>
Test CRC 60AA0025
Copy CRC 60AA0025
<b>Track not present in AccurateRip database
Copy OK</b>
Track 12
Filename M:\Maria Peszek - Maria awaria\12 - Hedonia.wav
Pre-gap length 0:00:00.23
Peak level 97.7 %
<b>Track quality 99.9 %</b>
Test CRC 5F58EBC7
Copy CRC 5F58EBC7
<b>Track not present in AccurateRip database
Copy OK</b>
Track 13
Filename M:\Maria Peszek - Maria awaria\13 - Ladne slowa to.wav
Peak level 97.9 %
<b>Track quality 100.0 %</b>
Test CRC CE72E9CC
Copy CRC CE72E9CC
<b>Track not present in AccurateRip database
Copy OK</b>
Track 14
Filename M:\Maria Peszek - Maria awaria\14 - Muchomory.wav
Pre-gap length 0:00:14.18
Peak level 93.7 %
<b>Track quality 99.9 %</b>
Test CRC 1AEAA0BC
Copy CRC 1AEAA0BC
<b>Track not present in AccurateRip database
Copy OK</b>
<b>None of the tracks are present in the AccurateRip database
No errors occurred</b>
End of status report
</pre></div>
<br /><br />
<div style="height: 500px; overflow: scroll; width: 550px; font-size: small; background-color:black;">
<pre>
[CUETools log; Date: 2013-02-17 05:06:03; Version: 2.1.4]
[CTDB TOCID: NPAvW0aE.cv1COuiDGoKPTtpr6M-] found.
[ CTDBID ] Status
[6f093d04] <b>(08/10) Accurately ripped</b>
[138b984f] (01/10) Differs in 945 samples @27:31:16,27:34:06,27:34:34-27:34:35,27:34:48-27:34:49,27:34:63,27:35:45,27:35:59-27:35:60,27:36:27-27:36:28,27:36:41-27:36:42,27:36:70,27:37:38,27:37:52-27:37:53,27:39:31,27:39:73-27:39:74,27:40:13-27:40:14,27:40:70-27:40:71,28:15:71-28:15:72,28:16:25-28:16:26,29:15:19
[346fab19] (01/10) No match
Track | CTDB Status
1 | <b>(10/10) Accurately ripped</b>
2 | <b>(10/10) Accurately ripped</b>
3 | <b>(10/10) Accurately ripped</b>
4 | <b>(10/10) Accurately ripped</b>
5 | <b>(10/10) Accurately ripped</b>
6 | <b>(10/10) Accurately ripped</b>
7 | <b>( 9/10) Accurately ripped</b>
8 | <b>(10/10) Accurately ripped</b>
9 | <b>( 9/10) Accurately ripped</b>, or (1/10) differs in 933 samples @01:33:72,01:36:62,01:37:15-01:37:16,01:37:29-01:37:30,01:37:44,01:38:26,01:38:40-01:38:41,01:39:08-01:39:09,01:39:22-01:39:23,01:39:51,01:40:19,01:40:33-01:40:34,01:42:12,01:42:54-01:42:55,01:42:69-01:42:70,01:43:51-01:43:52,02:18:52-02:18:53,02:19:06-02:19:07
10 | <b>( 9/10) Accurately ripped</b>, or (1/10) differs in 12 samples @00:51:51
11 | <b>(10/10) Accurately ripped</b>
12 | <b>(10/10) Accurately ripped</b>
13 | <b>(10/10) Accurately ripped</b>
14 | <b>(10/10) Accurately ripped</b>
[AccurateRip ID: 001805b2-00fdba1f-b90af00e] found.
Track [ CRC | V2 ] Status
01 [25a544a8|dde05980] <b>(15+02/17) Accurately ripped</b>
02 [cbb971dc|cd69b2f3] <b>(15+02/17) Accurately ripped</b>
03 [2736429a|accbc83f] <b>(15+02/17) Accurately ripped</b>
04 [729a9ac5|c3517bbc] <b>(15+02/17) Accurately ripped</b>
05 [bf41c7a2|1be9f198] <b>(15+02/17) Accurately ripped</b>
06 [c1fd14ac|75ab41ef] <b>(15+02/17) Accurately ripped</b>
07 [36d1cfee|de38fe72] <b>(15+02/17) Accurately ripped</b>
08 [035eed46|a03ed5b4] <b>(15+02/17) Accurately ripped</b>
09 [fe956470|f9b2ee09] <b>(15+02/17) Accurately ripped</b>
10 [3274676d|b1e18672] <b>(14+02/16) Accurately ripped</b>
11 [14802851|f386bf09] <b>(14+02/16) Accurately ripped</b>
12 [4144eb9c|c40cf4ec] <b>(14+02/16) Accurately ripped</b>
13 [3942f2d5|b51d147d] <b>(14+02/16) Accurately ripped</b>
14 [17489047|3f782839] <b>(14+02/16) Accurately ripped</b>
Track Peak [ CRC32 ] [W/O NULL]
-- 97,9 [FB555EDF] [DBF1D347]
01 96,9 [45D69575] [58068A12]
02 96,7 [5D73B959] [3465DB9D]
03 96,4 [E15693BB] [C96B8BFE]
04 97,7 [3E381991] [DFFDD702]
05 96,2 [6569979C] [7B0659E3]
06 96,4 [B42258B0] [4117F80F]
07 96,6 [FF3E97EC] [8DB1B481]
08 96,3 [02BB744E] [EA6867E2]
09 96,1 [D8618599] [19C8A0F3]
10 96,4 [A5946C74] [7C2D73DE]
11 96,6 [26CBEB9C] [60AA0025]
12 97,7 [2D3EA2D1] [5F58EBC7]
13 97,9 [46AC4F73] [CE72E9CC]
14 93,7 [E11DC985] [1AEAA0BC]
</pre></div>
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<div style="height: 500px; overflow: scroll; width: 550px; font-size: small; background-color:black;">
<pre>
-----------------------
DON'T MODIFY THIS FILE
-----------------------
PERFORMER: auCDtect Task Manager, ver. 1.5.1RC4 build 1.5.1.5
Copyright (c) 2008-2010 y-soft. All rights reserved
http://y-soft.org
ANALYZER: auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
FILE: 14 - Muchomory.wav
Size: 40125164 Hash: E60EA3889EE30A0C100E26A52D665AB2 Accuracy: -m0
Conclusion: <b>CDDA 100%</b>
Signature: B5334B2A6A6888DE447DB4FFD73C9E07CCC838B9
FILE: 13 - Ladne slowa to.wav
Size: 32325932 Hash: 4EB42B10F92A0B2A731C9CC1BF740DB5 Accuracy: -m0
Conclusion: <b>CDDA 100%</b>
Signature: 6ED9B36487D37167951D82A6109776E31EE34B4C
FILE: 12 - Hedonia.wav
Size: 41886812 Hash: 206E7B8F559E443DEB97F1E7DF374319 Accuracy: -m0
Conclusion: <b>CDDA 100%</b>
Signature: BDA562465990A68AADBA31F20FAF38AC498A12D7
FILE: 11 - Rozpuda.wav
Size: 36611276 Hash: 0B9882084A1357C5A205FA5E723CC892 Accuracy: -m0
Conclusion: <b>CDDA 100%</b>
Signature: D27C2855CCCCAE69DCD805239826DB3CA84FE64B
FILE: 10 - Cialo.wav
Size: 42500684 Hash: 6475FB73125314F73FDFF48100EEAD81 Accuracy: -m0
Conclusion: <b>CDDA 100%</b>
Signature: 53B27813489CDB4AF20E68FE44E66F60735556C4
FILE: 09 - Superglue.wav
Size: 25810892 Hash: 9ADE6112AB808DDD03D69A76C97A4A33 Accuracy: -m0
Conclusion: <b>CDDA 100%</b>
Signature: 4382E6A226FA12AB976B3104F1F2D884A3CF55F4
FILE: 08 - Maria Awaria.wav
Size: 38862140 Hash: FE69343B96390585C577FFE0EF6CB873 Accuracy: -m0
Conclusion: <b>CDDA 100%</b>
Signature: 54D7033E9018D62865F8E4EF2BF5963CD1EC2720
FILE: 07 - Hujawiak.wav
Size: 36869996 Hash: 1183354857D16152D2E6E0BFD3221981 Accuracy: -m0
Conclusion: <b>CDDA 100%</b>
Signature: 9DFAF9D333609F80B16B549EF33A1DA132CED4D7
FILE: 06 - Reks.wav
Size: 4699340 Hash: 58C0EE7355C1197755077F7B2B667572 Accuracy: -m0
Conclusion: <b>CDDA 100%</b>
Signature: 3B4C95323C4CDABE87471DBD702F2506D6E7905A
FILE: 05 - Milosc w systemie Dolby Surround (feat. Edek).wav
Size: 40365068 Hash: C87562973B0F11E70566D3396BDB60BC Accuracy: -m0
Conclusion: <b>CDDA 100%</b>
Signature: C43990FE4D32351B95A0C22DB524D3486E745DCA
FILE: 04 - Rosol.wav
Size: 27998252 Hash: 55DFFA7AE4C22200E6EDE742FD637241 Accuracy: -m0
Conclusion: <b>CDDA 100%</b>
Signature: 8A88997C861698339147E016B7BCB86771DE5BA9
FILE: 03 - Marzne bez Ciebie.wav
Size: 36712412 Hash: 82C240CFF279DD8AE31A482953E4AFAA Accuracy: -m0
Conclusion: <b>CDDA 100%</b>
Signature: 9DB5B454815F5B8938CE16A9D28D37178090BF5D
FILE: 02 - Kobiety pistolety.wav
Size: 51607628 Hash: 65DE2E98EF5C0F4314579BD6403248E4 Accuracy: -m0
Conclusion: <b>CDDA 100%</b>
Signature: F02D7A358CEB4FD5C545AC80C3BBEAE08CF59763
FILE: 01 - Mis.wav
Size: 37585004 Hash: AFA5BB472292683388B79BD675265AF4 Accuracy: -m0
Conclusion: <b>CDDA 100%</b>
Signature: E4102B98C24291DC2DEF772AF0C54D4B5947F074
</pre></div>
<br />
Interested? Ask Uncle Google the magic question:<br />
<pre style="width: 550px; font-size: x-small; background-color: black;">
NPAvW0aE.cv1COuiDGoKPTtpr6M avax
</pre>
</td></tr>
</tbody></table>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5165340335748772366.post-35246364774290909512013-03-08T20:43:00.000+01:002013-03-08T20:43:36.847+01:00Abogix (J.K.), the - "Friends"<table width="100%"><tbody>
<tr><td align="justify" valign="top">
<a href="http://www.jamendo.com/en/list/a6571/friends">
<span style="font-size: large;">
Work of a genius - a feast for the ears (8/10)
</span></a><br />
<blockquote>
<div style="font-family: Georgia,"Times New Roman",serif;"><i><span style="font-size: x-small;">
Dieses Album ist eine widmung an die Leute,die Freunde die sich jetzt seit längerer zeit auf Jamendo "rumtreiben" und immer schön fleissig mitschreiben in den foren.<br />
Das sind dann auch die Menschen die dafür sorgten dass endlich mal leben in die "Bude" kam und man(n) sich nicht mehr so einsam fühlte wie es ne lange zeit der fall war.<br />
Die idee zu diesem Album kam aber erst als mehrmals das thema eines treffen in Deutschland zu sprache kam...und noch immer im gespräch ist!<br />
Dauernd schwebten mir Bilder im Kopf wie denn ein solches treffen aussehen würde und während dem ich mein neues "Album" produzierte merkte ich zumindest dass schon der anfang meines stückes diese gedanken noch verstärkten...also war schnell ein titel und eine neue idee geboren. Eigentlich sollten da noch einige titel mehr zu hören sein,aber mir fiel auf dass diese titel nicht hier zu diesem Album passten. Also entschloss ich mich dass dieses Album nur zwei, ein sehr kurzer und ein langer titel haben wird...naja, wenigstens kein 1:22 Album LOL!!!<br />
Ich hoffe ihr könnt iergendwie meine gedanken beim zuhören dieser musik verstehen und raushören.
<br /><br />
Thank's for....everything!
<br /><br />
The Abogix (J.K.) alias Reznamor alias Jean Kops
</span></i></div>
</blockquote><br />
Abogix is a genius. Or he sold his soul to the devil. How else could you explain the fact that this man composes and records three perfect albums in half a year?
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<br /><br />
[<a href="http://archive.org/details/jamendo-006571">mirror @ archive.org</a>]
<br />
[<a href="http://www.myspace.com/theabogix">Artist's Myspace</a>]
</td></tr>
</tbody></table>
<table width="100%"><tbody>
<tr><td align="justify" valign="top">
<br />
This record is one of his best. It's a great mixture of electronica, rock, jazz, even some traces of industrial. All is perfectly blended and flawlessly produced. It's simply a true feast for the ears. The music is beautiful, intelligent, original, surprising - everything is perfect on this album. I have only two complaints: first of all - IT'S TOO SHORT!!!!! ;-). And secondly, I don't like long tracks. And this one could have been cut very easily, as it comprises of several different tunes. Of course I don't mean putting silence between them - they are perfectly combined and it is great, but each tune could be just put in his own track. It would be easy to find one's favourite part, repeat them, compare different melodies and so on.
<br /><br />
Oh, and I love the cover - very funny and perfectly corresponds with the mood of this album. But this is also usual with Abogix - covers of his albums are always great.
<br /><br />
PS. Why on earth I wrote all the above? I could just write: "Just another album from Abogix." and everything would be perfectly clear. ;-)
</td></tr>
</tbody></table>
<br /><br />
<table><tr><td>
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<br />
<div align="center"><b>SUPPORT INDEPENDENT ARTISTS</b></div>
<br />
If you like this album and you can afford it, consider supporting the artist by making a <b>donation</b> on <a href="http://www.jamendo.com/en/artist/1593/the-abogix-j.k.">this page</a> - use the button "Donate" in the upper left corner.
</td></tr>
</tbody></table>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5165340335748772366.post-3690425448104200732013-03-07T16:15:00.000+01:002013-03-07T16:15:04.755+01:00Massia, Thierry de - "Shift"<table><tbody>
<tr><td align="justify" valign="top"><span style="font-size: large;">
<a href="http://www.jamendo.com/en/list/a4605/shift">
Almost like Beethoven... (6/10)
</a></span>
<br /><br />
<blockquote>
<div style="font-family: Georgia,"Times New Roman",serif;">
<i><span style="font-size: x-small;">
New age très mélodique, les différents morceaux sont tour à tour torturés, mélancoliques, doux ou apaisants. Casque sur les oreilles, yeux fermés, la musique invite à la rêverie.
</span></i></div>
</blockquote><br />
I have mixed feelings after listening to this album. Thierry de Massia is definitely a talented composer. In fact he even can be compared to <a href="http://en.wikipedia.org/wiki/Ludwig_van_Beethoven">Beethoven</a>. Like his famous predecessor, he's talented but he must be completely deaf. These cheap synthetic sounds imitate real instruments so poorly that ugliness of the sound kills any fun one could have from listening to nice melodies. In my opinion, Mr. de Massia should limit himself to composing only and give his score to a real band or to a person who is properly equipped and knows how to use synthesizers.
<br /><br />
As for the tunes, some tracks bear classical influences ("Un signe", "Tales of mister frog", "Shift"). They have very simple melodies, as if composed for children, but could be quite nice if not for those synthetic sounds. In their current form they are practically unlistenable. The other half of songs sounds like transferred directly from the '80s ("La chanson de Julie", "RailRoad", "Jet Set"), straight from the recording session of <a href="http://en.wikipedia.org/wiki/Jean_Michel_Jarre">Jean Michel Jarre</a>. So these tracks are extremely unoriginal, but on the other hand, imitation is almost perfect. In fact "RailRoad" could be advertised as unpublished Jarre's tune from the '80s and I think everybody would believe it. And in these electronic tunes the artist does not try to imitate the classical orchestra and therefore ugly synthetic sounds can be tolerated (in fact they even give this "old '80s" feeling that can be treated as done on purpose). So this part of the album is quite nice if one is not bothered with lack of originality.
<br /><br />
<table><tr><td>
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<br /><br />
[<a href="http://archive.org/details/jamendo-004605">mirror @ archive.org</a>]<br />
[<a href="https://twitter.com/t3dm">Twitter</a>]
</td></tr>
</tbody></table>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5165340335748772366.post-35444692615274724662013-03-07T12:27:00.000+01:002013-03-07T12:27:32.441+01:00Sound-Ra - "In Your Face"<table><tbody>
<tr><td align="justify" valign="top"><span style="font-size: large;">
<a href="http://www.jamendo.com/en/list/a6284/in-your-face">
Good original techno (7/10)
</a></span>
<br /><br />
<blockquote>
<div style="font-family: Georgia,"Times New Roman",serif;">
<i><span style="font-size: x-small;">
Dès ses débuts, milieu 90, ses compositions furent largement influencées par les sons techno de Détroit. Grande passionnée de hardtekno et du label primate entre autre.
<br /><br />
Ses productions aux allures parfois dures, proches d’un courant electronique mais aussi aux univers intimistes comme When I Was A Child et Délice interpellent un large public.
<br /><br />
Ses sets sur machines ont pris aujourd’hui l’ascendant et lui offre ce côté tactile qui fait la part belle à l’intuition et provoque l’envie de danser.
</span></i></div>
</blockquote><br />
Looking for good techno/electronica? Look no further. This album should appeal to people who like a bit more experimental side of techno. There are no simple beats, it's not a shallow record for disco fans. Many strange sounds connected in a clever and original way. Keep up the good work, Sound-Ra. Oh, and another great cover (I rate only music, but it's a nice addition).
<br /><br />
The only complaint that I have regards sound distribution between channels. A hi-hat banging constantly in the right ear can be really annoying (see the first track or no. 05 - Fever).
<br /><br />
[<a href="http://archive.org/details/jamendo-006284">mirror @ archive.org</a>] |
[<a href="http://www.myspace.com/soundmusicsound">Myspace</a>] |
[<a href="http://www.facebook.com/pages/Sound-Ra/18083517105">Facebook</a>]
<br /><br />
<table><tr><td>
<hr width="50%">
<br />
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<br />
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</tbody></table>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5165340335748772366.post-82568045076875035442013-03-06T16:30:00.000+01:002013-03-06T16:30:55.437+01:00Akusto, Ben - "Disturbance"<table><tbody>
<tr><td align="justify" valign="top"><span style="font-size: large;">
<a href="http://www.jamendo.com/en/list/a6267/disturbance">
Great electronica (9/10)
</a></span>
<br /><br />
<blockquote>
<div style="font-family: Georgia,"Times New Roman",serif;">
<i><span style="font-size: x-small;">
Rare "Golden Oldies" saved from c-casettes, dat-tapes and old harddrives. Just counterplay it very loud next time your neighbour downstairs is banging the roof with the broom.
<br /><br />
However, these are old and rusty songs made late 90's or in other words 10 years ago. About same time as the two previously published: TeddyBear Trilogee and Ambience Session. I just didn't dare to mix&master any track anyhow (except the Camel Boost just a little bit) - so don't expect too high quality and don't ruin your hi-fi stack. I still hope you like what you hear.
</span></i></div>
</blockquote>
<br />
It's not pure ambient. At least it's not so simple and quiet as typical ambient tunes are. Nevertheless it's a very very good album. It's not rusty at all, but colorful and brilliant.
<br /><br />
[<a href="http://archive.org/details/jamendo-006267">mirror @ archive.org</a>] | [<a href="http://www.confuture.net/akusto/">Artist's Website</a>] |
[<a href="http://www.myspace.com/benakusto">Myspace</a>]
<br /><br />
<hr width="50%">
<br />
<div align="center"><b>SUPPORT INDEPENDENT ARTISTS</b></div>
<br />
If you like this album and you can afford it, consider supporting the artist by making a <b>donation</b> on <a href="http://www.jamendo.com/en/artist/6171/ben-akusto">this page</a> - use the button "Donate" in the upper left corner.
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</tbody></table>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5165340335748772366.post-21225278407791597082013-03-05T05:15:00.000+01:002013-03-06T00:11:53.920+01:00Therapy? - "Iron Man" (live in Firenze, Italy, 1994)<table><tbody>
<tr><td align="justify" valign="top">
<b>Therapy?</b> is an outstanding hard rock / metal band from Ireland. Influenced by such stylistically diverse bands as <a href="http://www.allmusic.com/artist/black-sabbath-p3693">Black Sabbath</a> or <a href="http://www.allmusic.com/artist/hsker-d-p4532">Hüsker Dü</a> they managed to build their own distinct sound, based on a wall of noise constructed from loud guitars and powerful drums on the one hand and melodic vocal lines, catchy tunes and clever emotional lyrics passionately delivered by the singer <a href="http://en.wikipedia.org/wiki/Andy_Cairns">Andy Cairns</a> on the other hand.
<br /><br />
A concert bootleg is probably not the very best start if you do not know <b>Therapy?</b> yet, in which case I encourage you to check out the albums <i><a href="http://en.wikipedia.org/wiki/Troublegum">Troublegum</a></i> and <i><a href="http://en.wikipedia.org/wiki/Infernal_Love">Infernal Love</a></i>, but should be interesting for every fan of this great band. The highlights of this album are rare songs <i>Auto Surgery</i> and <i>Totally Random Man</i> coming from an early EP, a poem by A.A. Milne sang <i>a capella</i>, a crazy cover of the Black Sabbath's <i>Iron Man</i> with the changed lyrics, an early version of <i>Me Vs. You</i> - again with different lyrics and finally extended <i>Lunacy Booth</i> with an insane speech of Andy Cairns.
<br /><br />
This release of the 1994 Firenze concert has been compiled from two separate sources:
<br /><br />
1. "Shock Treatment" [bootleg CD, Octopus Octo 010]<br />
2. "Iron Man" [bootleg CD, On Stage Records CD/ON2339]
<br /><br />
The first source had inferior sound quality, but it included 2 more songs. The second source had two songs missing (<i>Isolation</i> and <i>Nowhere</i>), but its sound quality was better and it included longer breaks between several songs.
<br /><br />
<b><u>Tracklist:</u></b><br />
<pre style="font-size: x-small; background-color: black;">
1. Therapy? - Stop It You're Killing Me [03:24]
2. Therapy? - Trigger Inside [04:04]
3. Therapy? - Potato Junkie [02:49]
4. Therapy? - Auto Surgery [02:21]
5. Therapy? - Die Laughing [03:09]
6. Therapy? - Totally Random Man [02:23]
7. Therapy? - Accellerator [02:11]
8. Therapy? - Hellbelly [03:55]
9. Therapy? - Halfway Down The Stairs (A.A. Milne) [00:55]
10. Therapy? - Unbeliever [03:30]
11. Therapy? - Teethgrinder [03:09]
12. Therapy? - Brainsaw [04:04]
13. Therapy? - Femtex [03:15]
14. Therapy? - Turn [04:04]
15. Therapy? - Isolation [04:14]
16. Therapy? - Knives [01:48]
17. Therapy? - Screamager [02:39]
18. Therapy? - Nausea [03:24]
19. Therapy? - Nowhere [02:15]
20. Therapy? - Iron Man [05:24]
21. Therapy? - Opal Mantra [02:48]
22. Therapy? - Me Vs. You [03:38]
23. Therapy? - Lunacy Booth [06:25]
Playing Time.........: 01:16:01
</pre>
<br />
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<a href="http://www.boycott-riaa.com/mission" imageanchor="1" style="clear:right; float:right;margin-left:1em; margin-bottom:1em"><img border="0" height="50%" width="50%" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj66YEgibGFxTr37M9esgfQ3JDsf5ArlofL0H8uopMQ1d0nbnoZrPVjgYwL3jsm9jgzoBh3vuu-lOV8VDdOXamsGSKvpD2UklSgQXYcfiQ7DwfmnFhdsTInZce_ClEM_Nd9rkPMu2t3N2k/s200/riaa-fuck-em.jpg" /></a></div>
<br /><br />
<div class="separator" style="clear: both; text-align: right;">
<a href="http://en.wikipedia.org/wiki/Therapy%3F">Wikipedia</a><br />
<a href="http://www.allmusic.com/artist/therapy-p20998/biography">Biography</a><br />
<a href="http://www.therapyquestionmark.co.uk/">Official Website</a><br />
<b><a href="http://www.therapyquestionmark.co.uk/merchandise/">Official Merchandise</a></b><br />
(<b>please support the artist, if you can afford it</b>)
</div>
</td></tr>
</tbody></table>
<table><tbody>
<tr><td align="justify" valign="top">
<br />
<u>Support artists, not recording industry</u><br />
Pay the artists directly. They do not profit from CD sales. If you buy brand new mainstream albums in regular record stores (no matter whether online or offline, CDs or downloads), almost all the money goes to the recording industry mafia and is later used for committing crimes such as unlawful harassment of fans and bribing authorities to implement changes in law, which would infringe basic human rights. If you really want to support mainstream artists (and you should, if you love their music!), go to concerts or buy merchandise off the official websites.
<br /><br />
If you can afford buying music, but it is not possible to pay a particular artist without a mafia tribute, consider supporting some independent artists instead. You can find many great acts on such websites as <a href="http://magnatune.com">magnatune.com</a>, <a href="http://jamendo.com">jamendo.com</a>, <a href="http://cdbaby.com">cdbaby.com</a>, <a href="http://bandcamp.com">bandcamp.com</a>, <a href="http://megatotal.pl">megatotal.pl</a>. Supporting independent artists helps fight the recording industry mafia.
<br /><br /><br />
Interested? Ask Uncle Google the magic question:<br />
<pre style="width: 550px; font-size: x-small; background-color: black;">
2457CD468C0FAAC677A885778A77AABB58DA9263C559E5ECF986650B1A5E9C7A avax
</pre>
<br />
More by <b>Therapy?</b>:<br />
<a href="http://trigger-inside.blogspot.com/2013/03/therapy-infernal-love-1995.html">Therapy? - "Infernal Love" (1995)</a><br />
<a href="http://www.trigger-inside.blogspot.com/2013/02/therapy-lonely-cryin-only-cds-1998.html">Therapy? - "Lonely, Cryin', Only" [CDS] (1998)</a>
</td></tr>
</tbody></table>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5165340335748772366.post-54412640094429261852013-03-02T17:11:00.000+01:002013-03-02T17:11:54.289+01:00Vivaldi, Antonio - "Concerti per archi" (Concerto Italiano / Rinaldo Alessandrini) (2004)<table><tbody>
<tr><td align="justify" valign="top">
<blockquote style="font-family: Georgia,"Times New Roman",serif;"><span style="font-size: x-small;"><i>
The creator of hundreds of spirited, extroverted instrumental works, Italian composer Antonio Vivaldi is widely recognized as the master of the Baroque instrumental concerto, which he perfected and popularized more than any of his contemporaries. Vivaldi's kinetic rhythms, fluid melodies, bright instrumental effects, and extensions of instrumental technique make his some of the most enjoyable of Baroque music.</i> [<a href="http://www.allmusic.com/artist/vivaldi-mn0000685058">Read more ---></a>]
</span></blockquote>
<br /><hr width="50%"><br />
<blockquote style="font-family: Georgia,"Times New Roman",serif;"><span style="font-size: x-small;"><i>
The National University Library in Turin houses several extremely important musical collections. Among these are those of Mauro Foa and Renzo Giordano, containing over 450 manuscripts of Vivaldi, many of them autographs. With the purpose of exploring this immense heritage and bringing to life many unpublished works, the Instituto per i Beni Musicali in Piemonte and Naïve [Opus 111] with the collaboration of the Library in Turin, have undertaken to record a complete edition on CD of Vivaldi scores held in Turin.</i> [<b>CD notes</b>]
</span></blockquote>
<br /><hr width="50%"><br />
<blockquote style="font-family: Georgia,"Times New Roman",serif;"><span style="font-size: x-small;"><i>
Gloriously alert and full-bodied playing produces a disc that is just waiting to be enjoyed... The music is unmistakably Vivaldi, of course, but ranges from brilliant violin figuration to creamy slow-drawn chords, and from vocal transcriptions to short fugues (and what enjoyable fugues, too!). The cumulative effect of it all is like visiting a workshop and finding there examples of all the things an artist might do when freed from the demands of a particular public. Concerto Italiano’s performances cannot be faulted. Alessandrini has a knack for vital and exciting music-making that is utterly straightforward and free from overworked mannerism. It is a difficult balance to achieve, but here it is allied to playing that is gloriously alert and full-bodied. This disc is just waiting to be enjoyed, so go on – it might bring you closer to Vivaldi as well!</i> [<b>Lindsay Kemp, GRAMOPHONE</b>]
</span></blockquote>
<br />
<b><u>Tracklist:</u></b><br />
<pre style="font-size: small; background-color: black;">
01. (01:09) <b>Concerto in A, RV159</b> - Allegro
02. (01:34) Concerto in A, RV159 - Adagio
03. (01:53) Concerto in A, RV159 - Allegro
04. (02:12) <b>Concerto in Gm, RV153</b> - Allegro
05. (01:38) Concerto in Gm, RV153 - Andante
06. (01:41) Concerto in Gm, RV153 - Allegro assai
07. (02:08) <b>Concerto in D, RV121</b> - Allegro molto
08. (01:53) Concerto in D, RV121 - Adagio
09. (01:42) Concerto in D, RV121 - [Presto]
10. (01:15) <b>Concerto in Dm 'Madrigalesco', RV129</b> - Adagio
11. (01:30) Concerto in Dm 'Madrigalesco', RV129 - Allegro
12. (01:02) Concerto in Dm 'Madrigalesco', RV129 - Adagio
13. (01:10) Concerto in Dm 'Madrigalesco', RV129 - [Allegro poco]
14. (01:51) <b>Concerto in Gm, RV154</b> - Allegro
15. (01:39) Concerto in Gm, RV154 - Adagio
16. (02:17) Concerto in Gm, RV154 - Allegro
17. (01:10) <b>Concerto ripieno in C, RV115</b> - Allegro
18. (01:40) Concerto ripieno in C, RV115 - [Largo]
19. (01:07) Concerto ripieno in C, RV115 - Allegro
20. (02:33) <b>Concerto in Fm, RV143</b> - Allegro
21. (01:01) Concerto in Fm, RV143 - Adagio
22. (02:20) Concerto in Fm, RV143 - [Allegro]
23. (01:29) <b>Concerto in F, RV141</b> - Allegro molto
24. (00:53) Concerto in F, RV141 - Andante molto
25. (01:12) Concerto in F, RV141 - Allegro molto
26. (02:10) <b>Concerto in Cm, RV120</b> - Allegro non molto
27. (02:15) Concerto in Cm, RV120 - Largo
28. (02:06) Concerto in Cm, RV120 - Allegro
29. (02:42) <b>Concerto in Gm, RV156</b> - Allegro
30. (01:58) Concerto in Gm, RV156 - Adagio
31. (01:36) Concerto in Gm, RV156 - Allegro
32. (02:30) <b>Concerto in A, RV158</b> - Allegro molto
33. (01:25) Concerto in A, RV158 - Andante molto
34. (02:58) Concerto in A, RV158 - Allegro
35. (02:08) <b>Concerto in D, RV123</b> - Allegro
36. (01:23) Concerto in D, RV123 - Adagio
37. (02:23) Concerto in D, RV123 - Allegro
Playing Time.........: 65:49
</pre>
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<a href="http://en.wikipedia.org/wiki/Antonio_Vivaldi">Wikipedia (composer)</a><br />
<a href="http://en.wikipedia.org/wiki/Concerto_italiano">Wikipedia (band)</a><br />
<a href="http://www.allmusic.com/artist/vivaldi-mn0000685058">Biography (composer)</a><br />
<a href="http://www.allmusic.com/artist/concerto-italiano-mn0001718326">Biography (band)</a><br />
<a href="http://www.arkivmusic.com/classical/album.jsp?album_id=83396">Review</a><br />
<a href="http://db.cuetools.net/?tocid=jifvyxCULPoZqILJ8JKht6Y9v0I-">CueTools DB record</a>
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<pre>
EAC extraction logfile from 7. May 2004, 19:11 for CD
Concerto Italiano, Alessandrini / Vivaldi: Concerti Per Archi (2003)
Used drive : SONY CD-RW CRX216E Adapter: 1 ID: 1
Read mode : <b>Secure with NO C2, accurate stream</b>, <b style="color:red">NO disable cache
Read offset correction : 0</b>
Overread into Lead-In and Lead-Out : No
Used output format : D:\x\muzik\Razorlame115\lame.exe (LAME MP3 Encoder)
Variable Bitrate 192 kBit/s
Other options :
Fill up missing offset samples with silence : <b>Yes</b>
Delete leading and trailing silent blocks : <b>No</b>
Installed external ASPI interface
Track 1
Filename D:\Vivaldi - Concerti per archi\01 - Concerto A Major RV 159- Allegro.wav
Peak level 57.1 %
<b>Track quality 99.8 %</b>
Copy CRC 58C49CD2
<b>Copy OK</b>
Track 2
Filename D:\Vivaldi - Concerti per archi\02 - Concerto A Major RV 159- Adagio.wav
Peak level 48.6 %
<b>Track quality 100.0 %</b>
Copy CRC B39FB9CE
<b>Copy OK</b>
Track 3
Filename D:\Vivaldi - Concerti per archi\03 - Concerto A Major RV 159- Allegro.wav
Peak level 55.6 %
<b>Track quality 99.9 %</b>
Copy CRC C42284FD
<b>Copy OK</b>
Track 4
Filename D:\Vivaldi - Concerti per archi\04 - Concerto G Minor RV 153- Allegro.wav
Peak level 73.2 %
<b>Track quality 100.0 %</b>
Copy CRC F2F6126E
<b>Copy OK</b>
Track 5
Filename D:\Vivaldi - Concerti per archi\05 - Concerto G Minor RV 153- Andante.wav
Peak level 37.9 %
<b>Track quality 100.0 %</b>
Copy CRC 02DAD8DF
<b>Copy OK</b>
Track 6
Filename D:\Vivaldi - Concerti per archi\06 - Concerto G Minor RV 153- Allegro Assai.wav
Peak level 57.6 %
<b>Track quality 100.0 %</b>
Copy CRC 037EC41B
<b>Copy OK</b>
Track 7
Filename D:\Vivaldi - Concerti per archi\07 - Concerto D Major RV 121- Allegro Molto.wav
Peak level 68.1 %
<b>Track quality 100.0 %</b>
Copy CRC F96C5BA4
<b>Copy OK</b>
Track 8
Filename D:\Vivaldi - Concerti per archi\08 - Concerto D Major RV 121- Adagio.wav
Peak level 36.1 %
<b>Track quality 99.9 %</b>
Copy CRC 5DD16F09
<b>Copy OK</b>
Track 9
Filename D:\Vivaldi - Concerti per archi\09 - Concerto D Major RV 121- [Presto].wav
Peak level 73.7 %
<b>Track quality 100.0 %</b>
Copy CRC A0B3F118
<b>Copy OK</b>
Track 10
Filename D:\Vivaldi - Concerti per archi\10 - Concerto D Minor RV 129 'Madrigalesco'- Adagio.wav
Peak level 37.0 %
<b>Track quality 100.0 %</b>
Copy CRC FF97A3C1
<b>Copy OK</b>
Track 11
Filename D:\Vivaldi - Concerti per archi\11 - Concerto D Minor RV 129 'Madrigalesco'- Allegro.wav
Peak level 43.6 %
<b>Track quality 100.0 %</b>
Copy CRC C19A5BF6
<b>Copy OK</b>
Track 12
Filename D:\Vivaldi - Concerti per archi\12 - Concerto D Minor RV 129 'Madrigalesco'- Adagio.wav
Peak level 38.5 %
<b>Track quality 100.0 %</b>
Copy CRC 396A65DD
<b>Copy OK</b>
Track 13
Filename D:\Vivaldi - Concerti per archi\13 - Concerto D Minor RV 129 'Madrigalesco'- [Allegro Poco].wav
Peak level 36.0 %
<b>Track quality 100.0 %</b>
Copy CRC 270E0E28
<b>Copy OK</b>
Track 14
Filename D:\Vivaldi - Concerti per archi\14 - Concerto G Minor RV 154- Allegro.wav
Peak level 67.9 %
<b>Track quality 100.0 %</b>
Copy CRC 0AD460B8
<b>Copy OK</b>
Track 15
Filename D:\Vivaldi - Concerti per archi\15 - Concerto G Minor RV 154- Adagio.wav
Peak level 54.2 %
<b>Track quality 100.0 %</b>
Copy CRC 257BFC73
<b>Copy OK</b>
Track 16
Filename D:\Vivaldi - Concerti per archi\16 - Concerto G Minor RV 154- Allegro.wav
Peak level 57.1 %
<b>Track quality 100.0 %</b>
Copy CRC F99DD744
<b>Copy OK</b>
Track 17
Filename D:\Vivaldi - Concerti per archi\17 - Concerto Ripieno C Major RV 115- Allegro.wav
Peak level 85.5 %
<b>Track quality 100.0 %</b>
Copy CRC CBA25179
<b>Copy OK</b>
Track 18
Filename D:\Vivaldi - Concerti per archi\18 - Concerto Ripieno C Major RV 115- [Largo].wav
Peak level 13.5 %
<b>Track quality 99.8 %</b>
Copy CRC E24343E7
<b>Copy OK</b>
Track 19
Filename D:\Vivaldi - Concerti per archi\19 - Concerto Ripieno C Major RV 115- Allegro.wav
Peak level 60.0 %
<b>Track quality 100.0 %</b>
Copy CRC 8DE2686A
<b>Copy OK</b>
Track 20
Filename D:\Vivaldi - Concerti per archi\20 - Concerto F Minor RV 143- Allegro.wav
Peak level 59.2 %
<b>Track quality 100.0 %</b>
Copy CRC BFD68459
<b>Copy OK</b>
Track 21
Filename D:\Vivaldi - Concerti per archi\21 - Concerto F Minor RV 143- Adagio.wav
Peak level 41.4 %
<b>Track quality 100.0 %</b>
Copy CRC 18BCB98A
<b>Copy OK</b>
Track 22
Filename D:\Vivaldi - Concerti per archi\22 - Concerto F Minor RV 143- [Allegro].wav
Peak level 70.9 %
<b>Track quality 100.0 %</b>
Copy CRC D93FE8E0
<b>Copy OK</b>
Track 23
Filename D:\Vivaldi - Concerti per archi\23 - Concerto F Major RV 141- Allegro Molto.wav
Peak level 62.3 %
<b>Track quality 100.0 %</b>
Copy CRC E901574E
<b>Copy OK</b>
Track 24
Filename D:\Vivaldi - Concerti per archi\24 - Concerto F Major RV 141- Andante Molto.wav
Peak level 44.9 %
<b>Track quality 100.0 %</b>
Copy CRC B3EEFE3F
<b>Copy OK</b>
Track 25
Filename D:\Vivaldi - Concerti per archi\25 - Concerto F Major RV 141- Allegro Molto.wav
Peak level 52.5 %
<b>Track quality 100.0 %</b>
Copy CRC D124F4B9
<b>Copy OK</b>
Track 26
Filename D:\Vivaldi - Concerti per archi\26 - Concerto C Minor RV 120- Allegro Non Molto.wav
Peak level 56.7 %
<b>Track quality 100.0 %</b>
Copy CRC 064735E4
<b>Copy OK</b>
Track 27
Filename D:\Vivaldi - Concerti per archi\27 - Concerto C Minor RV 120- Largo.wav
Peak level 29.0 %
<b>Track quality 99.9 %</b>
Copy CRC 223854A1
<b>Copy OK</b>
Track 28
Filename D:\Vivaldi - Concerti per archi\28 - Concerto C Minor RV 120- Allegro.wav
Peak level 59.5 %
<b>Track quality 100.0 %</b>
Copy CRC 4D586737
<b>Copy OK</b>
Track 29
Filename D:\Vivaldi - Concerti per archi\29 - Concerto G Minor RV 156- Allegro.wav
Peak level 50.2 %
<b>Track quality 100.0 %</b>
Copy CRC 5C3E6D9C
<b>Copy OK</b>
Track 30
Filename D:\Vivaldi - Concerti per archi\30 - Concerto G Minor RV 156- Adagio.wav
Peak level 24.4 %
<b>Track quality 100.0 %</b>
Copy CRC E5019A44
<b>Copy OK</b>
Track 31
Filename D:\Vivaldi - Concerti per archi\31 - Concerto G Minor RV 156- Allegro.wav
Peak level 63.8 %
<b>Track quality 100.0 %</b>
Copy CRC 82BABD87
<b>Copy OK</b>
Track 32
Filename D:\Vivaldi - Concerti per archi\32 - Concerto A Major RV 158- Allegro Molto.wav
Peak level 58.9 %
<b>Track quality 99.9 %</b>
Copy CRC 41A2CCF6
<b>Copy OK</b>
Track 33
Filename D:\Vivaldi - Concerti per archi\33 - Concerto A Major RV 158- Andante Molto.wav
Peak level 50.1 %
<b>Track quality 100.0 %</b>
Copy CRC 54BF6E92
<b>Copy OK</b>
Track 34
Filename D:\Vivaldi - Concerti per archi\34 - Concerto A Major RV 158- Allegro.wav
Peak level 61.3 %
<b>Track quality 100.0 %</b>
Copy CRC DC4708CA
<b>Copy OK</b>
Track 35
Filename D:\Vivaldi - Concerti per archi\35 - Concerto D Major RV 123- Allegro.wav
Peak level 51.9 %
<b>Track quality 100.0 %</b>
Copy CRC 7103E39B
<b>Copy OK</b>
Track 36
Filename D:\Vivaldi - Concerti per archi\36 - Concerto D Major RV 123- Adagio.wav
Peak level 45.8 %
<b>Track quality 100.0 %</b>
Copy CRC 62C0B2B6
<b>Copy OK</b>
Track 37
Filename D:\Vivaldi - Concerti per archi\37 - Concerto D Major RV 123- Allegro.wav
Peak level 48.8 %
<b>Track quality 100.0 %</b>
Copy CRC CB16ABA5
<b>Copy OK</b>
<b>No errors occured</b>
End of status report
</pre></div>
<br /><br />
<div style="height: 500px; overflow: scroll; width: 550px; font-size: small; background-color:black;">
<pre>
[CUETools log; Date: 2013-02-17 22:34:09; Version: 2.1.4]
[CTDB TOCID: jifvyxCULPoZqILJ8JKht6Y9v0I-] found.
[ CTDBID ] Status
[ebf3d2f4] (5/6) <b>Accurately ripped</b>
[0ecfd3a2] (1/6) No match
Track | CTDB Status
1 | (6/6) <b>Accurately ripped</b>
2 | (6/6) <b>Accurately ripped</b>
3 | (6/6) <b>Accurately ripped</b>
4 | (6/6) <b>Accurately ripped</b>
5 | (6/6) <b>Accurately ripped</b>
6 | (6/6) <b>Accurately ripped</b>
7 | (6/6) <b>Accurately ripped</b>
8 | (6/6) <b>Accurately ripped</b>
9 | (6/6) <b>Accurately ripped</b>
10 | (6/6) <b>Accurately ripped</b>
11 | (6/6) <b>Accurately ripped</b>
12 | (6/6) <b>Accurately ripped</b>
13 | (6/6) <b>Accurately ripped</b>
14 | (6/6) <b>Accurately ripped</b>
15 | (6/6) <b>Accurately ripped</b>
16 | (6/6) <b>Accurately ripped</b>
17 | (6/6) <b>Accurately ripped</b>
18 | (6/6) <b>Accurately ripped</b>
19 | (6/6) <b>Accurately ripped</b>
20 | (6/6) <b>Accurately ripped</b>
21 | (6/6) <b>Accurately ripped</b>
22 | (6/6) <b>Accurately ripped</b>
23 | (6/6) <b>Accurately ripped</b>
24 | (6/6) <b>Accurately ripped</b>
25 | (6/6) <b>Accurately ripped</b>
26 | (6/6) <b>Accurately ripped</b>
27 | (6/6) <b>Accurately ripped</b>
28 | (6/6) <b>Accurately ripped</b>
29 | (6/6) <b>Accurately ripped</b>
30 | (6/6) <b>Accurately ripped</b>
31 | (6/6) <b>Accurately ripped</b>
32 | (6/6) <b>Accurately ripped</b>
33 | (6/6) <b>Accurately ripped</b>
34 | (5/6) <b>Accurately ripped</b>
35 | (6/6) <b>Accurately ripped</b>
36 | (6/6) <b>Accurately ripped</b>
37 | (6/6) <b>Accurately ripped</b>
[AccurateRip ID: 00517e57-0855b542-080f6d25] found.
Track [ CRC | V2 ] Status
01 [caffd997|ee05f014] (00+00/36) No match
02 [634c070d|c1a3c5cc] (00+00/35) No match
03 [7d406b03|91e7d586] (00+00/36) No match
04 [ee94d5f5|85c868da] (00+00/36) No match
05 [6a33bb1a|a0193411] (00+00/36) No match
06 [43c1318e|486a8094] (00+00/35) No match
07 [92067cf8|523cbebc] (00+00/36) No match
08 [af0fa7e4|99357d9f] (00+00/36) No match
09 [50ca3821|45005d52] (00+00/36) No match
10 [1b9b9186|19de00dc] (00+00/36) No match
11 [fa2542d1|e31aec9c] (00+00/36) No match
12 [323f68a0|b2edd0b3] (00+00/36) No match
13 [8530db71|cc1fb90b] (00+00/36) No match
14 [2d317284|72e6d70f] (00+00/36) No match
15 [705b16a6|27bdaf54] (00+00/36) No match
16 [455ef96c|21a48168] (00+00/36) No match
17 [21c0f962|eaa9496d] (00+00/36) No match
18 [4dae94ab|c7fee8e5] (00+00/36) No match
19 [b875ea38|cfc7419f] (00+00/36) No match
20 [ab5c5415|3a2a1925] (00+00/36) No match
21 [642e621d|a3c0697a] (00+00/35) No match
22 [8098d6e4|56e86bea] (00+00/36) No match
23 [3541f451|e6478bb5] (00+00/36) No match
24 [f2fda0cf|f64a0b22] (00+00/35) No match
25 [b55313d1|68d8185d] (00+00/35) No match
26 [403c44f4|3927c4e8] (00+00/36) No match
27 [e8265e5e|5d22328f] (00+00/36) No match
28 [98b93a76|6cd37379] (00+00/35) No match
29 [49a8510d|c76a918e] (00+00/36) No match
30 [8e4a603c|749b8b53] (00+00/36) No match
31 [11399e24|011ba060] (00+00/36) No match
32 [42671e0c|b0fefdd7] (00+00/35) No match
33 [b72eca41|90a6f429] (00+00/35) No match
34 [0654c6c4|b7cc2fc0] (00+00/35) No match
35 [46a02266|63c26373] (00+00/35) No match
36 [d803b487|62f7d007] (00+00/34) No match
37 [3e75e962|4e309fdd] (00+00/34) No match
Offsetted by -24:
01 [4b8508fc] (03/36) <b>Accurately ripped</b>
02 [9c029922] (03/35) <b>Accurately ripped</b>
03 [51c4e0d9] (03/36) <b>Accurately ripped</b>
04 [70c32b32] (03/36) <b>Accurately ripped</b>
05 [b91dffa4] (03/36) <b>Accurately ripped</b>
06 [02607a76] (03/35) <b>Accurately ripped</b>
07 [6eba5625] (03/36) <b>Accurately ripped</b>
08 [5ac3a104] (03/36) <b>Accurately ripped</b>
09 [cf9947f1] (03/36) <b>Accurately ripped</b>
10 [78a34580] (03/36) <b>Accurately ripped</b>
11 [b942f7f8] (03/36) <b>Accurately ripped</b>
12 [c7e2148f] (03/36) <b>Accurately ripped</b>
13 [c27d8e13] (03/36) <b>Accurately ripped</b>
14 [f4bacd54] (03/36) <b>Accurately ripped</b>
15 [414c4469] (03/36) <b>Accurately ripped</b>
16 [4cb020f0] (03/36) <b>Accurately ripped</b>
17 [0629ee51] (03/36) <b>Accurately ripped</b>
18 [451d0cec] (03/36) <b>Accurately ripped</b>
19 [42541b88] (03/36) <b>Accurately ripped</b>
20 [e8b073e0] (03/36) <b>Accurately ripped</b>
21 [2160853e] (03/35) <b>Accurately ripped</b>
22 [1a143c89] (03/36) <b>Accurately ripped</b>
23 [503cacdf] (03/36) <b>Accurately ripped</b>
24 [00f0dc23] (03/35) <b>Accurately ripped</b>
25 [3cba90d4] (03/35) <b>Accurately ripped</b>
26 [d09f8c60] (03/36) <b>Accurately ripped</b>
27 [a7845053] (03/36) <b>Accurately ripped</b>
28 [886d5425] (03/35) <b>Accurately ripped</b>
29 [9564bd93] (03/36) <b>Accurately ripped</b>
30 [3d45714b] (03/36) <b>Accurately ripped</b>
31 [ce7407b6] (03/36) <b>Accurately ripped</b>
32 [09ad349f] (03/35) <b>Accurately ripped</b>
33 [990bdbd3] (03/35) <b>Accurately ripped</b>
34 [686db086] (03/35) <b>Accurately ripped</b>
35 [37201533] (03/35) <b>Accurately ripped</b>
36 [35e4b171] (03/34) <b>Accurately ripped</b>
37 [474c71bb] (03/34) <b>Accurately ripped</b>
Offsetted by 6:
01 [6dcc2a0c] (24/36) <b>Accurately ripped</b>
02 [057976e1] (24/35) <b>Accurately ripped</b>
03 [c4984fdf] (26/36) <b>Accurately ripped</b>
04 [c8f916df] (26/36) <b>Accurately ripped</b>
05 [4c476876] (26/36) <b>Accurately ripped</b>
06 [b6794ad6] (25/35) <b>Accurately ripped</b>
07 [161435d8] (26/36) <b>Accurately ripped</b>
08 [8e687877] (26/36) <b>Accurately ripped</b>
09 [c3552804] (26/36) <b>Accurately ripped</b>
10 [149a0be9] (26/36) <b>Accurately ripped</b>
11 [242748f5] (26/36) <b>Accurately ripped</b>
12 [0a5addca] (26/36) <b>Accurately ripped</b>
13 [f6a9f523] (26/36) <b>Accurately ripped</b>
14 [729b6363] (26/36) <b>Accurately ripped</b>
15 [832b1ccf] (26/36) <b>Accurately ripped</b>
16 [26ece376] (26/36) <b>Accurately ripped</b>
17 [17869571] (26/36) <b>Accurately ripped</b>
18 [c9560bce] (26/36) <b>Accurately ripped</b>
19 [cc8a5ada] (26/36) <b>Accurately ripped</b>
20 [ac2b7823] (26/36) <b>Accurately ripped</b>
21 [57fea937] (24/35) <b>Accurately ripped</b>
22 [6db1bf91] (26/36) <b>Accurately ripped</b>
23 [9c442184] (26/36) <b>Accurately ripped</b>
24 [a67e1b45] (25/35) <b>Accurately ripped</b>
25 [b8aed51f] (25/35) <b>Accurately ripped</b>
26 [1d24796d] (26/36) <b>Accurately ripped</b>
27 [51f0c30d] (26/36) <b>Accurately ripped</b>
28 [929e270c] (25/35) <b>Accurately ripped</b>
29 [4e15e8a7] (26/36) <b>Accurately ripped</b>
30 [aab14b1e] (26/36) <b>Accurately ripped</b>
31 [384cb94f] (26/36) <b>Accurately ripped</b>
32 [e0c124c1] (25/35) <b>Accurately ripped</b>
33 [f3336d88] (25/35) <b>Accurately ripped</b>
34 [b2ed228a] (25/35) <b>Accurately ripped</b>
35 [54ed8236] (25/35) <b>Accurately ripped</b>
36 [60be1681] (24/34) <b>Accurately ripped</b>
37 [40d76ef6] (24/34) <b>Accurately ripped</b>
Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
-- 85,5 [3BFF58AB] [2D24EDAF]
01 57,1 [BDF26BC8] [58C49CD2] W/O NULL
02 48,6 [C4B8C78F] [B39FB9CE] W/O NULL
03 55,6 [AC3CFB9E] [C42284FD] W/O NULL
04 73,2 [1DD08EE3] [F2F6126E] W/O NULL
05 37,9 [D9088050] [02DAD8DF] W/O NULL
06 57,6 [167EB701] [037EC41B] W/O NULL
07 68,1 [340B0C00] [F96C5BA4] W/O NULL
08 36,1 [10CCF66C] [5DD16F09] W/O NULL
09 73,7 [A00E9FE9] [A0B3F118] W/O NULL
10 37,0 [137F4940] [FF97A3C1] W/O NULL
11 43,6 [E0362768] [C19A5BF6] W/O NULL
12 38,5 [7FC87415] [396A65DD] W/O NULL
13 36,0 [53684D7F] [270E0E28] W/O NULL
14 67,9 [4BEB7F51] [0AD460B8] W/O NULL
15 54,2 [FD178778] [257BFC73] W/O NULL
16 57,0 [0FB272E6] [F99DD744] W/O NULL
17 85,5 [780C77C5] [CBA25179] W/O NULL
18 13,5 [F6C166F7] [E24343E7] W/O NULL
19 60,0 [1378555A] [8DE2686A] W/O NULL
20 59,2 [15D2081C] [BFD68459] W/O NULL
21 41,4 [33508717] [18BCB98A] W/O NULL
22 70,9 [7F428E6F] [D93FE8E0] W/O NULL
23 62,3 [0ABC0AA6] [E901574E] W/O NULL
24 44,9 [E6B051F4] [B3EEFE3F] W/O NULL
25 52,5 [296C1CAF] [D124F4B9] W/O NULL
26 56,7 [EB737EE6] [064735E4] W/O NULL
27 29,0 [392296EA] [223854A1] W/O NULL
28 59,5 [F50E9DE9] [4D586737] W/O NULL
29 50,2 [F9BD581E] [5C3E6D9C] W/O NULL
30 24,4 [DD419F72] [E5019A44] W/O NULL
31 63,8 [070E6E17] [82BABD87] W/O NULL
32 58,9 [57373DEA] [41A2CCF6] W/O NULL
33 50,1 [547F4389] [54BF6E92] W/O NULL
34 61,3 [9199D64F] [DC4708CA] W/O NULL
35 51,9 [7D155FC1] [7103E39B] W/O NULL
36 45,8 [0DF10F8B] [62C0B2B6] W/O NULL
37 48,8 [5F11104D] [CB16ABA5] W/O NULL
</pre></div>
<br /><br />
<div style="height: 500px; overflow: scroll; width: 550px; font-size: small; background-color:black;">
<pre>
-----------------------
DON'T MODIFY THIS FILE
-----------------------
PERFORMER: auCDtect Task Manager, ver. 1.5.1RC4 build 1.5.1.5
Copyright (c) 2008-2010 y-soft. All rights reserved
http://y-soft.org
ANALYZER: auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
FILE: 37 - Concerto in D, RV123 - 3.Allegro.wav
Size: 25319324 Hash: E54DE6654A294755587D08E31F5C0A3B Accuracy: -m0
Conclusion: <b>CDDA 100%</b>
Signature: 6B63ED7A34DFB549E51D795DF0F6FE13BD32516F
FILE: 36 - Concerto in D, RV123 - 2.Adagio.wav
Size: 14782364 Hash: 84B421777943ABC3CC3E3F8490CC316C Accuracy: -m0
Conclusion: <b>CDDA 54%</b>
Signature: 22F02D81B7807D1B04096A206CD225863C207634
FILE: 35 - Concerto in D, RV123 - 1.Allegro.wav
Size: 22713308 Hash: A5741F2BCF1F48863E8F05C107A06CE0 Accuracy: -m0
Conclusion: <b>CDDA 100%</b>
Signature: 53EBF71CBE2E754F26493CE8F55CDAB4FB65280F
FILE: 34 - Concerto in A, RV158 - 3.Allegro.wav
Size: 31465100 Hash: 9505AF857F3995579AFE046D6E90EBB8 Accuracy: -m0
Conclusion: <b>CDDA 100%</b>
Signature: 9AE197836D3CE7350AAF28409719EA790276999E
FILE: 33 - Concerto in A, RV158 - 2.Andante molto.wav
Size: 15132812 Hash: 5E285A68CB3CA66B7A99C44007BDFDEB Accuracy: -m0
Conclusion: <b>CDDA 92%</b>
Signature: 9D498D2742A813A81EDEE5C02AD12FA9162D7CDF
FILE: 32 - Concerto in A, RV158 - 1.Allegro molto.wav
Size: 26476508 Hash: C724841898FD34C0A785D431C8D4DF88 Accuracy: -m0
Conclusion: <b>CDDA 100%</b>
Signature: 4EACF28D28F0060E4C6D3EF3C56FB1BBA009BE7D
FILE: 31 - Concerto in Gm, RV156 - 3.Allegro.wav
Size: 17066156 Hash: 17EFDD0AE9F57ADB01428B65190A5644 Accuracy: -m0
Conclusion: <b>CDDA 100%</b>
Signature: E8B19A57AB37B37DCFE3B941DB47E890C2802A9B
FILE: 30 - Concerto in Gm, RV156 - 2.Adagio.wav
Size: 20923436 Hash: DABF62587956C34E0238AFBE8F31ECEF Accuracy: -m0
Conclusion: <b>CDDA 100%</b>
Signature: 92481A629B0395AB89CD02CFE7121EE3531D70BD
FILE: 29 - Concerto in Gm, RV156 - 1.Allegro.wav
Size: 28675628 Hash: 700F6C38BB65EFEFEB48F91B72C06AEB Accuracy: -m0
Conclusion: <b>CDDA 100%</b>
Signature: DDC8F97925D95DAC8251D8FD5388B5A248A793A3
FILE: 28 - Concerto in Cm, RV120 - 3.Allegro.wav
Size: 22289948 Hash: 4B9AC19E60C56B6E234591634E8E70C6 Accuracy: -m0
Conclusion: <b>CDDA 100%</b>
Signature: C385FA8ED191F91B39D7CC150C8E93E4829A8158
FILE: 27 - Concerto in Cm, RV120 - 2.Largo.wav
Size: 23837564 Hash: 1ED5F0053231D13A735A425411520D52 Accuracy: -m0
Conclusion: <b>CDDA 58%</b>
Signature: F6E4FF58DDB9B93DC500C4C2E11220847D169AA5
FILE: 26 - Concerto in Cm, RV120 - 1.Allegro non molto.wav
Size: 22953212 Hash: 21FDA39E2EAEC2CC6844913E6D166326 Accuracy: -m0
Conclusion: <b>CDDA 100%</b>
Signature: 7ED096681CDAF04D7629BD2AD3DDB12C0DF7CD09
FILE: 25 - Concerto in F, RV141 - 3.Allegro molto.wav
Size: 12729068 Hash: FDF047735274CFD2426C8D3B60604357 Accuracy: -m0
Conclusion: <b>CDDA 100%</b>
Signature: 8F9FE8D4634210AE12CA2889D1342D7DEC7BA29C
FILE: 24 - Concerto in F, RV141 - 2.Andante molto.wav
Size: 9499772 Hash: B0C0CAE9819CD413E54E12CBBB2D4E67 Accuracy: -m0
Conclusion: <b>CDDA 76%</b>
Signature: 28DAE3C28D142711892A19235FAE7B461A482281
FILE: 23 - Concerto in F, RV141 - 1.Allegro molto.wav
Size: 15791372 Hash: F0E35F355BEC0F81BC0A39B6D74C2B62 Accuracy: -m0
Conclusion: <b>CDDA 100%</b>
Signature: B597B75ED4951EB4D0CD88EBF80A5E5F8E6CEF87
FILE: 22 - Concerto in Fm, RV143 - 3.[Allegro].wav
Size: 24785420 Hash: F6C13269871345B34B00978A8262634E Accuracy: -m0
Conclusion: <b>CDDA 100%</b>
Signature: 52BE52D39C4C041CDDA3795EC8CC8F950A82D9EC
FILE: 21 - Concerto in Fm, RV143 - 2.Adagio.wav
Size: 10772204 Hash: C0DE32F5EF22A5E1185038C81839F7BE Accuracy: -m0
Conclusion: <b>CDDA 100%</b>
Signature: 1FA14A959DFD997BA1A334A00F19155A96DCD008
FILE: 20 - Concerto in Fm, RV143 - 1.Allegro.wav
Size: 27015116 Hash: B69C0076FD4FE4AFB370EA5F5DD05D4F Accuracy: -m0
Conclusion: <b>CDDA 100%</b>
Signature: 208674C9D7DB34A86EF1EE6DAB9025EF88671948
FILE: 19 - Concerto ripieno in C, RV115 - 3.Allegro.wav
Size: 11872940 Hash: D7FA7F950EFE4544D5ADF7613BC45CF6 Accuracy: -m0
Conclusion: <b>CDDA 100%</b>
Signature: E0EF30A44442152D0A6B26E372D2C6B2F780F9C2
<b style="color:red">FILE: 18 - Concerto ripieno in C, RV115 - 2.[Largo].wav</b>
Size: 17684732 Hash: A1FD808DAC9A2F25C4A3EBC42D2FDF84 Accuracy: -m0
Conclusion: <b style="color:red">MPEG 93%</b>
Signature: 7EA1EFE5F81E3F06295663596184EF3F0E9F3964
FILE: 17 - Concerto ripieno in C, RV115 - 1.Allegro.wav
Size: 12390380 Hash: DB588CFE90454129AC95737FFB7C9945 Accuracy: -m0
Conclusion: <b>CDDA 100%</b>
Signature: F6CC73A7B8D89C5E59CF3D64F5A33B4B973766DF
FILE: 16 - Concerto in Gm, RV154 - 3.Allegro.wav
Size: 24197420 Hash: 23EE06484C7651364DC7B205DBE6C25A Accuracy: -m0
Conclusion: <b>CDDA 100%</b>
Signature: 7F4C8EDE81D8B7BF8CF1247C3F1E65A94D0D786E
FILE: 15 - Concerto in Gm, RV154 - 2.Adagio.wav
Size: 17553020 Hash: 8B03B786905D79937F8187CC6F838721 Accuracy: -m0
Conclusion: <b>CDDA 86%</b>
Signature: 9629CA6D4BA624DCF27DD946FFE7A1201ADB58A1
FILE: 14 - Concerto in Gm, RV154 - 1.Allegro.wav
Size: 19648652 Hash: 34F428096D121BFFAEEF142B3A609A49 Accuracy: -m0
Conclusion: <b>CDDA 100%</b>
Signature: 43F31B3DF69002B9AC4508B982B760681056E476
FILE: 13 - Concerto in Dm 'Madrigalesco', RV129 - 4.[Allegro poco].wav
Size: 12397436 Hash: CB895601038F90A2A9BE33E95EBB8572 Accuracy: -m0
Conclusion: <b>CDDA 100%</b>
Signature: A00AA6E6C5CDB7B056D227551B8CE904530399E9
FILE: 12 - Concerto in Dm 'Madrigalesco', RV129 - 3.Adagio.wav
Size: 10995644 Hash: 2199B858FC4B4B2161E14A4BB9A2FD91 Accuracy: -m0
Conclusion: <b>CDDA 94%</b>
Signature: 0B310C77F9845A4F9A3AE391DF985CCC8B4E8D1B
FILE: 11 - Concerto in Dm 'Madrigalesco', RV129 - 2.Allegro.wav
Size: 15918380 Hash: F14342908EC87116BEA8932FCED47417 Accuracy: -m0
Conclusion: <b>CDDA 100%</b>
Signature: 62E8D8AC6694B66773207D36EE20E9F2F1FFCC51
FILE: 10 - Concerto in Dm 'Madrigalesco', RV129 - 1.Adagio.wav
Size: 13347644 Hash: 1CFE70D24EE72A3115E4B6E529FE734D Accuracy: -m0
Conclusion: <b>CDDA 100%</b>
Signature: 30B4C77BC017C00EC43C494D0597F887021720EB
FILE: 09 - Concerto in D, RV121 - 3.[Presto].wav
Size: 18148076 Hash: E97C8D75CDD8812575BCA01670BD1E35 Accuracy: -m0
Conclusion: <b>CDDA 100%</b>
Signature: E9CFB9900F87FDF192B94CDBFBE6068D99A34EA0
FILE: 08 - Concerto in D, RV121 - 2.Adagio.wav
Size: 20032028 Hash: 5849D0A9250F89BA4699AEBBFA46B69C Accuracy: -m0
Conclusion: <b>CDDA 76%</b>
Signature: A2E560EC17422B2C9CE56A82ED2F56D224FAC746
FILE: 07 - Concerto in D, RV121 - 1.Allegro molto.wav
Size: 22732124 Hash: 91C4530C1FE930A8A34184D15632ED81 Accuracy: -m0
Conclusion: <b>CDDA 100%</b>
Signature: 1757C8619E875B2D4EFCA2F5EC75C76BAD6C76B3
FILE: 06 - Concerto in Gm, RV153 - 3.Allegro assai.wav
Size: 17929340 Hash: EC99595DCD8C32DC74032A12EFCA3D50 Accuracy: -m0
Conclusion: <b>CDDA 100%</b>
Signature: 337540A035BE61CA3C14B3DCAAAE49C7A675E363
FILE: 05 - Concerto in Gm, RV153 - 2.Andante.wav
Size: 17296652 Hash: 25B9F2CE5A2764A6224C584894917892 Accuracy: -m0
Conclusion: <b>CDDA 100%</b>
Signature: 7D96CF327A1135106A5D2ABC553409D931146846
FILE: 04 - Concerto in Gm, RV153 - 1.Allegro.wav
Size: 23284844 Hash: F6E6469181775A0BBA6E4873D2399F2E Accuracy: -m0
Conclusion: <b>CDDA 100%</b>
Signature: B873E9E21A3822ED775321524404E297C4376CDF
FILE: 03 - Concerto in A, RV159 - 3.Allegro.wav
Size: 20027324 Hash: 06A638D7F86919E19FFD1C3E6A6BB8B3 Accuracy: -m0
Conclusion: <b>CDDA 100%</b>
Signature: 173024616A017A82C22EB8D6EBB23587CA4A5214
FILE: 02 - Concerto in A, RV159 - 2.Adagio.wav
Size: 16687484 Hash: FDED770637E0AE902D6930ECB89226B0 Accuracy: -m0
Conclusion: <b>CDDA 87%</b>
Signature: 93626C6CD35D6F6082CA0E7832712CFFCB949D0F
FILE: 01 - Concerto in A, RV159 - 1.Allegro.wav
Size: 12296300 Hash: D423929BA15A41880407D9461E6A5383 Accuracy: -m0
Conclusion: <b>CDDA 100%</b>
Signature: 251BE0F7A3CC543A3238807B735ECBB1E41875E2
</pre></div>
<br /><br />
<b>Disclaimer</b>: As you can see in the EAC log, the disc has been ripped without offset correction. After correcting the offset, AccurateRip and CueTools databases recognize the disc as accurately ripped with <b>confidence 20+</b>.
<br /><br />
The read mode line should usually say "disable cache", but it may say "NO disable cache" for drives that do not cache data.
<br /><br />
Please note that auCDtect reports one track on this album as based on a lossy audio source. This is not my rip, so I cannot guarantee anything, but I strongly believe it has to be a false positive. I doubt anybody would bother to deliberately substitute one track with its lossy version on a classical CD. Further, frequency analysis shows there is no frequency cut-off on this track. Finally, the track is reported as "accurately ripped" by both CTDB and AR databases.
<br /><br /><br />
Interested? Ask Uncle Google the magic question:<br />
<pre style="width: 550px; font-size: x-small; background-color: black;">
jifvyxCULPoZqILJ8JKht6Y9v0I avax
</pre>
</td></tr>
</tbody></table>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5165340335748772366.post-29673551877828903722013-03-01T03:33:00.000+01:002013-03-06T00:31:18.912+01:00Therapy? - "Infernal Love" (1995)<table><tbody>
<tr><td align="justify" valign="top">
<b>Therapy?</b> is an outstanding hard rock / metal band from Ireland. Influenced by such stylistically diverse bands as <a href="http://www.allmusic.com/artist/black-sabbath-p3693">Black Sabbath</a> or <a href="http://www.allmusic.com/artist/hsker-d-p4532">Hüsker Dü</a> they managed to build their own distinct sound, based on a wall of noise constructed from loud guitars and powerful drums on the one hand and melodic vocal lines, catchy tunes and clever emotional lyrics passionately delivered by the singer <a href="http://en.wikipedia.org/wiki/Andy_Cairns">Andy Cairns</a> on the other hand.
<br /><br />
<blockquote style="font-family: Georgia,"Times New Roman",serif;"><span style="font-size: x-small;"><i>
The final vocal line on <i>Infernal Love</i> might be "There is a light at the end of the tunnel," but there's no denying that <i>Infernal Love</i> is anything but optimistic; it's an unrelentingly dark and sometimes bluntly turgid record. Anyone familiar with the band had grown accustomed to <a href="http://en.wikipedia.org/wiki/Andy_Cairns">Andy Cairns</a>' spins on depression, anger, bitterness, and self-destruction, but even the most devoted listener probably screamed "Snap out of it!" while first listening to this third record. Darker chords and slower tempos prevail, and the pop-punk hooks are all but washed away. The sequentially buried, bouncing "Loose" is an anomaly, sounding like a refugee from <i><a href="http://en.wikipedia.org/wiki/Troublegum">Troublegum</a></i> that reads like a dystopian "Jack and Diane." Other than that, it's nothing but despair and heartache.</i> [<a href="http://www.allmusic.com/album/infernal-love-mw0000646715">Read more ---></a>]
</span></blockquote>
<br />
<b><u>Tracklist:</u></b><br />
<pre style="font-size: small; background-color: black;">
01. Epilepsy [3:50]
02. Stories [3:11]
03. A Moment of Clarity [6:02]
04. Jude the Obscene [3:32]
05. Bowels of Love [2:53]
06. Misery [3:40]
07. Bad Mother [5:46]
08. Me Vs You [6:24]
09. Loose [3:00]
10. Diane [5:00]
11. 30 Seconds [5:25]
Playing Time.........: 48:42
</pre>
</td> <td width="10"></td> <td valign="top">
<div class="separator" style="clear: both; text-align: right;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1t62dgwU4SNX9ytmUNH6ZTGyzZ_olwFrmHCRCVNiIeocHGBiHXbqR6hOVcz9rl7nFjpOYpYeunPdpK2Fg8BAAOjXa_e-kFtsqQGH3WXdJyCO4sFm-Wx4I_9XjMst2xsj-GPUrt1rCnF8/s1600/folder.jpg" imageanchor="1" ><img border="0" width="200px" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1t62dgwU4SNX9ytmUNH6ZTGyzZ_olwFrmHCRCVNiIeocHGBiHXbqR6hOVcz9rl7nFjpOYpYeunPdpK2Fg8BAAOjXa_e-kFtsqQGH3WXdJyCO4sFm-Wx4I_9XjMst2xsj-GPUrt1rCnF8/s320/folder.jpg" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: right;">
<a href="http://boycott-riaa.com/mission.html" imageanchor="1" style="clear:right; float:right;margin-left:1em; margin-bottom:1em"><img border="0" height="50%" width="50%" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj66YEgibGFxTr37M9esgfQ3JDsf5ArlofL0H8uopMQ1d0nbnoZrPVjgYwL3jsm9jgzoBh3vuu-lOV8VDdOXamsGSKvpD2UklSgQXYcfiQ7DwfmnFhdsTInZce_ClEM_Nd9rkPMu2t3N2k/s200/riaa-fuck-em.jpg" /></a></div>
<br /><br />
<div class="separator" style="clear: both; text-align: right;">
<a href="http://en.wikipedia.org/wiki/Therapy%3F">Wikipedia (band)</a><br />
<a href="http://en.wikipedia.org/wiki/Infernal_Love">Wikipedia (album)</a><br />
<a href="http://www.allmusic.com/artist/therapy-p20998/biography">Biography</a><br />
<a href="http://www.allmusic.com/album/infernal-love-mw0000646715">Review</a><br />
<a href="http://www.therapyquestionmark.co.uk/">Official Website</a><br />
<b><a href="http://www.therapyquestionmark.co.uk/merchandise/">Official Merchandise</a></b><br />
(<b>please support the artist, if you can afford it</b>)
</div>
</td></tr>
</tbody></table>
<table><tbody>
<tr><td align="justify" valign="top">
<iframe width="560" height="315" src="http://www.youtube-nocookie.com/embed/videoseries?list=PLAVixqj1dcEa1F1np-6BqK9-0ra_m09EC" frameborder="0" allowfullscreen></iframe>
<br /><br />
<u>Support artists, not recording industry</u><br />
Pay the artists directly. They do not profit from CD sales. If you buy brand new mainstream albums in regular record stores (no matter whether online or offline, CDs or downloads), almost all the money goes to the recording industry mafia and is later used for committing crimes such as unlawful harassment of fans and bribing authorities to implement changes in law, which would infringe basic human rights. If you really want to support mainstream artists (and you should, if you love their music!), go to concerts or buy merchandise off the official websites.
<br /><br />
If you can afford buying music, but it is not possible to pay a particular artist without a mafia tribute, consider supporting some independent artists instead. You can find many great acts on such websites as <a href="http://magnatune.com">magnatune.com</a>, <a href="http://jamendo.com">jamendo.com</a>, <a href="http://cdbaby.com">cdbaby.com</a>, <a href="http://bandcamp.com">bandcamp.com</a>, <a href="http://megatotal.pl">megatotal.pl</a>. Supporting independent artists helps fight the recording industry mafia.
<br /><br />
<div style="height: 500px; overflow: scroll; width: 550px; font-size: small; background-color:black;">
<pre>
Log translation at http://eachelper.uphero.com/
EAC extraction logfile from 2. June 2004, 11:59 for CD
Therapy? / Infernal Love
Used drive : TEAC CD-W54E Adapter: 0 ID: 0
Read mode : <b>Secure</b> <b style="color:red">with C2</b>, <b>accurate stream</b>, <b style="color:red">NO disable cache</b>
Combined read/write <b style="color:red">offset correction : 0</b>
Overread into Lead-In and Lead-Out : No
Used output format : D:\audio\Monkey's Audio\MAC.exe (Monkey's Audio Lossless Encoder)
High Lossless Compression
Other options :
<b>Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No</b>
Native Win32 interface for Win NT & 2000
Track 1
Filename F:\upload\(01) Epilepsy.wav
Peak level 94.9 %
<b>Track quality 100.0 %</b>
Copy CRC 4F055E5E
<b>Copy OK</b>
Track 2
Filename F:\upload\(02) Stories.wav
Peak level 94.4 %
<b>Track quality 100.0 %</b>
Copy CRC D7397074
<b>Copy OK</b>
Track 3
Filename F:\upload\(03) A Moment Of Clarity.wav
Peak level 94.4 %
<b>Track quality 100.0 %</b>
Copy CRC 8B90DBA8
<b>Copy OK</b>
Track 4
Filename F:\upload\(04) Jude The Obscene.wav
Peak level 96.0 %
<b>Track quality 100.0 %</b>
Copy CRC AF417E90
<b>Copy OK</b>
Track 5
Filename F:\upload\(05) Bowels Of Love.wav
Peak level 96.1 %
<b>Track quality 100.0 %</b>
Copy CRC 2ACB71A1
<b>Copy OK</b>
Track 6
Filename F:\upload\(06) Misery.wav
Peak level 91.0 %
<b>Track quality 100.0 %</b>
Copy CRC 533D3C19
<b>Copy OK</b>
Track 7
Filename F:\upload\(07) Bad Mother.wav
Peak level 94.9 %
<b>Track quality 100.0 %</b>
Copy CRC CDC707C3
<b>Copy OK</b>
Track 8
Filename F:\upload\(08) Me Vs You.wav
Peak level 95.4 %
<b>Track quality 99.9 %</b>
Copy CRC 213EC073
<b>Copy OK</b>
Track 9
Filename F:\upload\(09) Loose.wav
Peak level 95.5 %
<b>Track quality 100.0 %</b>
Copy CRC 3F0B381C
<b>Copy OK</b>
Track 10
Filename F:\upload\(10) Diane.wav
Peak level 94.4 %
<b>Track quality 100.0 %</b>
Copy CRC 8E224C1C
<b>Copy OK</b>
Track 11
Filename F:\upload\(11) 30 Seconds.wav
Peak level 96.3 %
<b>Track quality 100.0 %</b>
Copy CRC 8D4F532F
<b>Copy OK</b>
<b>No errors occured</b>
End of status report
</pre></div>
<br /><br />
<div style="height: 500px; overflow: scroll; width: 550px; font-size: small; background-color:black;">
<pre>
-----------------------
DON'T MODIFY THIS FILE
-----------------------
PERFORMER: auCDtect Task Manager, ver. 1.5.1RC4 build 1.5.1.5
Copyright (c) 2008-2010 y-soft. All rights reserved
http://y-soft.org
ANALYZER: auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
FILE: 11 - 30 Seconds.flac
Size: 40209506 Hash: E3ED3AEADDF1E8964F4FBF371602E64E Accuracy: -m0
Conclusion: <b>CDDA 100%</b>
Signature: AD73A19782887B20675BF0B4FAF17B377B490168
FILE: 10 - Diane.flac
Size: 29755009 Hash: 24179F579E36AC07264A625EE7B36329 Accuracy: -m0
Conclusion: <b>CDDA 100%</b>
Signature: 9FC334D429754AEE6A46D36F077A8EBDA269BEB6
FILE: 09 - Loose.flac
Size: 24402481 Hash: B7519DE6AC8FBA2B7923B41FE7849742 Accuracy: -m0
Conclusion: <b>CDDA 99%</b>
Signature: AE7138CAD9FF9D6A3736CECF92EEAC8D8E13C5A5
FILE: 08 - Me Vs. You.flac
Size: 39218855 Hash: FD5571B7F3AB751BEFAF76472A178102 Accuracy: -m0
Conclusion: <b>CDDA 100%</b>
Signature: 46317E4B51EB5CF729FB65DA79AE6E62C44D3B98
FILE: 07 - Bad Mother.flac
Size: 39890190 Hash: 15845B49729F86CCE9D48CC1D96F294F Accuracy: -m0
Conclusion: <b>CDDA 100%</b>
Signature: E2CE5AC6D1DCA2960A28E2BF0E3AB99802678648
FILE: 06 - Misery.flac
Size: 28434375 Hash: 01AEFCF6D4B94D207E9F3FC85F16B771 Accuracy: -m0
Conclusion: <b>CDDA 99%</b>
Signature: AF16F9E12DB5044B5A6066ADD1E78E06F1D54E0F
FILE: 05 - Bowels Of Love.flac
Size: 20155063 Hash: 3CFB348D9AA91AB645BC743B76D8E541 Accuracy: -m0
Conclusion: <b>CDDA 100%</b>
Signature: 2D8D3962B0DA487C966ED38CD113286F2B0E0AD0
FILE: 04 - Jude The Obscene.flac
Size: 27292041 Hash: BF2402ED26E602A473D0D9555B0507F2 Accuracy: -m0
Conclusion: <b>CDDA 100%</b>
Signature: DC97E8FB0297938B5E6AD9B37BB39DCD3ED11070
FILE: 03 - A Moment Of Clarity.flac
Size: 39232592 Hash: D4139D794D19B34C1E5804AB7879683E Accuracy: -m0
Conclusion: <b>CDDA 100%</b>
Signature: 0AB60D56781A96B6BF138802CC328EDB4FDC9F1D
FILE: 02 - Stories.flac
Size: 23991853 Hash: D3A20D4B89BBD232B13F51C90BB505DC Accuracy: -m0
Conclusion: <b>CDDA 100%</b>
Signature: 62F32917559ACF21CF0884022339527ED4ADE85D
FILE: 01 - Epilepsy.flac
Size: 27855181 Hash: F80285E5C0AE4BA0E62B8B3870D05480 Accuracy: -m0
Conclusion: <b>CDDA 100%</b>
Signature: BB917F85ACAE54BFBC9EC42A1ECC4913A7394DB7
</pre></div>
<br /><br />
<b>
Disclaimer</b>: As you can see in the EAC log, the person that ripped this CD used some settings that make "secure mode" much less secure: use of C2 pointers, use of cache, 1-pass rip (no test). Further, "Combined read/write offset correction" set to "0" probably means there are some missing samples (but it does not mean these differences are audible - it just means the copy is not "exact"). I carefully listened to this rip and <u>I heard no audible ripping errors</u>. CUETools database contains 4 different pressings of this album and all the checksums are different to this rip. I suppose it means this release is from another pressing (or maybe it's the result of the wrong offset set in EAC?).
<br /><br /><br />
Interested? Ask Uncle Google the magic question:<br />
<pre style="width: 550px; font-size: x-small; background-color: black;">
E3ED3AEADDF1E8964F4FBF371602E64E avax
</pre>
<br />
More by <b>Therapy?</b>:<br />
<a href="http://trigger-inside.blogspot.com/2012/01/therapy-iron-man-live-in-firenze-italy.html">Therapy? - "Iron Man" (live in Firenze, Italy, 1994)</a><br />
<a href="http://www.trigger-inside.blogspot.com/2013/02/therapy-lonely-cryin-only-cds-1998.html">Therapy? - "Lonely, Cryin', Only" [CDS] (1998)</a>
</td></tr>
</tbody></table>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5165340335748772366.post-52276182888569275852013-02-28T05:05:00.000+01:002013-03-01T03:42:32.305+01:00Therapy? - "Lonely, Cryin', Only" [CDS] (1998)<table><tbody>
<tr><td align="justify" valign="top">
<b>Therapy?</b> is an outstanding hard rock / metal band from Ireland. Influenced by such stylistically diverse bands as <a href="http://www.allmusic.com/artist/black-sabbath-p3693">Black Sabbath</a> or <a href="http://www.allmusic.com/artist/hsker-d-p4532">Hüsker Dü</a> they managed to build their own distinct sound, based on a wall of noise constructed from loud guitars and powerful drums on the one hand and melodic vocal lines, catchy tunes and clever emotional lyrics delivered by the singer <a href="http://en.wikipedia.org/wiki/Andy_Cairns">Andy Cairns</a> on the other hand.
<br /><br />
"Lonely, Cryin', Only" comes from the <i><a href="http://en.wikipedia.org/wiki/Semi-Detached_%28album%29">Semi-Detached</a></i> album and it was released on A&M Records on May 18, 1998. This single reached number 32 in the UK Singles Chart.
<br /><br />
<i>Semi-Detached</i> is not the best album by Therapy? and "Lonely, Cryin', Only" is not the best song on this album. Still, it leaves many contemporary rockers' efforts behind. But forget the single track - you can find it on the regular album, anyhow. The B-Side tracks are much more interesting and should be more than enough for a fan to get this single. "High Noon" is a cover of the song by <a href="http://en.wikipedia.org/wiki/DJ_Shadow">DJ Shadow</a>, a prominent DJ and electronic music artist. It sounds like a typical Therapy?'s song, while still being faithful to <a href="http://www.youtube.com/watch?v=-flSzjEzP64">the original</a> and catchy as hell. Brilliant work. The remaining two songs are reworked versions of their past masterpieces, so they should be interesting for fans as well.
<br /><br />
<b><u>Tracklist:</u></b><br />
<pre style="font-size: small; background-color: black;">
1. Lonely, Cryin', Only [02:40]
2. High Noon [05:09]
3. Diane (new recording) [06:23]
4. Teethgrinder (new recording) [03:20]
Playing Time.........: 17:34
</pre>
</td> <td width="10"></td> <td valign="top">
<div class="separator" style="clear: both; text-align: right;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjg1qB3FtMEJpbsnt6GeeuuglPPUd7_U0orlfT0grlmg5ccY8ORCK14iWTbKhks1UiClYtobsEWckfN6gWM2xexK0V_e5TRiEg7UqWZzsKf-fSBsyGrvNV5AcUBoatmC2LDSYLiPQR53u8/s1600/folder.jpg" imageanchor="1" ><img border="0" width="200px" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjg1qB3FtMEJpbsnt6GeeuuglPPUd7_U0orlfT0grlmg5ccY8ORCK14iWTbKhks1UiClYtobsEWckfN6gWM2xexK0V_e5TRiEg7UqWZzsKf-fSBsyGrvNV5AcUBoatmC2LDSYLiPQR53u8/s320/folder.jpg" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: right;">
<a href="http://www.boycott-riaa.com/mission" imageanchor="1" style="clear:right; float:right;margin-left:1em; margin-bottom:1em"><img border="0" height="50%" width="50%" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj66YEgibGFxTr37M9esgfQ3JDsf5ArlofL0H8uopMQ1d0nbnoZrPVjgYwL3jsm9jgzoBh3vuu-lOV8VDdOXamsGSKvpD2UklSgQXYcfiQ7DwfmnFhdsTInZce_ClEM_Nd9rkPMu2t3N2k/s200/riaa-fuck-em.jpg" /></a></div>
<br /><br />
<div class="separator" style="clear: both; text-align: right;">
<a href="http://en.wikipedia.org/wiki/Therapy%3F">Wikipedia</a><br />
<a href="http://www.allmusic.com/artist/therapy-p20998/biography">Allmusic</a><br />
<a href="http://www.therapyquestionmark.co.uk/">Official Website</a><br />
<b><a href="http://www.therapyquestionmark.co.uk/merchandise/">Official Merchandise</a></b><br />
(<b>please support the artist, if you can afford it</b>)
</div>
</td></tr>
</tbody></table>
<table><tbody>
<tr><td align="justify" valign="top">
<iframe width="560" height="315" src="http://www.youtube-nocookie.com/embed/videoseries?list=PLAVixqj1dcEbArqBt53u_oEdBjFBtXDQH" frameborder="0" allowfullscreen></iframe>
<br /><br />
<u>Support artists, not recording industry</u><br />
Pay the artists directly. They do not profit from CD sales. If you buy brand new mainstream albums in regular record stores (no matter whether online or offline, CDs or downloads), almost all the money goes to the recording industry mafia and is later used for committing crimes such as unlawful harassment of fans and bribing authorities to implement changes in law, which would infringe basic human rights. If you really want to support mainstream artists (and you should, if you love their music!), go to concerts or buy merchandise off the official websites.
<br /><br />
If you can afford buying music, but it is not possible to pay a particular artist without a mafia tribute, consider supporting some independent artists instead. You can find many great acts on such websites as <a href="http://magnatune.com">magnatune.com</a>, <a href="http://jamendo.com">jamendo.com</a>, <a href="http://cdbaby.com">cdbaby.com</a>, <a href="http://bandcamp.com">bandcamp.com</a>, <a href="http://megatotal.pl">megatotal.pl</a>. Supporting independent artists helps fight the recording industry mafia.
<br /><br />
<div style="height: 500px; overflow: scroll; width: 550px; font-size: small; background-color:black;">
<pre>
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 9. January 2012, 11:26
Therapy? / Lonely, Cryin', Only
Used drive : PLDS DVD+-RW DH-16AAS Adapter: 1 ID: 0
<b>Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : No
Make use of C2 pointers : No</b>
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
<b>Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No</b>
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
<b>Gap handling : Appended to previous track</b>
Used output format : Microsoft PCM Converter
Sample format : 44,100 kHz; bitów: 16 ; Stereo
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.32 | 2:40.18 | 32 | 12049
2 | 2:40.50 | 5:09.65 | 12050 | 35289
3 | 7:50.40 | 6:23.20 | 35290 | 64034
4 | 14:13.60 | 3:20.72 | 64035 | 79106
Track 1
Filename c:\Temp\01 - Lonely, Cryin', Only.wav
Pre-gap length 0:00:02.42
Peak level 97.9 %
Extraction speed 5.6 X
<b>Track quality 100.0 %</b>
Test CRC 81932BF9
Copy CRC 81932BF9
<b>Accurately ripped (confidence 1)</b> [F1CE457A] (AR v1)
Copy OK
Track 2
Filename c:\Temp\02 - High Noon.wav
Pre-gap length 0:00:00.44
Peak level 98.0 %
Extraction speed 6.3 X
<b>Track quality 100.0 %</b>
Test CRC 7FDF3991
Copy CRC 7FDF3991
<b>Accurately ripped (confidence 1)</b> [1FB82682] (AR v1)
Copy OK
Track 3
Filename c:\Temp\03 - Diane (new recording).wav
Pre-gap length 0:00:01.04
Peak level 98.0 %
Extraction speed 7.1 X
<b>Track quality 100.0 %</b>
Test CRC 66849A63
Copy CRC 66849A63
<b>Accurately ripped (confidence 1)</b> [E6098FCD] (AR v1)
Copy OK
Track 4
Filename c:\Temp\04 - Teethgrinder (new recording).wav
Peak level 98.0 %
Extraction speed 7.8 X
<b>Track quality 100.0 %</b>
Test CRC 31FD2F75
Copy CRC 31FD2F75
<b>Accurately ripped (confidence 1)</b> [F1873252] (AR v1)
Copy OK
<b>All tracks accurately ripped</b>
<b>No errors occurred</b>
End of status report
==== Log checksum 25C424B4DAF3FB88973024500FE33EE14245F51AFF39BEA175B276584764B8F9 ====
</pre></div>
<br /><br />
<div style="height: 500px; overflow: scroll; width: 550px; font-size: small; background-color:black;">
<pre>
-----------------------
DON'T MODIFY THIS FILE
-----------------------
PERFORMER: auCDtect Task Manager, ver. 1.5.1RC4 build 1.5.1.5
Copyright (c) 2008-2010 y-soft. All rights reserved
http://y-soft.org
ANALYZER: auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
FILE: 04 - Teethgrinder (new recording).flac
Size: 25396288 Hash: F0D0B8ECE2724FD85F91176E3A99D8EF Accuracy: -m0
Conclusion: <b>CDDA 99%</b>
Signature: F518522A3EEDCD61746CDD9E39542BB042D1083E
FILE: 03 - Diane (new recording).flac
Size: 38254952 Hash: 67C06C3E0E427378C85D95FB3545F71E Accuracy: -m0
Conclusion: <b>CDDA 100%</b>
Signature: 269056DC7834188E663FE0459106EA1934F45B32
FILE: 02 - High Noon.flac
Size: 33888957 Hash: C5A8EDBDADF93B4B4D40CD2B8FBF1CBD Accuracy: -m0
Conclusion: <b>CDDA 99%</b>
Signature: 4192DBB3B37AF2255525FE4AFB69564AB729E916
FILE: 01 - Lonely, Cryin', Only.flac
Size: 18672938 Hash: 8F7BE53FE2D672429917A5023B7C76C7 Accuracy: -m0
Conclusion: <b>CDDA 100%</b>
Signature: 23BB8FF9F8821ED51EC9BFDCAA0CF5AC2E7476D2
</pre></div>
<br /><br />
Interested? Ask Uncle Google the magic question:<br />
<pre style="width: 550px; font-size: x-small; background-color: black;">
25C424B4DAF3FB88973024500FE33EE14245F51AFF39BEA175B276584764B8F9 avax
</pre>
<br />
More by <b>Therapy?</b>:<br />
<a href="http://trigger-inside.blogspot.co.uk/2013/03/therapy-infernal-love-1995.html">Therapy? - "Infernal Love" (1995)</a><br />
<a href="http://trigger-inside.blogspot.com/2012/01/therapy-iron-man-live-in-firenze-italy.html">Therapy? - "Iron Man" (live in Firenze, Italy, 1994)</a>
</td></tr>
</tbody></table>Unknownnoreply@blogger.com2