Showing posts with label flac. Show all posts
Showing posts with label flac. Show all posts

18 March 2013

Gardzienice, Osrodek praktyk teatralnych - "Orkiestra antyczna" (2003)

Maybe not as hypnotic, not as mesmerising as the first album, Metamorfozy, but still exceptional piece of music, both as something simply enjoyable or something to listen to and as a set of highly elaborated compositions. Work of Gardzienice is one of the most convincing reconstructions of ancient mousikē - they do their best to squeeze out as much as possible from incomplete data and to reconstruct irreconstructible. [junusynu @ rateyourmusic.com]



The music itself is 4-stars, but the priceless scientific book on the subject that accompanies it is worth additional half star. This is by far the most convincing and probably accurate reconstructions of Ancient music I've ever heard. Recommended for everyone interested in ancient mysteries and theater, not recommended for those imagining Ancient Greeks as some clean-singing noble elves. [hattivat @ rateyourmusic.com]


Osrodek praktyk teatralnych "Gardzienice" (Centre for Theatre Practices "Gardzienice") was founded in 1977 by Włodzimierz Staniewski, and formally registered in 1978. The name comes from the village where the theatre is located. The group gained international critical acclaim, and is classified as an experimental anthropological theater. In 1997 the association established the Academy for Theatre Practices. This carries out numerous projects: research, arts, music, and cultural investigation into the humanities.

Orkiestra antyczna (The Ancient Orchestra) was a scientific project directed by Tomasz Rodowicz and Maciej Rychły, focused on reconstruction of music of ancient Greece and Rome, conducted in cooperation with musicologists. The reconstructed music was then played and recorded by the theatre's musical ensemble. This CD record accompanied the Polish edition of the book Music in Ancient Greece and Rome by John Landels. The book (and so the CD) is currently out-of-print.




Projects like this one are highly controversial among the scholars, as well as "classical" music critics and fans, because the sources from which we can learn about works, practices and instruments of ancient music are not even scarce - they are almost non-existent. And I mean it - just to give you some perspective, we are talking here about building instruments, which nobody have touched for 2 thousand years, on the basis of pictures found on ancient ceramic vessels. Or "reconstructing" songs upon seven and a half words and not many more musical notes found on a broken stone slab (like it is with the track no. 13: "Hode Galatan Ares"). The painful truth is that nobody knows how these notes have been sung and how this music sounded. Therefore, maybe it would be more proper to call such efforts "artistic interpretation" rather than "scientific reconstruction".

Some may say I'm a little bit too harsh, not respecting hard work of these researchers. That is not true. I have great esteem for them. But let's be reasonable. Just imagine that in two thousand years some future civilization will play Beethoven's For Elise on a "piano" built from this illustration, after "reconstructing" the piece on the basis of a few random bars coming from the burnt score and a review from a magazine. It may be a great work, but do you think it will sound anything like the composition that I linked above? No way.

So is this album a disappointment? Not at all! All I say is - let's not treat it like a definitive recording of ancient music, but rather as a suggestion: it might have sounded like that.

So how is it, when judged on its own merits? Brilliant. Astounding. Breathtaking. Mesmerizing. I have to stop right now, because I'm running out of adjectives. You're lucky you're reading me in English, because in Polish I'd go on like this for several more pages. Each of these songs is so powerful, hypnotic, full of emotions that you are immediately carried away by the procession of ancient Greeks. You can only hope you won't end up offered as a sacrifice to Greek gods.

So all this long introduction was to prepare you for what I am about to write now: I don't give a fuck if this is true ancient music or just a new-age'y / folky imitation. This is a masterpiece of Music. Who cares for labels. Let's just listen to this awesome record and praise ingenious people that created it.

I have to end with a small disclaimer. Due to high originality and uniqueness of this music, this record is of course not for everyone. For the majority of pop/rock oriented public it would be probably just a cacophony. But if only you have open mind (and ears) for sonic experiments and you are not afraid of new musical experiences and unusual sounds, I am sure you will be delighted.

Tracklist:

01. Promoleth' Helikona                                    [02:44]
02. All' o chryseokitharin                                 [03:14]
03. Tripoda manteion                                       [04:02]
04. All' o Phoibe                                          [05:12]
05. En, klyta megalopolis Atthis                           [02:22]
06. Ganytai                                                [02:54]
07. Alla Latous                                            [01:50]
08. Paian, o Paian                                         [02:49]
09. Kronos archon                                          [03:18]
10. Melipnoon                                              [02:56]
11. Chelidon                                               [02:46]
12. En kymasin                                             [04:01]
13. Hode Galatan Ares                                      [03:17]

Playing Time.........: 41:30



Support artists, not recording industry
Pay the artists directly. They do not profit from CD sales. If you buy brand new mainstream albums in regular record stores (no matter whether online or offline, CDs or downloads), almost all the money goes to the recording industry mafia and is later used for committing crimes such as unlawful harassment of fans and bribing authorities to implement changes in law, which would infringe basic human rights. If you really want to support mainstream artists (and you should, if you love their music!), go to concerts or buy merchandise off the official websites.

If you can afford buying music, but it is not possible to pay a particular artist without a mafia tribute, consider supporting some independent artists instead. You can find many great acts on such websites as magnatune.com, jamendo.com, cdbaby.com, bandcamp.com, megatotal.pl. Supporting independent artists helps fight the recording industry mafia.


Log translation at http://eachelper.uphero.com/
EAC extraction logfile from 16. January 2004, 8:17 for CD
Unknown Artist / Unknown Album

Used drive  : TEAC    CD-W524E   Adapter: 0  ID: 0
Read mode   : Secure with NO C2, accurate stream, NO disable cache
Combined read/write offset correction : 0
Overread into Lead-In and Lead-Out : No

Used output format : Internal WAV Routines
                     44.100 Hz; 16 Bit; Stereo

Other options      : 
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    External ASPA drivers installed


Track  1
     Filename D:\Track01.wav

     Peak level 98.8 %
     Track quality 100.0 %
     Copy CRC 10331797
     Copy OK

Track  2
     Filename D:\Track02.wav

     Peak level 98.8 %
     Track quality 100.0 %
     Copy CRC 428A152B
     Copy OK

Track  3
     Filename D:\Track03.wav

     Peak level 98.8 %
     Track quality 100.0 %
     Copy CRC 86843217
     Copy OK

Track  4
     Filename D:\Track04.wav

     Peak level 98.8 %
     Track quality 100.0 %
     Copy CRC 68C0ED12
     Copy OK

Track  5
     Filename D:\Track05.wav

     Peak level 69.9 %
     Track quality 100.0 %
     Copy CRC 885A0836
     Copy OK

Track  6
     Filename D:\Track06.wav

     Peak level 69.9 %
     Track quality 100.0 %
     Copy CRC 712FCEA6
     Copy OK

Track  7
     Filename D:\Track07.wav

     Peak level 84.2 %
     Track quality 100.0 %
     Copy CRC 7685152A
     Copy OK

Track  8
     Filename D:\Track08.wav

     Peak level 98.8 %
     Track quality 99.9 %
     Copy CRC 8BF6F7AA
     Copy OK

Track  9
     Filename D:\Track09.wav

     Peak level 98.8 %
     Track quality 100.0 %
     Copy CRC 1126E199
     Copy OK

Track 10
     Filename D:\Track10.wav

     Peak level 68.6 %
     Track quality 100.0 %
     Copy CRC 3BFA1331
     Copy OK

Track 11
     Filename D:\Track11.wav

     Peak level 98.8 %
     Track quality 100.0 %
     Copy CRC 3BEBCCA5
     Copy OK

Track 12
     Filename D:\Track12.wav

     Peak level 57.6 %
     Track quality 100.0 %
     Copy CRC A371DF12
     Copy OK

Track 13
     Filename D:\Track13.wav

     Peak level 98.8 %
     Track quality 100.0 %
     Copy CRC 2BF5905B
     Copy OK

No errors occured

End of status report


[CUETools log; Date: 2013-02-17 03:35:10; Version: 2.1.4]
[CTDB TOCID: rEfT3DdSkNX.fCUkHt7wTZe5t68-] disk not present in database.
[AccurateRip ID: 001425c0-00c803a9-9709ba0d] disk not present in database.           


-----------------------

DON'T MODIFY THIS FILE

-----------------------

PERFORMER: auCDtect Task Manager, ver. 1.5.1RC4 build 1.5.1.5
Copyright (c) 2008-2010 y-soft. All rights reserved
http://y-soft.org

ANALYZER: auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.


FILE: 13 - Hode Galatan Ares.wav
  Size: 34783772 Hash: DFDC6447392FA8D6338CCEB3A3AB7AF3 Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: 5C5303371F3C477810BA2791173047AE9E71115D
FILE: 12 - En kymasin.wav
  Size: 42568892 Hash: 54C8A3B652ABBF6A33D20E7D0C30F245 Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: 4437AA67B490C6E136343B999AD2B3179282B062
FILE: 11 - Chelidon.wav
  Size: 29437676 Hash: 1A704EF74157270221BC1CA43B21727F Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: 4B95F76F76E76961C5F01180B60BC458CCFA02BD
FILE: 10 - Melipnoon.wav
  Size: 31149932 Hash: 6B679538C25085A6E0B0E306FD4245F5 Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: 052F1E357222E01FCBA604D543CFC4C9C0879280
FILE: 09 - Kronos archon.wav
  Size: 34950764 Hash: 7457A8D8FB349367F4C0345B826F3E47 Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: 40D2727B9309779B215DADC23321731E1F1B3981
FILE: 08 - Paian, o Paian.wav
  Size: 29933948 Hash: 0BF400E0F95FE33C27E682CE54DD9D63 Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: AAE1CFFD22BFCB7260957AC54498F21C7CC9D449
FILE: 07 - Alla Latous.wav
  Size: 19427564 Hash: 3D55B4B1BAE79D84B23C161885830873 Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: 9AF4072F6A29B518072EFB18D778D0FF8DE5F994
FILE: 06 - Ganytai.wav
  Size: 30853580 Hash: FE692BAD6DD09C3FC217360C150BE798 Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: DD26E6EB5B3B6A017E2629FF98E2E1574EFFB86C
FILE: 05 - En, klyta megalopolis Atthis.wav
  Size: 25095884 Hash: E0E1FA076C8B4437499811DEF286A1D2 Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: D95016E28321CB7472AC52DE05835D6343B63B3B
FILE: 04 - All' o Phoibe.wav
  Size: 55105052 Hash: B6B9345C13E74A91743C8BE45F309C40 Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: 18127B806FAD19A75568D47AFBC5192CE8083516
FILE: 03 - Tripoda manteion.wav
  Size: 42691196 Hash: A6D99541FC9E772E02F2D5AAB3D34304 Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: C4B6C128D704E0E29B00C7CD74C6B9D694C124FC
FILE: 02 - All' o chryseokitharin.wav
  Size: 34365116 Hash: DC3BBC44BC88D5F285736D49B4D8ECA5 Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: 7DADF892E94ABDC64950E628433F42EAD19D510D
FILE: 01 - Promoleth' Helikona.wav
  Size: 28971980 Hash: 454CE927365ADEDE9CED8A862BAC9E7F Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: 8375ADCC2D28357F86A718C7388407C8BF0FC196

As you can see in the EAC log, the person that ripped this CD used a wrong offset setting: "Combined read/write offset correction" is set to "0", what probably means there are some missing samples (but note that it does not mean these differences are audible - it just means the copy is not formally "exact"). I carefully listened to this rip and I heard no audible ripping errors. Further, bear in mind that this CD is no longer available.

The read mode line should usually say "disable cache", but it may say "NO disable cache" for drives that do not cache data.

Interested? Ask Uncle Google the magic question:
rEfT3DdSkNX.fCUkHt7wTZe5t68- avax

10 March 2013

Peszek, Maria - "Maria Awaria" (2008)

Maria Peszek is a highly acclaimed Polish singer/songwriter. She is considered to be controversial, especially by right-wing retards and tabloids, because she is not afraid to openly discuss - both in lyrics to her songs and in interviews - themes such as sex, faith, patriotism and mental diseases. Each of her three albums was a commercial success, at the same time being praised by the critics and receiving many awards in her native Poland. She sings exclusively in Polish.

Maria Awaria (Maria the Failure) is a loose concept album about sex, love and femininity. All lyrics are in Polish and they are really good, witty and powerful, being an important factor in making these songs as awesome as they are. Therefore, this album may not appeal to non-Polish speaking public, as some tracks are built around lyrics with musical background playing only a small part ("Milosc w systemie Dolby Surround", "Reks", "Ladne slowa to").

Nevertheless, I still encourage you to check this album out, because many other tracks are brilliant from the musical side too (e.g. "Rosol", "Hujawiak", "Maria Awaria", "Muchomory"). From the musical perspective this is a pop (or pop rock) record, with some jazz and modern electronica influences. The album is masterfully produced by one of the best Polish producers and electronica composers, Andrzej Smolik, so the said musical background is full of pleasant surprises on many occasions. Many of Peszek's vocal lines are catchy as hell too and should be enjoyable even without understanding of her lyrics.
Maria Awaria To zdecydowanie najbardziej kobieca i erotyczna płyta na polskim rynku od czasów... Hmmm... No właśnie, takiego albumu jeszcze w kraju nad Wisłą nie było.

Maria Peszek na swoim drugim krążku odkrywa przed słuchaczami swoją kobiecą naturę. Bez zażenowania śpiewa o tym, że "dla własnej wygody zapuszcza swe ogrody i kolekcjonuje wzwody". Zdradza też swoje swoje erotyczne fantazje. Zachęca kochanka do lizania, solenia i miętolenia swego drobnego ciała.

Z niemal fotograficzną dokładnością opisuje również style współczesnych kobiet, które z jednej strony "chude, wysokie z wydepilowanym krokiem", a z drugiej mogą być kurami domowymi. Odkrywa też swoją romantyczną duszę i w piękny, metaforyczny sposób (swoim delikatnym aksamitnym głosem) śpiewa o tęsknocie.

I od razu zapewniam: mimo różnych – może kontrowersyjnych – stwierdzeń teksty nie są wulgarne, nie przekraczają cienkiej granicy dobrego smaku (choć się do niej niebezpiecznie zbliżają).

Jeszcze słowo o samej muzyce, za którą odpowiedzialny był Andrzej Smolik. To miks przeróżnych styli muzycznych: od delikatnego, transowego, nastrojowego trip-hopu i chilloutu pełnego "powietrza" i ciepłych muzycznych plam, przez nieco jazzujące swingi, altarnatywnego retropopu, po elementy starego rocka z lat 60-tych. I mimo takiego przemieszania gatunków płyta jest zaskakująco spójna. Szczerze polecam!
[Mariusz Rodziewicz]

Tracklist:

01. Mis                                                 [03:33]
02. Kobiety pistolety                                   [04:52]
03. Marzne bez Ciebie                                   [03:28]
04. Rosol                                               [02:38]
05. Milosc w systemie Dolby Surround (feat. Edek)       [03:48]
06. Reks                                                [00:26]
07. Hujawiak                                            [03:29]
08. Maria Awaria                                        [03:40]
09. Superglue                                           [02:26]
10. Cialo                                               [04:00]
11. Rozpuda                                             [03:27]
12. Hedonia                                             [03:57]
13. Ladne slowa to                                      [03:03]
14. Muchomory                                           [03:47]

Playing Time.........: 46:40






Support artists, not recording industry
Pay the artists directly. They do not profit from CD sales. If you buy brand new mainstream albums in regular record stores (no matter whether online or offline, CDs or downloads), almost all the money goes to the recording industry mafia and is later used for committing crimes such as unlawful harassment of fans and bribing authorities to implement changes in law, which would infringe basic human rights. If you really want to support mainstream artists (and you should, if you love their music!), go to concerts or buy merchandise off the official websites.

If you can afford buying music, but it is not possible to pay a particular artist without a mafia tribute, consider supporting some independent artists instead. You can find many great acts on such websites as magnatune.com, jamendo.com, cdbaby.com, bandcamp.com, megatotal.pl. Supporting independent artists helps fight the recording industry mafia.


Log translation at http://eachelper.uphero.com/
Exact Audio Copy V0.99 prebeta 4 from 23. January 2008

EAC extraction logfile from 4. October 2008, 18:22

Maria Peszek / Maria awaria

Used drive  : TSSTcorpCDDVDW SH-S203P   Adapter: 1  ID: 0

Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No

Read offset correction                      : 6
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : No
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track

Used output format : Internal WAV Routines
Sample format      : 44.100 Hz; 16 Bit; Stereo


TOC of the extracted CD

     Track |   Start  |  Length  | Start sector | End sector 
    ---------------------------------------------------------
        1  |  0:00.00 |  3:33.05 |         0    |    15979   
        2  |  3:33.05 |  4:52.42 |     15980    |    37921   
        3  |  8:25.47 |  3:28.09 |     37922    |    53530   
        4  | 11:53.56 |  2:38.54 |     53531    |    65434   
        5  | 14:32.35 |  3:48.62 |     65435    |    82596   
        6  | 18:21.22 |  0:26.48 |     82597    |    84594   
        7  | 18:47.70 |  3:29.01 |     84595    |   100270   
        8  | 22:16.71 |  3:40.23 |    100271    |   116793   
        9  | 25:57.19 |  2:26.24 |    116794    |   127767   
       10  | 28:23.43 |  4:00.70 |    127768    |   145837   
       11  | 32:24.38 |  3:27.41 |    145838    |   161403   
       12  | 35:52.04 |  3:57.34 |    161404    |   179212   
       13  | 39:49.38 |  3:03.19 |    179213    |   192956   
       14  | 42:52.57 |  3:47.35 |    192957    |   210016   


Track  1

     Filename M:\Maria Peszek - Maria awaria\01 - Mis.wav

     Pre-gap length  0:00:02.00

     Peak level 96.9 %
     Track quality 100.0 %
     Test CRC 58068A12
     Copy CRC 58068A12
     Track not present in  AccurateRip database
     Copy OK

Track  2

     Filename M:\Maria Peszek - Maria awaria\02 - Kobiety pistolety.wav

     Pre-gap length  0:00:00.24

     Peak level 96.7 %
     Track quality 99.9 %
     Test CRC 3465DB9D
     Copy CRC 3465DB9D
     Track not present in  AccurateRip database
     Copy OK

Track  3

     Filename M:\Maria Peszek - Maria awaria\03 - Marzne bez Ciebie.wav

     Pre-gap length  0:00:00.26

     Peak level 96.4 %
     Track quality 100.0 %
     Test CRC C96B8BFE
     Copy CRC C96B8BFE
     Track not present in  AccurateRip database
     Copy OK

Track  4

     Filename M:\Maria Peszek - Maria awaria\04 - Rosol.wav

     Pre-gap length  0:00:01.46

     Peak level 97.7 %
     Track quality 99.9 %
     Test CRC DFFDD702
     Copy CRC DFFDD702
     Track not present in  AccurateRip database
     Copy OK

Track  5

     Filename M:\Maria Peszek - Maria awaria\05 - Milosc w systemie dolby surround feat Edek.wav

     Pre-gap length  0:00:01.23

     Peak level 96.2 %
     Track quality 100.0 %
     Test CRC 7B0659E3
     Copy CRC 7B0659E3
     Track not present in  AccurateRip database
     Copy OK

Track  6

     Filename M:\Maria Peszek - Maria awaria\06 - Reks.wav

     Peak level 96.4 %
     Track quality 100.0 %
     Test CRC 4117F80F
     Copy CRC 4117F80F
     Track not present in  AccurateRip database
     Copy OK

Track  7

     Filename M:\Maria Peszek - Maria awaria\07 - Hujawiak.wav

     Pre-gap length  0:00:00.02

     Peak level 96.6 %
     Track quality 100.0 %
     Test CRC 8DB1B481
     Copy CRC 8DB1B481
     Track not present in  AccurateRip database
     Copy OK

Track  8

     Filename M:\Maria Peszek - Maria awaria\08 - Maria awaria.wav

     Pre-gap length  0:00:00.44

     Peak level 96.3 %
     Track quality 100.0 %
     Test CRC EA6867E2
     Copy CRC EA6867E2
     Track not present in  AccurateRip database
     Copy OK

Track  9

     Filename M:\Maria Peszek - Maria awaria\09 - Superglue.wav

     Pre-gap length  0:00:00.06

     Peak level 96.1 %
     Track quality 100.0 %
     Test CRC 19C8A0F3
     Copy CRC 19C8A0F3
     Track not present in  AccurateRip database
     Copy OK

Track 10

     Filename M:\Maria Peszek - Maria awaria\10 - Cialo.wav

     Pre-gap length  0:00:01.63

     Peak level 96.4 %
     Track quality 100.0 %
     Test CRC 7C2D73DE
     Copy CRC 7C2D73DE
     Track not present in  AccurateRip database
     Copy OK

Track 11

     Filename M:\Maria Peszek - Maria awaria\11 - Rozpuda.wav

     Pre-gap length  0:00:01.67

     Peak level 96.6 %
     Track quality 99.9 %
     Test CRC 60AA0025
     Copy CRC 60AA0025
     Track not present in  AccurateRip database
     Copy OK

Track 12

     Filename M:\Maria Peszek - Maria awaria\12 - Hedonia.wav

     Pre-gap length  0:00:00.23

     Peak level 97.7 %
     Track quality 99.9 %
     Test CRC 5F58EBC7
     Copy CRC 5F58EBC7
     Track not present in  AccurateRip database
     Copy OK

Track 13

     Filename M:\Maria Peszek - Maria awaria\13 - Ladne slowa to.wav

     Peak level 97.9 %
     Track quality 100.0 %
     Test CRC CE72E9CC
     Copy CRC CE72E9CC
     Track not present in  AccurateRip database
     Copy OK

Track 14

     Filename M:\Maria Peszek - Maria awaria\14 - Muchomory.wav

     Pre-gap length  0:00:14.18

     Peak level 93.7 %
     Track quality 99.9 %
     Test CRC 1AEAA0BC
     Copy CRC 1AEAA0BC
     Track not present in  AccurateRip database
     Copy OK

None of the tracks are present in the AccurateRip database

No errors occurred

End of status report


[CUETools log; Date: 2013-02-17 05:06:03; Version: 2.1.4]
[CTDB TOCID: NPAvW0aE.cv1COuiDGoKPTtpr6M-] found.
        [ CTDBID ] Status
        [6f093d04] (08/10) Accurately ripped
        [138b984f] (01/10) Differs in 945 samples @27:31:16,27:34:06,27:34:34-27:34:35,27:34:48-27:34:49,27:34:63,27:35:45,27:35:59-27:35:60,27:36:27-27:36:28,27:36:41-27:36:42,27:36:70,27:37:38,27:37:52-27:37:53,27:39:31,27:39:73-27:39:74,27:40:13-27:40:14,27:40:70-27:40:71,28:15:71-28:15:72,28:16:25-28:16:26,29:15:19
        [346fab19] (01/10) No match
Track | CTDB Status
  1   | (10/10) Accurately ripped
  2   | (10/10) Accurately ripped
  3   | (10/10) Accurately ripped
  4   | (10/10) Accurately ripped
  5   | (10/10) Accurately ripped
  6   | (10/10) Accurately ripped
  7   | ( 9/10) Accurately ripped
  8   | (10/10) Accurately ripped
  9   | ( 9/10) Accurately ripped, or (1/10) differs in 933 samples @01:33:72,01:36:62,01:37:15-01:37:16,01:37:29-01:37:30,01:37:44,01:38:26,01:38:40-01:38:41,01:39:08-01:39:09,01:39:22-01:39:23,01:39:51,01:40:19,01:40:33-01:40:34,01:42:12,01:42:54-01:42:55,01:42:69-01:42:70,01:43:51-01:43:52,02:18:52-02:18:53,02:19:06-02:19:07
 10   | ( 9/10) Accurately ripped, or (1/10) differs in 12 samples @00:51:51
 11   | (10/10) Accurately ripped
 12   | (10/10) Accurately ripped
 13   | (10/10) Accurately ripped
 14   | (10/10) Accurately ripped
[AccurateRip ID: 001805b2-00fdba1f-b90af00e] found.
Track   [  CRC   |   V2   ] Status
 01     [25a544a8|dde05980] (15+02/17) Accurately ripped
 02     [cbb971dc|cd69b2f3] (15+02/17) Accurately ripped
 03     [2736429a|accbc83f] (15+02/17) Accurately ripped
 04     [729a9ac5|c3517bbc] (15+02/17) Accurately ripped
 05     [bf41c7a2|1be9f198] (15+02/17) Accurately ripped
 06     [c1fd14ac|75ab41ef] (15+02/17) Accurately ripped
 07     [36d1cfee|de38fe72] (15+02/17) Accurately ripped
 08     [035eed46|a03ed5b4] (15+02/17) Accurately ripped
 09     [fe956470|f9b2ee09] (15+02/17) Accurately ripped
 10     [3274676d|b1e18672] (14+02/16) Accurately ripped
 11     [14802851|f386bf09] (14+02/16) Accurately ripped
 12     [4144eb9c|c40cf4ec] (14+02/16) Accurately ripped
 13     [3942f2d5|b51d147d] (14+02/16) Accurately ripped
 14     [17489047|3f782839] (14+02/16) Accurately ripped

Track Peak [ CRC32  ] [W/O NULL] 
 --   97,9 [FB555EDF] [DBF1D347]           
 01   96,9 [45D69575] [58068A12]           
 02   96,7 [5D73B959] [3465DB9D]           
 03   96,4 [E15693BB] [C96B8BFE]           
 04   97,7 [3E381991] [DFFDD702]           
 05   96,2 [6569979C] [7B0659E3]           
 06   96,4 [B42258B0] [4117F80F]           
 07   96,6 [FF3E97EC] [8DB1B481]           
 08   96,3 [02BB744E] [EA6867E2]           
 09   96,1 [D8618599] [19C8A0F3]           
 10   96,4 [A5946C74] [7C2D73DE]           
 11   96,6 [26CBEB9C] [60AA0025]           
 12   97,7 [2D3EA2D1] [5F58EBC7]           
 13   97,9 [46AC4F73] [CE72E9CC]           
 14   93,7 [E11DC985] [1AEAA0BC]           


-----------------------

DON'T MODIFY THIS FILE

-----------------------

PERFORMER: auCDtect Task Manager, ver. 1.5.1RC4 build 1.5.1.5
Copyright (c) 2008-2010 y-soft. All rights reserved
http://y-soft.org

ANALYZER: auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.


FILE: 14 - Muchomory.wav
  Size: 40125164 Hash: E60EA3889EE30A0C100E26A52D665AB2 Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: B5334B2A6A6888DE447DB4FFD73C9E07CCC838B9
FILE: 13 - Ladne slowa to.wav
  Size: 32325932 Hash: 4EB42B10F92A0B2A731C9CC1BF740DB5 Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: 6ED9B36487D37167951D82A6109776E31EE34B4C
FILE: 12 - Hedonia.wav
  Size: 41886812 Hash: 206E7B8F559E443DEB97F1E7DF374319 Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: BDA562465990A68AADBA31F20FAF38AC498A12D7
FILE: 11 - Rozpuda.wav
  Size: 36611276 Hash: 0B9882084A1357C5A205FA5E723CC892 Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: D27C2855CCCCAE69DCD805239826DB3CA84FE64B
FILE: 10 - Cialo.wav
  Size: 42500684 Hash: 6475FB73125314F73FDFF48100EEAD81 Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: 53B27813489CDB4AF20E68FE44E66F60735556C4
FILE: 09 - Superglue.wav
  Size: 25810892 Hash: 9ADE6112AB808DDD03D69A76C97A4A33 Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: 4382E6A226FA12AB976B3104F1F2D884A3CF55F4
FILE: 08 - Maria Awaria.wav
  Size: 38862140 Hash: FE69343B96390585C577FFE0EF6CB873 Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: 54D7033E9018D62865F8E4EF2BF5963CD1EC2720
FILE: 07 - Hujawiak.wav
  Size: 36869996 Hash: 1183354857D16152D2E6E0BFD3221981 Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: 9DFAF9D333609F80B16B549EF33A1DA132CED4D7
FILE: 06 - Reks.wav
  Size: 4699340 Hash: 58C0EE7355C1197755077F7B2B667572 Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: 3B4C95323C4CDABE87471DBD702F2506D6E7905A
FILE: 05 - Milosc w systemie Dolby Surround (feat. Edek).wav
  Size: 40365068 Hash: C87562973B0F11E70566D3396BDB60BC Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: C43990FE4D32351B95A0C22DB524D3486E745DCA
FILE: 04 - Rosol.wav
  Size: 27998252 Hash: 55DFFA7AE4C22200E6EDE742FD637241 Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: 8A88997C861698339147E016B7BCB86771DE5BA9
FILE: 03 - Marzne bez Ciebie.wav
  Size: 36712412 Hash: 82C240CFF279DD8AE31A482953E4AFAA Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: 9DB5B454815F5B8938CE16A9D28D37178090BF5D
FILE: 02 - Kobiety pistolety.wav
  Size: 51607628 Hash: 65DE2E98EF5C0F4314579BD6403248E4 Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: F02D7A358CEB4FD5C545AC80C3BBEAE08CF59763
FILE: 01 - Mis.wav
  Size: 37585004 Hash: AFA5BB472292683388B79BD675265AF4 Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: E4102B98C24291DC2DEF772AF0C54D4B5947F074

Interested? Ask Uncle Google the magic question:
NPAvW0aE.cv1COuiDGoKPTtpr6M avax

01 March 2013

Therapy? - "Infernal Love" (1995)

Therapy? is an outstanding hard rock / metal band from Ireland. Influenced by such stylistically diverse bands as Black Sabbath or Hüsker Dü they managed to build their own distinct sound, based on a wall of noise constructed from loud guitars and powerful drums on the one hand and melodic vocal lines, catchy tunes and clever emotional lyrics passionately delivered by the singer Andy Cairns on the other hand.

The final vocal line on Infernal Love might be "There is a light at the end of the tunnel," but there's no denying that Infernal Love is anything but optimistic; it's an unrelentingly dark and sometimes bluntly turgid record. Anyone familiar with the band had grown accustomed to Andy Cairns' spins on depression, anger, bitterness, and self-destruction, but even the most devoted listener probably screamed "Snap out of it!" while first listening to this third record. Darker chords and slower tempos prevail, and the pop-punk hooks are all but washed away. The sequentially buried, bouncing "Loose" is an anomaly, sounding like a refugee from Troublegum that reads like a dystopian "Jack and Diane." Other than that, it's nothing but despair and heartache. [Read more --->]

Tracklist:

  01. Epilepsy                         [3:50]
  02. Stories                          [3:11]
  03. A Moment of Clarity              [6:02]
  04. Jude the Obscene                 [3:32]
  05. Bowels of Love                   [2:53]
  06. Misery                           [3:40]
  07. Bad Mother                       [5:46]
  08. Me Vs You                        [6:24]
  09. Loose                            [3:00]
  10. Diane                            [5:00]
  11. 30 Seconds                       [5:25]

Playing Time.........: 48:42




Wikipedia (band)
Wikipedia (album)
Biography
Review
Official Website
Official Merchandise
(please support the artist, if you can afford it)


Support artists, not recording industry
Pay the artists directly. They do not profit from CD sales. If you buy brand new mainstream albums in regular record stores (no matter whether online or offline, CDs or downloads), almost all the money goes to the recording industry mafia and is later used for committing crimes such as unlawful harassment of fans and bribing authorities to implement changes in law, which would infringe basic human rights. If you really want to support mainstream artists (and you should, if you love their music!), go to concerts or buy merchandise off the official websites.

If you can afford buying music, but it is not possible to pay a particular artist without a mafia tribute, consider supporting some independent artists instead. You can find many great acts on such websites as magnatune.com, jamendo.com, cdbaby.com, bandcamp.com, megatotal.pl. Supporting independent artists helps fight the recording industry mafia.

Log translation at http://eachelper.uphero.com/
EAC extraction logfile from 2. June 2004, 11:59 for CD
Therapy? / Infernal Love

Used drive  : TEAC    CD-W54E   Adapter: 0  ID: 0
Read mode   : Secure with C2, accurate stream, NO disable cache
Combined read/write offset correction : 0
Overread into Lead-In and Lead-Out : No

Used output format : D:\audio\Monkey's Audio\MAC.exe   (Monkey's Audio Lossless Encoder)
                     High Lossless Compression

Other options      : 
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Native Win32 interface for Win NT & 2000


Track  1
     Filename F:\upload\(01)  Epilepsy.wav

     Peak level 94.9 %
     Track quality 100.0 %
     Copy CRC 4F055E5E
     Copy OK

Track  2
     Filename F:\upload\(02)  Stories.wav

     Peak level 94.4 %
     Track quality 100.0 %
     Copy CRC D7397074
     Copy OK

Track  3
     Filename F:\upload\(03)  A  Moment Of Clarity.wav

     Peak level 94.4 %
     Track quality 100.0 %
     Copy CRC 8B90DBA8
     Copy OK

Track  4
     Filename F:\upload\(04)  Jude The Obscene.wav

     Peak level 96.0 %
     Track quality 100.0 %
     Copy CRC AF417E90
     Copy OK

Track  5
     Filename F:\upload\(05)  Bowels Of Love.wav

     Peak level 96.1 %
     Track quality 100.0 %
     Copy CRC 2ACB71A1
     Copy OK

Track  6
     Filename F:\upload\(06)  Misery.wav

     Peak level 91.0 %
     Track quality 100.0 %
     Copy CRC 533D3C19
     Copy OK

Track  7
     Filename F:\upload\(07)  Bad Mother.wav

     Peak level 94.9 %
     Track quality 100.0 %
     Copy CRC CDC707C3
     Copy OK

Track  8
     Filename F:\upload\(08)  Me Vs You.wav

     Peak level 95.4 %
     Track quality 99.9 %
     Copy CRC 213EC073
     Copy OK

Track  9
     Filename F:\upload\(09)  Loose.wav

     Peak level 95.5 %
     Track quality 100.0 %
     Copy CRC 3F0B381C
     Copy OK

Track 10
     Filename F:\upload\(10)  Diane.wav

     Peak level 94.4 %
     Track quality 100.0 %
     Copy CRC 8E224C1C
     Copy OK

Track 11
     Filename F:\upload\(11)  30 Seconds.wav

     Peak level 96.3 %
     Track quality 100.0 %
     Copy CRC 8D4F532F
     Copy OK

No errors occured


End of status report


-----------------------

DON'T MODIFY THIS FILE

-----------------------

PERFORMER: auCDtect Task Manager, ver. 1.5.1RC4 build 1.5.1.5
Copyright (c) 2008-2010 y-soft. All rights reserved
http://y-soft.org

ANALYZER: auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.


FILE: 11 - 30 Seconds.flac
  Size: 40209506 Hash: E3ED3AEADDF1E8964F4FBF371602E64E Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: AD73A19782887B20675BF0B4FAF17B377B490168
FILE: 10 - Diane.flac
  Size: 29755009 Hash: 24179F579E36AC07264A625EE7B36329 Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: 9FC334D429754AEE6A46D36F077A8EBDA269BEB6
FILE: 09 - Loose.flac
  Size: 24402481 Hash: B7519DE6AC8FBA2B7923B41FE7849742 Accuracy: -m0
  Conclusion: CDDA 99%
  Signature: AE7138CAD9FF9D6A3736CECF92EEAC8D8E13C5A5
FILE: 08 - Me Vs. You.flac
  Size: 39218855 Hash: FD5571B7F3AB751BEFAF76472A178102 Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: 46317E4B51EB5CF729FB65DA79AE6E62C44D3B98
FILE: 07 - Bad Mother.flac
  Size: 39890190 Hash: 15845B49729F86CCE9D48CC1D96F294F Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: E2CE5AC6D1DCA2960A28E2BF0E3AB99802678648
FILE: 06 - Misery.flac
  Size: 28434375 Hash: 01AEFCF6D4B94D207E9F3FC85F16B771 Accuracy: -m0
  Conclusion: CDDA 99%
  Signature: AF16F9E12DB5044B5A6066ADD1E78E06F1D54E0F
FILE: 05 - Bowels Of Love.flac
  Size: 20155063 Hash: 3CFB348D9AA91AB645BC743B76D8E541 Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: 2D8D3962B0DA487C966ED38CD113286F2B0E0AD0
FILE: 04 - Jude The Obscene.flac
  Size: 27292041 Hash: BF2402ED26E602A473D0D9555B0507F2 Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: DC97E8FB0297938B5E6AD9B37BB39DCD3ED11070
FILE: 03 - A Moment Of Clarity.flac
  Size: 39232592 Hash: D4139D794D19B34C1E5804AB7879683E Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: 0AB60D56781A96B6BF138802CC328EDB4FDC9F1D
FILE: 02 - Stories.flac
  Size: 23991853 Hash: D3A20D4B89BBD232B13F51C90BB505DC Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: 62F32917559ACF21CF0884022339527ED4ADE85D
FILE: 01 - Epilepsy.flac
  Size: 27855181 Hash: F80285E5C0AE4BA0E62B8B3870D05480 Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: BB917F85ACAE54BFBC9EC42A1ECC4913A7394DB7


Disclaimer: As you can see in the EAC log, the person that ripped this CD used some settings that make "secure mode" much less secure: use of C2 pointers, use of cache, 1-pass rip (no test). Further, "Combined read/write offset correction" set to "0" probably means there are some missing samples (but it does not mean these differences are audible - it just means the copy is not "exact"). I carefully listened to this rip and I heard no audible ripping errors. CUETools database contains 4 different pressings of this album and all the checksums are different to this rip. I suppose it means this release is from another pressing (or maybe it's the result of the wrong offset set in EAC?).


Interested? Ask Uncle Google the magic question:
E3ED3AEADDF1E8964F4FBF371602E64E avax

More by Therapy?:
Therapy? - "Iron Man" (live in Firenze, Italy, 1994)
Therapy? - "Lonely, Cryin', Only" [CDS] (1998)

28 February 2013

Therapy? - "Lonely, Cryin', Only" [CDS] (1998)

Therapy? is an outstanding hard rock / metal band from Ireland. Influenced by such stylistically diverse bands as Black Sabbath or Hüsker Dü they managed to build their own distinct sound, based on a wall of noise constructed from loud guitars and powerful drums on the one hand and melodic vocal lines, catchy tunes and clever emotional lyrics delivered by the singer Andy Cairns on the other hand.

"Lonely, Cryin', Only" comes from the Semi-Detached album and it was released on A&M Records on May 18, 1998. This single reached number 32 in the UK Singles Chart.

Semi-Detached is not the best album by Therapy? and "Lonely, Cryin', Only" is not the best song on this album. Still, it leaves many contemporary rockers' efforts behind. But forget the single track - you can find it on the regular album, anyhow. The B-Side tracks are much more interesting and should be more than enough for a fan to get this single. "High Noon" is a cover of the song by DJ Shadow, a prominent DJ and electronic music artist. It sounds like a typical Therapy?'s song, while still being faithful to the original and catchy as hell. Brilliant work. The remaining two songs are reworked versions of their past masterpieces, so they should be interesting for fans as well.

Tracklist:

  1. Lonely, Cryin', Only                        [02:40]
  2. High Noon                                   [05:09]
  3. Diane (new recording)                       [06:23]
  4. Teethgrinder (new recording)                [03:20]

Playing Time.........: 17:34




Wikipedia
Allmusic
Official Website
Official Merchandise
(please support the artist, if you can afford it)


Support artists, not recording industry
Pay the artists directly. They do not profit from CD sales. If you buy brand new mainstream albums in regular record stores (no matter whether online or offline, CDs or downloads), almost all the money goes to the recording industry mafia and is later used for committing crimes such as unlawful harassment of fans and bribing authorities to implement changes in law, which would infringe basic human rights. If you really want to support mainstream artists (and you should, if you love their music!), go to concerts or buy merchandise off the official websites.

If you can afford buying music, but it is not possible to pay a particular artist without a mafia tribute, consider supporting some independent artists instead. You can find many great acts on such websites as magnatune.com, jamendo.com, cdbaby.com, bandcamp.com, megatotal.pl. Supporting independent artists helps fight the recording industry mafia.

Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 9. January 2012, 11:26

Therapy? / Lonely, Cryin', Only

Used drive  : PLDS    DVD+-RW DH-16AAS   Adapter: 1  ID: 0

Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : No
Make use of C2 pointers : No

Read offset correction                         : 6
Overread into Lead-In and Lead-Out             : No
Fill up missing offset samples with silence    : Yes
Delete leading and trailing silent blocks      : No
Null samples used in CRC calculations          : Yes
Used interface                                 : Native Win32 interface for Win NT & 2000
Gap handling                                   : Appended to previous track

Used output format : Microsoft PCM Converter
Sample format      : 44,100 kHz; bitów: 16 ; Stereo


TOC of the extracted CD

     Track |   Start  |  Length  | Start sector | End sector 
    ---------------------------------------------------------
        1  |  0:00.32 |  2:40.18 |        32    |    12049   
        2  |  2:40.50 |  5:09.65 |     12050    |    35289   
        3  |  7:50.40 |  6:23.20 |     35290    |    64034   
        4  | 14:13.60 |  3:20.72 |     64035    |    79106   


Track  1

     Filename c:\Temp\01 - Lonely, Cryin', Only.wav

     Pre-gap length  0:00:02.42

     Peak level 97.9 %
     Extraction speed 5.6 X
     Track quality 100.0 %
     Test CRC 81932BF9
     Copy CRC 81932BF9
     Accurately ripped (confidence 1)  [F1CE457A]  (AR v1)
     Copy OK

Track  2

     Filename c:\Temp\02 - High Noon.wav

     Pre-gap length  0:00:00.44

     Peak level 98.0 %
     Extraction speed 6.3 X
     Track quality 100.0 %
     Test CRC 7FDF3991
     Copy CRC 7FDF3991
     Accurately ripped (confidence 1)  [1FB82682]  (AR v1)
     Copy OK

Track  3

     Filename c:\Temp\03 - Diane (new recording).wav

     Pre-gap length  0:00:01.04

     Peak level 98.0 %
     Extraction speed 7.1 X
     Track quality 100.0 %
     Test CRC 66849A63
     Copy CRC 66849A63
     Accurately ripped (confidence 1)  [E6098FCD]  (AR v1)
     Copy OK

Track  4

     Filename c:\Temp\04 - Teethgrinder (new recording).wav

     Peak level 98.0 %
     Extraction speed 7.8 X
     Track quality 100.0 %
     Test CRC 31FD2F75
     Copy CRC 31FD2F75
     Accurately ripped (confidence 1)  [F1873252]  (AR v1)
     Copy OK


All tracks accurately ripped

No errors occurred

End of status report

==== Log checksum 25C424B4DAF3FB88973024500FE33EE14245F51AFF39BEA175B276584764B8F9 ====


-----------------------

DON'T MODIFY THIS FILE

-----------------------

PERFORMER: auCDtect Task Manager, ver. 1.5.1RC4 build 1.5.1.5
Copyright (c) 2008-2010 y-soft. All rights reserved
http://y-soft.org

ANALYZER: auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.


FILE: 04 - Teethgrinder (new recording).flac
  Size: 25396288 Hash: F0D0B8ECE2724FD85F91176E3A99D8EF Accuracy: -m0
  Conclusion: CDDA 99%
  Signature: F518522A3EEDCD61746CDD9E39542BB042D1083E
FILE: 03 - Diane (new recording).flac
  Size: 38254952 Hash: 67C06C3E0E427378C85D95FB3545F71E Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: 269056DC7834188E663FE0459106EA1934F45B32
FILE: 02 - High Noon.flac
  Size: 33888957 Hash: C5A8EDBDADF93B4B4D40CD2B8FBF1CBD Accuracy: -m0
  Conclusion: CDDA 99%
  Signature: 4192DBB3B37AF2255525FE4AFB69564AB729E916
FILE: 01 - Lonely, Cryin', Only.flac
  Size: 18672938 Hash: 8F7BE53FE2D672429917A5023B7C76C7 Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: 23BB8FF9F8821ED51EC9BFDCAA0CF5AC2E7476D2


Interested? Ask Uncle Google the magic question:
25C424B4DAF3FB88973024500FE33EE14245F51AFF39BEA175B276584764B8F9 avax

More by Therapy?:
Therapy? - "Infernal Love" (1995)
Therapy? - "Iron Man" (live in Firenze, Italy, 1994)

09 January 2013

Nymphomania - "Unashamed"

Dark ambient of the highest quality (10/10)

From the artist:
Earthy meditation loops of processed voice, bass guitar and wind chime, which resound unceasing throughout my new home by the woods. An album for eating nectarines and grapefruits in the early morning. The sequel to "In Spiral Expression".
From the label:
This is a real trip into mind. The fractal image of the inner self. A kaleidoscope of visions that have a meaning, but you should be sure, because taking the wrong path leads you nowhere. The labyrinth built by one's mind may look confusing, but it gives the hints - just listen. And never touch that green switch!

All instruments programmed and played, vocals, music written and arranged by Josh Landry. Artwork by Mike Winchester.

Dark ambient of the highest quality. With long drones flowing slowly through time and space. Only sometimes strange sounds of ethnic instruments or tribal chants remind you that you are taking part in some kind of a primeval ritual.

This record is hypnotic and repetitive, but never boring like so many bad ambient works. Highly recommended to both ambient fans and people looking for a good introduction to this genre.

The album has been released by the artist himself through his Bandcamp store under the "name your price" scheme. You can download it there in a variety of formats, including a lossless FLAC version. This release is copyrighted.

It has been also reissued by the Russian label USC (United Studios Corporation), under the Creative Commons BY-SA license. On their website you will find links for downloading the album for free from several file storage websites, but only in 320 kbit MP3 format. They inform that "By downloading our files from links below you directly support artists and label". By the way - they release music on physical CDs too.



SUPPORT INDEPENDENT ARTISTS

If you like this album and you can afford it, consider supporting the artist by making a donation through Bandcamp.

Creative Commons License

[Artist's Soundcloud]

06 June 2012

Sinewave - "Zombastic? Fantastic!" [SP]

Catchy instrumental rock single (9/10)
Sinewave, the one-man studio project of Vancouver's Mark Wiebe, has been on the cutting edge of underground Canadian electronic music since the 2001 launch of Interplanetary Ridicule, an album of "weird space lounge", b-movie samples and finely diced drum-and-bass beats. It caused an instant sensation on campus radio stations across the country, closing out the year as the number one album of 2001 at University of Manitoba's UMFM, placing eighteenth on !earshot's top 200 of 2001 and receiving airplay around the globe on Solid Steel Radio. [Read more --->]

Music from the game Zombie Minesweeper.

A catchy little song that is used in the very enjoyable free online flash game Zombie Minesweeper. The disturbing atmosphere corresponds well with the game's theme and the way of playing. For those that played the game extensively it may be a little bit too much to hear it again (and again and again...), but all the others should definitely check it out, because it is a very fine piece of electronic rock.

The album is available on Bandcamp for USD 1 (yes, for one dollar!) in a variety of formats, including a FLAC version. You can also listen to the full album before making a decision on purchase.

[Artist's website]

10 January 2012

Silence Industry, the - "Edge Of Illusion, the"

Songwriting skills vs production skills (7/10)

The 4th release from The Silence Industry. This time The Silence Industry can be heard refining their unique sound which combines elements of post-punk, industrial, noise, dream-pop, psychedelia and goth-rock. "The Edge of Illusion" is a reference to our dispossession and our struggles to overcome it: a theme that runs throughout the release.

It is sad and frustrating. Because this band truly knows how to write great gothic rock/metal songs. Even if they borrow heavily from Fields of the Nephilim, these tunes are so good that it would not be a problem.

So why is it sad? The reason is all the work and talent they put into songwriting is wasted because of lack of production skills and/or equipment. This album sounds like recorded in a bucket full of water, but with the mikes placed not only outside the bucket, but also in another room. The mix is flat, with all the instruments forming an undistinctive mass of dull sound. The vocals are particularly awful, unintelligible and buried deep in the background. Yuck.

I pondered how to rate this work and I am giving it 7/10, but only because the songs themselves deserve 9 or even 10. The quality of sound deserves 2 or 3. One could say it should not matter - Jamendo is not for professionals and I should rate only the quality of songwriting. But what if poor production makes the recording almost unlistenable? Should I award 5 stars to the album that I can barely listen without my ears aching? No way. That is not going to happen.

Re-record this album, guys, and I will be happy to give it full 10 points.

The album has been released on Jamendo as well as by the now-defunct netlabel Ekleipsi and is available for downloading at the following locations in mp3 and ogg formats:
You can also download it directly from the artist at Bandcamp in a variety of formats, including a lossless FLAC version.



SUPPORT INDEPENDENT ARTISTS

If you like this album and you can afford it, consider supporting the artist by making a donation at Jamendo or Bandcamp. I would choose Bandcamp to support sharing lossless music.

Creative Commons License

[Artist's Myspace]

26 December 2011

Grieg, E. & Brahms, J. - "Peer Gynt Suite" (Various Artists)

Tracklist:
01. Grieg, E. - Peer Gynt Suite, No. 1 Op. 46
Performed by Philharmonic Ensemble Pro Musica. Conducted by Herbert Fleischmann.
02. Grieg, E. - Peer Gynt Suite, No. 2 Op. 55
Performed by Philharmonic Ensemble Pro Musica. Conducted by Herbert Fleischmann.
03. Grieg, E. - Symphonic Dance, No. 4
Performed by Nurnberger Symphoniker. Conducted by Rato Tschupp.
04. Brahms, J. - Tragic Overture, Op. 81
Performed by Nurnberger Symphoniker. Conducted by Hanspeter Gmur.



Edvard Hagerup Grieg (15 June 1843 -- 4 September 1907) was a Norwegian composer and pianist. He is best known for his Piano Concerto in A minor, for his incidental music to Henrik Ibsen's play Peer Gynt (which includes Morning Mood and In the Hall of the Mountain King), and for his collection of piano miniatures Lyric Pieces.

Peer Gynt
Ibsen asked Edvard Grieg to compose incidental music for the play. Grieg composed a score that plays approximately ninety minutes. Grieg extracted two suites of four pieces each from the incidental music (Opus 46 and Opus 55), which became very popular as concert music. Two of the sung parts of the incidental music ended up in these suites (the famous In the Hall of the Mountain King in the 1st suite with the vocal parts omitted, and the last part of 2nd suite, Solveig's Song, the solo part now played by violin rather than sung, though the vocal version is sometimes substituted). (Originally, the second suite had a fifth number, The Dance of the Mountain King's Daughter, but Grieg withdrew it.) Grieg himself declared that it was easier to make music "out of his own head" than strictly following suggestions made by Ibsen. For instance, Ibsen wanted music that would characterize the "international" friends in the fourth act, by melding the said national anthems (Norwegian, Swedish, German, French and English). Reportedly, Grieg was not in the right mood for this task.

The music of these suites, especially Morning Mood starting the first suite, In the Hall of the Mountain King, and the string lament Åse's Death later reappeared in numerous arrangements, soundtracks, etc.

The four Symphonic Dances of the Norwegian composer Edvard Grieg, form the collection notated as Op. 64. They were written c. 1896 and draw their inspiration from the earlier folk works collected by Ludvig Lindeman. * Dance No. 1, G major, Allegro moderato e marcato * Dance No. 2, A major, Allegretto grazioso * Dance No. 3, D major, Allegro giocoso * Dance No. 4, A minor, Andante: Allegro risoluto
[Read more --->]



Johannes Brahms (pronounced [joːˈhanəs ˈbʁaːms]; 7 May 1833 -- 3 April 1897) was a German composer and pianist, and one of the leading musicians of the Romantic period.

The Tragic Overture (German: Tragische Ouvertüre), Op. 81, is a concert overture for orchestra written by Johannes Brahms during the summer of 1880. It premiered on December 26, 1880 in Vienna. Most performances last between twelve and fifteen minutes.

Brahms chose the title "Tragic" to emphasize the turbulent, tormented character of the piece, in essence a free-standing symphonic movement, in contrast to the mirthful ebullience of a companion piece he wrote the same year, the Academic Festival Overture. Despite its name, the Tragic Overture does not follow any specific dramatic program. Brahms was not very interested in musical storytelling and was more concerned with conveying and eliciting emotional impressions. He summed up the effective difference between the two overtures when he declared "one laughs while the other cries." Brahms quotes some material from the last movement of the Second Symphony in this overture.

The Tragic Overture comprises three main sections, all in the key of D minor. * Allegro ma non troppo * Molto più moderato * Tempo primo ma tranquillo.

The work is scored for piccolo, two flutes, two oboes, two clarinets, two bassoons, four horns, two trumpets, three trombones, tuba, timpani, and strings.
[Read more --->]


Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 21. December 2011, 12:00

Various Artists / Peer Gynt Suite

Used drive  : PLDS    DVD+-RW DH-16AAS   Adapter: 1  ID: 0

Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : No
Make use of C2 pointers : No

Read offset correction                      : 6
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track

Used output format : Internal WAV Routines
Sample format      : 44.100 Hz; 16 Bit; Stereo


TOC of the extracted CD

     Track |   Start  |  Length  | Start sector | End sector 
    ---------------------------------------------------------
        1  |  0:00.32 | 14:14.43 |        32    |    64124   
        2  | 14:15.00 | 16:32.50 |     64125    |   138574   
        3  | 30:47.50 | 10:28.05 |    138575    |   185679   
        4  | 41:15.55 | 12:25.42 |    185680    |   241596   


Track  1

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     Test CRC 53BEEEAD
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     Copy OK

Track  2

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     Test CRC 8F5C6946
     Copy CRC 8F5C6946
     Copy OK

Track  3

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     Test CRC F8567EA6
     Copy CRC F8567EA6
     Copy OK

Track  4

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     Pre-gap length  0:00:03.50

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     Test CRC 465B5F9A
     Copy CRC 465B5F9A
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No errors occurred

End of status report



PERFORMER: auCDtect Task Manager, ver. 1.5.1RC4 build 1.5.1.5
Copyright (c) 2008-2010 y-soft. All rights reserved
http://y-soft.org

ANALYZER: auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.


FILE: 04 - Brahms, J. - Tragic Overture, Op. 81.flac
  Size: 60571825 Hash: ADADD2179A31268E4F950FB8A145763A Accuracy: -m0
  Conclusion: CDDA 100%
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FILE: 03 - Grieg, E. - Symphonic Dance, No. 4.flac
  Size: 42264881 Hash: 73A8A03D53367E173D6A99F50DA1FD80 Accuracy: -m0
  Conclusion: CDDA 100%
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FILE: 02 - Grieg, E. - Peer Gynt Suite, No. 2 Op. 55.flac
  Size: 51964650 Hash: A11D6809954D8EAB6F902D0A136BB100 Accuracy: -m0
  Conclusion: CDDA 99%
  Signature: 8307005242379169D414D8A11573133229C3A6AC
FILE: 01 - Grieg, E. - Peer Gynt Suite, No. 1 Op. 46.flac
  Size: 48275529 Hash: 2603B66E3990140DF61D577F7D3632C8 Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: CBA488E7E594D1EA65C3FBA56992342749A9E6E0


Interested? Follow this link:
http://winstonsmith.wrzuta.pl/katalog/7RIFnAYw0aB/va_-_grieg_e._-_peer_gynt_suite

21 December 2011

Plaisance, C. & Doucet, S. - "Tranquility: Sacred Forest" (1998)

SACRED FOREST is perfect for Tai Chi, massage and meditation. The CD is part of the audio series "Sounds of Nature" and "Tranquility" combining the state-of-the-art binaural recordings of Chuck Plaisance with Suzanne Doucet's music. Seven of their titles made it into the top ten environmental charts at Amazon.com, including being #1 and #2 for over two years.Suzanne doucet's 30 years in the world of New Age music have provided her with incomparable knowledge and experience. [Read more --->]


Warning! Do not buy this album through Amazon or iTunes, because if you buy it there, almost all the money will go to the recording industry mafia and will be used later for committing crimes such as unlawful harassment of fans and bribing authorities to implement changes in law, which would infringe basic human rights.

If you want to pay the artist for this work, buy their music on CDBaby. They don't have this album there, but money is money, isn't it? You know what to do, right?

Fuck Amazon & iTunes. Support independent music and channels of distribution that actually care for their artists, like CDBaby does.


Tracklist:
01. Tranquility: Sacred Forest

[Suzanne Doucet's website]




PERFORMER: auCDtect Task Manager, ver. 1.5.1RC4 build 1.5.1.5
Copyright (c) 2008-2010 y-soft. All rights reserved
http://y-soft.org

ANALYZER: auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.


FILE: 01-VA-~1.FLA
  Size: 308069125 Hash: E2C78E04FD44D3D73BE5FDB33B93943E Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: A6EEF898745EB8FBE6F5E9CDFC72A2D81B149621



Interested? Ask Uncle Google the magic question:
VA-Tranquility Sacred Forest-(CRG-1118)-CD-FLAC-1998-EMG site:fileflac.com

15 December 2011

Printempo - "Printempo"

A masterpiece from a very strange netlabel (10/10)
Debiut Printempo można uznać za wyraz nostalgii za czasami, gdy muzyka instrumentalna była muzyką popularną. Pomimo dużego rozrzutu pod względem doboru utworów, płyta jako całość jest niezwykle spójna – elementem scalającym jest indywidualność muzyczna artysty, którego bez wątpienia uznać można za jednego z najbardziej obiecujących instrumentalistów i kompozytorów młodego pokolenia. [Read more --->]

Estrada Nagrania, the netlabel that released this album is very mysterious, indeed. They do not have a regular website. They use a blog instead, where they publish not only their releases, but also Polish videoclips and articles on music from the 70-ties. The blog's design is stylized to resemble Polish record companies from that period. If only Internet existed in the 70-ties, one could think this is an archival website, not updated for the last 30 years. Very well done indeed - browsing their blog you feel almost like a time traveler.

Previously Estrada Nagrania released only top quality compilation albums of Polish music from the 70-ties. So this album is not only Printempo's debut, but also the netlabel's first contemporary music release.

Now to the point. This album contains instrumental downtempo / nu jazz. And the execution is just superb! If only you like the genre, this is simply a must-have. It sounds natural, with a classy lo-fi tint here and there. All instruments sound like... instruments, not cheap artificial samples. The melodies are interesting, there is a perfect chillout atmosphere. Someone in the other review compared it to Bonobo and this is a very accurate comparison. Not exactly because of Printempo's derivativeness, but because of top quality of this music. Get it ASAP!

The album has been released by the Estrada Nagrania netlabel and you can download it from the netlabel's Bandcamp store for PLN 15 (~EUR 3) in a variety of formats, including a FLAC version. You can also listen to the full album before making a purchasing decision. Please note, however, that Bandcamp release has been probably made from mp3 files (at least according to AuCDtect). Because Bandcamp requires sending them lossless material, the result is that when downloading mp3 version you end up with files that have been recoded into mp3 twice! Do I have to say what influence should it have on the quality of the music? So if you are going to buy this release, I recommend downloading and keeping a FLAC version - bearing in mind, however, that this is not true lossless, because the files are made from the mp3 source.


[Artist's Myspace]

07 December 2011

Kaczmarski, Gintrowski, Lapinski - "Mury" (1981)

Jacek Kaczmarski (March 22, 1957, Warsaw - April 10, 2004, Gdańsk) was a Polish singer, songwriter, poet and author.

Kaczmarski was a voice of the Solidarity trade union movement in 1980s Poland, for his commitment to a free Poland, independent of Soviet rule. His songs criticized the ruling communist regime and appealed to the tradition of patriotic resistance within Poles. He remains best known for his protest songs on social and political subjects ("Mury" (Walls) based on "L'estaca" by Lluís Llach, "Obława" (Wolf hunt (lit. Raid))). However, he was more a poet than a political singer, and his texts have not lost their relevance with the demise of the Soviet union and its communist bloc.

Kaczmarski was known not only for his politically motivated lyrics but also for his characteristically dynamic — even aggressive — classical guitar playing, and expressive performance style. His deep knowledge of not only his nation's history but also of classical literature gave his songs a particularly deep and multi-layered resonance (e.g. "Powtórka z Odysei," recalled Homer's Odyssey, and "Lalka," was a masterful strike at the heart of a riveting Polish novel). He often performed before contrastingly different audiences: groups of friends in their homes, campus venues, and large concert halls in Poland, the rest of Europe and America.



MURY to płyta, od której wszystko się zaczęło, pierwszy program artystyczny tria Przemysław Gintrowski/ Jacek Kaczmarski/ Zbigniew Łapiński. Mury to także tytuł pieśni dzisiaj jeszcze, ponad 20 lat później, utożsamianej z narodzinami fenomenu, jakim była w Polsce lat „Solidarności" (1980–1981) autorska piosenka literacka o kontekście historycznym i politycznym. Nikt wcześniej, ale też i nikt później, nie wykonywał tekstów tak głęboko osadzonych w tradycji kulturowej. Co więcej – absolutnie nikt nie czynił tego z taką pasją, jak Gintrowski i Kaczmarski.

To czysty przypadek, że znalazła się na tej płycie – jakże ważna dla twórczości Jacka Kaczmarskiego – pieśń Źródło, ale MURY są źródłem właśnie: zjawiska jakim miała się okazać działalność artystyczna tria Gintrowski/Kaczmarski/Łapiński oraz źródłem indywidualnej drogi obu bardów, Gintrowskiego i Kaczmarskiego. Oczywiście wkład twórczy tego ostatniego jest dominujący – Kaczmarski pisze i komponuje muzykę do swoich tekstów. Gintrowski komponuje do wierszy poetów, w tym – a w przyszłości coraz więcej – do wierszy Kaczmarskiego. Zbigniew Łapiński w niezwykle świeży i nieustannie twórczy sposób wzbogaca dość monotonną i jednolitą muzykę kolegów. Jego muzyka do wierszy Kaczmarskiego zacznie z czasem odgrywać istotną rolę.

Kilka zaprezentowanych tu piosenek Jacka Kaczmarskiego sygnalizuje podstawowe wątki kontynuowane następnie w całej jego dalszej i dojrzalszej twórczości. Młodość jest w nich niepodważalnym atutem, to z niej płynie gniew poety i pasja wykonawcy. Ale wiersze Kaczmarskiego zaskakują powagą oraz głębią przemyśleń, zapowiadają długą drogę artystyczną, a jak konsekwentna miała się okazać, zademonstrował czas.

Wizytówką Kaczmarskiego-poety jest piękny wiersz, Źródło, jedna z ulubionych pieśni barda i metafora, do której będzie wracał w dalszej twórczości: „I niech łączą się zbocza bezlitosnych wąwozów, bo cóż drąży kształt przyszłych przestrzeni, jak nie rzeka podziemna?" Młodego poetę porwie już wkrótce owa „podziemna rzeka", ale nadzieja – wbrew logice – pozostanie, dopóki źródło... „źródło wciąż bije".

Zaskakuje dojrzałością obserwacji życia wkoło piosenka Starzy ludzie w autobusie. Przy swoich szerokich zainteresowaniach historią, literaturą czy sztuką, Kaczmarski pozostał wiernym świadkiem codzienności i jej bacznym, uważnym obserwatorem: „[...] pasażerów chór nas zdławi i dobrotliwie skarci nas, dwie możliwości nam zostawi – pętlę lub do zajezdni zjazd". A rozmowa z kierowcą zabroniona...

Każda z kolejnych pieśni to początek cyklu, linii tematycznej, obecnej w twórczości Kaczmarskiego już zawsze. Pompeja to wycieczka w antyk: „Odkopywaliśmy miasto Pompeję, jak się odkrywa spodziewane lądy". Jedna z najbardziej znanych wczesnych pieśni tria, Krajobraz po uczcie, jest utworem historycznym z czasów bliskiej sercu Kaczmarskiego-historyka Polski rozbiorowej: „A w stolicy koronacja się zaczyna i król światowy pokazuje szyk, ale z obecnych jeszcze nie wie nikt, że na tortach dał napis: Wiwat Katarzyna!" Imponujący rozmachem utwór Casanova-Fellini (Scena niemiecka) – nieistotne, że inspirowana pośrednio dziełem filmowym – to przykład Kaczmarskiego epickiego. Jego poetycki rozmach zaowocuje z czasem poematami, które przerosną ramy utworu muzycznego (jak chociażby Widzenia na temat końca świata, napisane w Berkeley w 1984 roku). I dalej. Już od pierwszej, debiutanckiej płyty, Kaczmarski realizuje swój niezwykle oryginalny pomysł na pisanie utworów inspirowanych dziełami malarskimi. Pierwszym przykładem owego interesującego, konsekwentnie realizowanego wątku jego twórczości jest pieśń Encore, jeszcze raz według obrazu Fiedotowa („Mam wszystko, czego może chcieć uczciwy człowiek – światopogląd, wykształcenie, młodość, zdrowie, rodzinę, która kocha mnie, dwie, trzy kobiety, gitarę, psa i oficerskie epolety"). Ale owa obrazowość, plastyczność opisu zawsze służy metaforze. Słyszymy to wyraźnie w pieśni Pejzaż z szubienicą według Bruegela (tym razem do muzyki Gintrowskiego), kiedy z ust powieszonego padają zdumiewające słowa: „Tu jasne są przestrzenie i widzę krągłość Ziemi, gdy czasem wiatr podrzuci mnie ponad czarny las..." Na koniec wreszcie została otwierająca album pieśń Ze sceny, według Wysockiego. Jacek Kaczmarski nie ukrywał swojej fascynacji twórczością rosyjskiego barda. Zaadaptował z czasem kilkanaście jego utworów – z legendarną Obławą na czele – zawsze jednak były to przemyślane wybory i twórcze, poetyckie adaptacje tekstów. Oto więc Kaczmarski-tłumacz.

Mury to obrazowy przykład sztuki translatorskiej Jacka Kaczmarskiego. Adaptacje barda zawsze wychodzą poza zwykły przekład i to wychodzą daleko. Tłumaczenie pieśni nie ogranicza się do przekładu języka, bywa często – jak w tym przypadku – szukaniem odpowiednika dla jednej kultury w kulturze drugiej. Dla katalońskiego barda, Louisa Llacha Grande, którego pieśń posłużyła za kanwę Murów, metaforą zniewolenia jest pal, do którego przywiązuje się na pastwiskach owce i oryginalny utwór taki ma właśnie tytuł: L’Estaca („Pal"). Gdyby wszystkie owce pociągnęły postronki w jedną stronę, wyrwałyby pal – stąd metafora, ale zupełnie nieczytelna poza Półwyspem Iberyjskim. Jacek Kaczmarski zamienił pal na mur i powstała najważniejsza pieśń w całym dorobku tria Gintrowski/Kaczmarski/Łapiński, pokoleniowy manifest o przesłaniu tak samo aktualnym wtedy, co i dzisiaj.

Aż zobaczyli ilu ich, poczuli siłę i czas
I z pieśnią, że już blisko świt szli ulicami miast
Zwalali pomniki i rwali bruk – Ten z nami! Ten przeciw nam!
Kto sam – ten nasz najgorszy wróg!
A śpiewak także był sam...

Review by Daniel Wyszogrodzki


I usually discourage people from buying records issued by the majors, as almost all the money goes to the recording industry mafia anyhow and will be used later for committing crimes such as unlawful harassment of fans and bribing authorities to implement changes in law, which would infringe basic human rights.

However, in this case, the said "mafia" did a really good job at remastering all the works of Jacek Kaczmarski and helped reviving his popularity in the 90-ties, supporting him until his premature death in 2004. His works are published with all due respect and esteem that this greatest Polish singer/songwriter deserves. Therefore - you won't hear it from me often - if you like this album, I encourage you to buy it. In this case the record label (Pomaton EMI) really earned its pay and deserves to be rewarded.


Tracklist:
01. Ze sceny
02. Encore, jeszcze raz
03. Pani Bovary
04. Przyjaciele, których nie miałem
05. Pejzaż z szubienicą
06. Śmiech
07. Casanova - Fellini. Scena niemiecka.
08. Pompeja
09. Kraj
10. Krajobraz po uczcie
11. Dziady
12. Cesarz
13. Starzy ludzie w autobusie
14. Mur
15. Źródło (Wąwóz)
16. Mury

[Wikipedia]



Exact Audio Copy V1.0 beta 1 from 15. November 2010

EAC extraction logfile from 19. November 2011, 19:08

Kaczmarski, Gintrowski, Łapiński / Mury

Used drive  : Optiarc DVD RW AD-7240S   Adapter: 2  ID: 1

Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : No
Make use of C2 pointers : Yes

Read offset correction                      : 48
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : No
Used interface                              : Native Win32 interface for Win NT & 2000

Used output format : Internal WAV Routines
Sample format      : 44.100 Hz; 16 Bit; Stereo


TOC of the extracted CD

     Track |   Start  |  Length  | Start sector | End sector 
    ---------------------------------------------------------
        1  |  0:01.00 |  2:44.36 |        75    |    12410   
        2  |  2:45.36 |  4:31.42 |     12411    |    32777   
        3  |  7:17.03 |  2:09.16 |     32778    |    42468   
        4  |  9:26.19 |  3:26.04 |     42469    |    57922   
        5  | 12:52.23 |  3:43.55 |     57923    |    74702   
        6  | 16:36.03 |  3:56.49 |     74703    |    92451   
        7  | 20:32.52 |  5:06.66 |     92452    |   115467   
        8  | 25:39.43 |  3:13.67 |    115468    |   130009   
        9  | 28:53.35 |  1:49.17 |    130010    |   138201   
       10  | 30:42.52 |  3:07.38 |    138202    |   152264   
       11  | 33:50.15 |  3:00.74 |    152265    |   165838   
       12  | 36:51.14 |  2:26.66 |    165839    |   176854   
       13  | 39:18.05 |  2:19.35 |    176855    |   187314   
       14  | 41:37.40 |  2:06.15 |    187315    |   196779   
       15  | 43:43.55 |  3:39.23 |    196780    |   213227   
       16  | 47:23.03 |  4:26.45 |    213228    |   233222   


Range status and errors

Selected range

     Filename V:\temp\Kaczmarski, Gintrowski, Łapiński - Mury.wav

     Peak level 98.8 %
     Extraction speed 2.0 X
     Range quality 100.0 %
     Test CRC D7336061
     Copy CRC D7336061
     Copy OK

No errors occurred

 
AccurateRip summary
 
Track  1  accurately ripped (confidence 11)  [B8E2788E]
Track  2  accurately ripped (confidence 11)  [EF393CBE]
Track  3  accurately ripped (confidence 11)  [67938CDB]
Track  4  accurately ripped (confidence 11)  [BB14C99D]
Track  5  accurately ripped (confidence 11)  [0D982376]
Track  6  accurately ripped (confidence 11)  [DAEA8685]
Track  7  accurately ripped (confidence 11)  [77E3EBA5]
Track  8  accurately ripped (confidence 11)  [2F55716C]
Track  9  accurately ripped (confidence 11)  [0B5159F0]
Track 10  accurately ripped (confidence 11)  [BAF757DC]
Track 11  accurately ripped (confidence 11)  [1F226FDD]
Track 12  accurately ripped (confidence 11)  [9D4783C1]
Track 13  accurately ripped (confidence 11)  [0A6B4CA7]
Track 14  accurately ripped (confidence 11)  [6C647BB6]
Track 15  accurately ripped (confidence 11)  [04A5FE53]
Track 16  accurately ripped (confidence 11)  [8ADEE545]
 
All tracks accurately ripped

End of status report

==== Log checksum 44FC2694CA664F5BA42598F234A36713899ECAF8CBFEB7B28D6AC03673F941DA ====

PERFORMER: auCDtect Task Manager, ver. 1.5.1RC4 build 1.5.1.5
Copyright (c) 2008-2010 y-soft. All rights reserved
http://y-soft.org

ANALYZER: auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.


FILE: 16 - Mury.flac
  Size: 26131107 Hash: 9AB9D9D70849AD7D122293BEC347B092 Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: 5DCFB99141CBB61328031028510060898D1B239A
FILE: 15 - Zrodlo (wawoz).flac
  Size: 19256353 Hash: 11E526DA744657B3B1E2A853F939FA2A Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: DF2F3AEBAD5BA28489992C5F068663165F0250A0
FILE: 14 - Mur.flac
  Size: 10590655 Hash: CCEC8898804B7D5AD48260985028B11B Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: D443DDDC65F00E6CB25CF3A675FC70C8CEE98290
FILE: 13 - Starzy ludzie w autobusie.flac
  Size: 13237348 Hash: 6BD59E05A3DAE262352EE3425CE9B7F7 Accuracy: -m0
  Conclusion: CDDA 99%
  Signature: 0DCFCF4F05AEDCEFC9B1EBC9291F2C732E61FFA5
FILE: 12 - Cesarz.flac
  Size: 13641297 Hash: 7A7A812A7BEC931E4CC8CE133DC78E30 Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: 27DBAF2BF4BE72125ADE953F6585F4E8FABD96F0
FILE: 11 - Dziady.flac
  Size: 17841914 Hash: F8BAED545DE9D4E848187F9159794495 Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: 17BC0621EAC1134A15F621FAEA7218AC8F051D6C
FILE: 10 - Krajobraz po uczcie.flac
  Size: 19779201 Hash: 25514721ABCA772A579F03D36D514C3D Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: 4404EC0B8F59AC03CFEF775803B200F81B1F2BA8
FILE: 09 - Kraj.flac
  Size: 9679471 Hash: 0ED159681E208EA8C4B1CBC54A26C6BB Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: 2A586F17DDA346248B45181FC047364B0C3273BF
FILE: 08 - Pompeje.flac
  Size: 19560295 Hash: 2D50611EE89DBFEDDC3F3760278134AB Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: 6944A9E6E6A3F6718113C8FFB9D27E1BD4755199
FILE: 07 - Casanova - Fellini. Scena niemiecka.flac
  Size: 30096478 Hash: 1837353510E3D73E181D3A7CFDC18445 Accuracy: -m0
  Conclusion: CDDA 99%
  Signature: A2B5FCD405E3ECDF389F775331523AE6F66DCD68
FILE: 06 - Smiech.flac
  Size: 23707508 Hash: FFA234142352E7E5DC662FDE3E5C048C Accuracy: -m0
  Conclusion: CDDA 99%
  Signature: 5F8931BE4E035F0E9A4DC55007B313FD3D90A5D9
FILE: 05 - Pejzaz z szubienica.flac
  Size: 22791350 Hash: 61AF28690AE68CD8DA6412A7A56C08BE Accuracy: -m0
  Conclusion: CDDA 99%
  Signature: D20C81CA27DB1F3AE0BAB787FAC73531FEE6278C
FILE: 04 - Przyjaciele, ktorych nie mialem.flac
  Size: 20856706 Hash: D2935D9397CB83EB146347B8C2963BF1 Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: D2EFE70FC0ACCB856B92DDA13875D8562ACD2173
FILE: 03 - Pani Bovary.flac
  Size: 11009145 Hash: 6D3618661926F79DCCC1B4B04B9C1862 Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: C32694790644A6DB25FB42D639CE5F74D04683B4
FILE: 02 - Encore, jeszcze raz.flac
  Size: 24982117 Hash: 25B0B131803B56870921D29F952DAC77 Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: FDEE7FB5C3F97607E53226B6BE9B7A1CCB97C63F
FILE: 01 - Ze sceny.flac
  Size: 17905666 Hash: FF0A14B9603EA833B16B3D38DF4EBEED Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: 6F3F63D2FD6364A1E01722FA6EF8A48F488E64F9


Interested? Follow this link:
http://polskiecd.blogspot.com/2009/08/gintrowski-kaczmarski-apinski-mury.html