Showing posts with label aggressive. Show all posts
Showing posts with label aggressive. Show all posts

31 August 2012

Embolism - "This Means Fucking War!"

Speedcore classic (7/10)
Early Embolism speedcore action! 6 tracks built on an Amiga 500.

released 15 December 1995
Written and produced by a 14-year old Ryan Leeman in his bedroom on an Amiga 500 running through a small television speaker, whilst bunking off school in mid-1995.
Originally released on 12" vinyl December 1995.

A speedcore classic written by then 14-year old Ryan Leeman, one of the pioneers of hardcore techno, recording for the famous label Bloody Fist Records.

It is not a secret that hardcore techno is not my favorite genre of electronic music, because of its repetitiveness, monotony and overuse of irritating sampled speeches. Yet this album is another proof that with enough talent, one can write great tunes in each and every style. Only the final track Pillow Talk suffer from these weaknesses. All the rest is great - original, creative and catchy (in the wicked "hardcore techno" sense of this word), while still being fast, aggressive and uncompromising. And it was made by a 14-year old kid on an Amiga 500 computer. Wow.

The album is available on Bandcamp for 6 Australian dollars in a variety of formats, including a FLAC version. You can also listen to the full album before making a decision on purchase.

30 August 2012

Various Artists - "Newcastle Sampler"

Interesting hardcore techno compilation (6/10)
All Tracks Built In Newcastle, Australia
Published By Len & Jen Music (ASCAP)
Distributed By Soundbase Music Germany

Newcastle Sampler is a compilation released by the label Bastard Loud Records, presenting several acts from the Newcastle hardcore techno scene, recording for the famous label Bloody Fist Records. This is an interesting album, offering quality tunes, and although I personally dig only two tracks out of six, the compilation remains a great insight into the history of hardcore techno.

My favorites are Nasenbluten - Treadmill and Disassembler - Ants. They are fast, aggressive, disturbing, but without being too repetitive and without overuse of speech samples - two weaknesses of so many hardcore techno tunes.

The other four do not fit my taste, being haunted by the said flaws. They represent the type of hardcore techno, which is totally boring for me, despite its aggressiveness and high tempos. Still, they should appeal to hardcore hardcore techno fans out there. If you happen to be one, you can safely add some points to my 6/10 rating.

I guess this album is very rare now, but if you happen to run into it somewhere along the links, be sure to check it out, if you are a fan of hardcore techno. And do not forget to visit the official Bandcamp website of Bloody Fist Records, where you can listen to and buy some other releases from this label.

03 July 2012

Nasenbluten ‎– "500 / 600 / 1200 EP"

Pioneer of hardcore techno (6/10)
Nasenbluten were a Newcastle, Australia recording and performance group, who pioneered hardcore techno, gabber, amigacore and cheapcore music. The group was founded in the early 1990s by Mark Newlands, Aaron Lubinski and David Melo. Nasenbluten take their name from the German word for nosebleed, a reference to the phrase "nosebleed techno" that was then used to describe the harder and faster variants of the genre.
[Read more --->]

Nasenbluten were pioneers of hardcore techno, so this is the first reason this recording is interesting. The second reason is they are talented pioneers. Maybe their tunes are not too original, but on the other hand, the very genre was original back in 1994. Hardcore techno is not my favorite type of techno / electronica, as I find many songs too monotonous for my liking. But I have to admit all the songs on this album are full of energy, straightforward and well produced (especially considering the limited equipment of the band). And some of them are still catchy (in the hardcore techno meaning of the word, of course) and creative. I particularly dig the following tracks: A1 - Garbage; A2 - Painbringer; A3 - Skullbash; B2 - Disassembler. The other three are less successful, with a notably bad B3 - We've Got The Balls being worth a special mention for awful use of samples from Metallica.

To summarize, if you are interested in history of electronic music or if you are a fan of the genre, check this album out (if only you manage to find it somewhere). Fans can easily add 3 points to my rating.


[Artist's Myspace]

30 May 2012

Various Artists - "Newcastle Hardcore Vol. 2"

Interesting hardcore techno compilation (7/10)
Bloody Fist Records was an independent record label based in Newcastle, Australia.

Bloody Fist was one of the most prolific labels involved in hardcore/gabber, industrial, breaks, noise, and related genres. Founded by Nasenbluten's Mark Newlands (formerly known as Stigs/TDU) in 1994 as a platform for local artists, the label initially began distributing cassettes and moved on to become a major label in the hardcore techno scene.

Newcastle Hardcore Vol. 1 & 2 [1994] was a first vinyl release of this label, presenting a compilation of artists from the local Newcastle hardcore techno scene. Vol. 2 supposedly contained 7 tracks from 6 acts. The version I had a chance to listen to included only 5 tracks:

a1 - The Shaftman - Shaftman
a2 - Xylocaine - Luftwaffe
a3 - Pendulum - Uncle Sam
b1 - Overcast - Rougher
b2 - Syndicate - M'shit Hardcore

The album is very interesting, as they all are quality offerings, and although I personally dig only two of them, the compilation remains a proof that the guy behind Bloody Fist knew what he was doing right from the start.

My favorites are Pendulum - Uncle Sam and Overcast - Rougher, two fast pieces reminding me of The Prodigy from the Experience period. Even if they are not the most original songs ever recorded, they are catchy, energetic and never venture near the border of plagiarism.

The other three do not fit my taste, being comprised almost exclusively of samples from other songs or speeches mixed with extremely fast techno-style drums. This is not creative, this is not catchy, this is not original, this is not anything interesting - for me this type of hardcore techno is totally boring. Still, I guess all three acts are good at what they are doing, so for the purpose of such a compilation they are suitable.

I guess this album is very rare now, but if you happen to run into it somewhere along the links, be sure to check it out, if you are a fan of hardcore techno / breakcore. And do not forget to visit the official Bandcamp website of Bloody Fist Records, where you can listen to and buy some other releases from this label.

29 May 2012

Various Artists - "Newcastle Hardcore Vol. 1"

Interesting hardcore techno compilation (6/10)
Bloody Fist Records was an independent record label based in Newcastle, Australia.

Bloody Fist was one of the most prolific labels involved in hardcore/gabber, industrial, breaks, noise, and related genres. Founded by Nasenbluten's Mark Newlands (formerly known as Stigs/TDU) in 1994 as a platform for local artists, the label initially began distributing cassettes and moved on to become a major label in the hardcore techno scene.

Newcastle Hardcore Vol. 1 & 2 [1994] was a first vinyl release of this label, presenting a compilation of artists from the local Newcastle hardcore techno scene. This is an interesting album, offering quality tunes, and although I personally dig only two tracks on each of the two records, the compilation remains a proof that the guy behind Bloody Fist knew what he was doing right from the start.

My favorites on the Volume 1 are Pendulum - Feel The Pain and Syndicate - Lower Level. The latter reminds me of the early The Prodigy from the Experience period, but while the inspiration is very clear, this is not a blatant copy. The former has great disturbing dark atmosphere. Both songs are catchy, energetic and just pure fun to listen.

The other six do not fit my taste, being comprised almost exclusively of samples from other songs or speeches mixed with extremely fast techno-style drums. This is not creative, this is not catchy, this is not original, this is not anything interesting - for me this type of hardcore techno is totally boring. Still, if they are typical for 1994 Newcastle hardcore techno scene, they fit this compilation.

I guess this album is very rare now, but if you happen to run into it somewhere along the links, be sure to check it out, if you are a fan of hardcore techno. And do not forget to visit the official Bandcamp website of Bloody Fist Records, where you can listen to and buy some other releases from this label.