Showing posts with label Polish. Show all posts
Showing posts with label Polish. Show all posts

10 March 2013

Peszek, Maria - "Maria Awaria" (2008)

Maria Peszek is a highly acclaimed Polish singer/songwriter. She is considered to be controversial, especially by right-wing retards and tabloids, because she is not afraid to openly discuss - both in lyrics to her songs and in interviews - themes such as sex, faith, patriotism and mental diseases. Each of her three albums was a commercial success, at the same time being praised by the critics and receiving many awards in her native Poland. She sings exclusively in Polish.

Maria Awaria (Maria the Failure) is a loose concept album about sex, love and femininity. All lyrics are in Polish and they are really good, witty and powerful, being an important factor in making these songs as awesome as they are. Therefore, this album may not appeal to non-Polish speaking public, as some tracks are built around lyrics with musical background playing only a small part ("Milosc w systemie Dolby Surround", "Reks", "Ladne slowa to").

Nevertheless, I still encourage you to check this album out, because many other tracks are brilliant from the musical side too (e.g. "Rosol", "Hujawiak", "Maria Awaria", "Muchomory"). From the musical perspective this is a pop (or pop rock) record, with some jazz and modern electronica influences. The album is masterfully produced by one of the best Polish producers and electronica composers, Andrzej Smolik, so the said musical background is full of pleasant surprises on many occasions. Many of Peszek's vocal lines are catchy as hell too and should be enjoyable even without understanding of her lyrics.
Maria Awaria To zdecydowanie najbardziej kobieca i erotyczna płyta na polskim rynku od czasów... Hmmm... No właśnie, takiego albumu jeszcze w kraju nad Wisłą nie było.

Maria Peszek na swoim drugim krążku odkrywa przed słuchaczami swoją kobiecą naturę. Bez zażenowania śpiewa o tym, że "dla własnej wygody zapuszcza swe ogrody i kolekcjonuje wzwody". Zdradza też swoje swoje erotyczne fantazje. Zachęca kochanka do lizania, solenia i miętolenia swego drobnego ciała.

Z niemal fotograficzną dokładnością opisuje również style współczesnych kobiet, które z jednej strony "chude, wysokie z wydepilowanym krokiem", a z drugiej mogą być kurami domowymi. Odkrywa też swoją romantyczną duszę i w piękny, metaforyczny sposób (swoim delikatnym aksamitnym głosem) śpiewa o tęsknocie.

I od razu zapewniam: mimo różnych – może kontrowersyjnych – stwierdzeń teksty nie są wulgarne, nie przekraczają cienkiej granicy dobrego smaku (choć się do niej niebezpiecznie zbliżają).

Jeszcze słowo o samej muzyce, za którą odpowiedzialny był Andrzej Smolik. To miks przeróżnych styli muzycznych: od delikatnego, transowego, nastrojowego trip-hopu i chilloutu pełnego "powietrza" i ciepłych muzycznych plam, przez nieco jazzujące swingi, altarnatywnego retropopu, po elementy starego rocka z lat 60-tych. I mimo takiego przemieszania gatunków płyta jest zaskakująco spójna. Szczerze polecam!
[Mariusz Rodziewicz]

Tracklist:

01. Mis                                                 [03:33]
02. Kobiety pistolety                                   [04:52]
03. Marzne bez Ciebie                                   [03:28]
04. Rosol                                               [02:38]
05. Milosc w systemie Dolby Surround (feat. Edek)       [03:48]
06. Reks                                                [00:26]
07. Hujawiak                                            [03:29]
08. Maria Awaria                                        [03:40]
09. Superglue                                           [02:26]
10. Cialo                                               [04:00]
11. Rozpuda                                             [03:27]
12. Hedonia                                             [03:57]
13. Ladne slowa to                                      [03:03]
14. Muchomory                                           [03:47]

Playing Time.........: 46:40






Support artists, not recording industry
Pay the artists directly. They do not profit from CD sales. If you buy brand new mainstream albums in regular record stores (no matter whether online or offline, CDs or downloads), almost all the money goes to the recording industry mafia and is later used for committing crimes such as unlawful harassment of fans and bribing authorities to implement changes in law, which would infringe basic human rights. If you really want to support mainstream artists (and you should, if you love their music!), go to concerts or buy merchandise off the official websites.

If you can afford buying music, but it is not possible to pay a particular artist without a mafia tribute, consider supporting some independent artists instead. You can find many great acts on such websites as magnatune.com, jamendo.com, cdbaby.com, bandcamp.com, megatotal.pl. Supporting independent artists helps fight the recording industry mafia.


Log translation at http://eachelper.uphero.com/
Exact Audio Copy V0.99 prebeta 4 from 23. January 2008

EAC extraction logfile from 4. October 2008, 18:22

Maria Peszek / Maria awaria

Used drive  : TSSTcorpCDDVDW SH-S203P   Adapter: 1  ID: 0

Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No

Read offset correction                      : 6
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : No
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track

Used output format : Internal WAV Routines
Sample format      : 44.100 Hz; 16 Bit; Stereo


TOC of the extracted CD

     Track |   Start  |  Length  | Start sector | End sector 
    ---------------------------------------------------------
        1  |  0:00.00 |  3:33.05 |         0    |    15979   
        2  |  3:33.05 |  4:52.42 |     15980    |    37921   
        3  |  8:25.47 |  3:28.09 |     37922    |    53530   
        4  | 11:53.56 |  2:38.54 |     53531    |    65434   
        5  | 14:32.35 |  3:48.62 |     65435    |    82596   
        6  | 18:21.22 |  0:26.48 |     82597    |    84594   
        7  | 18:47.70 |  3:29.01 |     84595    |   100270   
        8  | 22:16.71 |  3:40.23 |    100271    |   116793   
        9  | 25:57.19 |  2:26.24 |    116794    |   127767   
       10  | 28:23.43 |  4:00.70 |    127768    |   145837   
       11  | 32:24.38 |  3:27.41 |    145838    |   161403   
       12  | 35:52.04 |  3:57.34 |    161404    |   179212   
       13  | 39:49.38 |  3:03.19 |    179213    |   192956   
       14  | 42:52.57 |  3:47.35 |    192957    |   210016   


Track  1

     Filename M:\Maria Peszek - Maria awaria\01 - Mis.wav

     Pre-gap length  0:00:02.00

     Peak level 96.9 %
     Track quality 100.0 %
     Test CRC 58068A12
     Copy CRC 58068A12
     Track not present in  AccurateRip database
     Copy OK

Track  2

     Filename M:\Maria Peszek - Maria awaria\02 - Kobiety pistolety.wav

     Pre-gap length  0:00:00.24

     Peak level 96.7 %
     Track quality 99.9 %
     Test CRC 3465DB9D
     Copy CRC 3465DB9D
     Track not present in  AccurateRip database
     Copy OK

Track  3

     Filename M:\Maria Peszek - Maria awaria\03 - Marzne bez Ciebie.wav

     Pre-gap length  0:00:00.26

     Peak level 96.4 %
     Track quality 100.0 %
     Test CRC C96B8BFE
     Copy CRC C96B8BFE
     Track not present in  AccurateRip database
     Copy OK

Track  4

     Filename M:\Maria Peszek - Maria awaria\04 - Rosol.wav

     Pre-gap length  0:00:01.46

     Peak level 97.7 %
     Track quality 99.9 %
     Test CRC DFFDD702
     Copy CRC DFFDD702
     Track not present in  AccurateRip database
     Copy OK

Track  5

     Filename M:\Maria Peszek - Maria awaria\05 - Milosc w systemie dolby surround feat Edek.wav

     Pre-gap length  0:00:01.23

     Peak level 96.2 %
     Track quality 100.0 %
     Test CRC 7B0659E3
     Copy CRC 7B0659E3
     Track not present in  AccurateRip database
     Copy OK

Track  6

     Filename M:\Maria Peszek - Maria awaria\06 - Reks.wav

     Peak level 96.4 %
     Track quality 100.0 %
     Test CRC 4117F80F
     Copy CRC 4117F80F
     Track not present in  AccurateRip database
     Copy OK

Track  7

     Filename M:\Maria Peszek - Maria awaria\07 - Hujawiak.wav

     Pre-gap length  0:00:00.02

     Peak level 96.6 %
     Track quality 100.0 %
     Test CRC 8DB1B481
     Copy CRC 8DB1B481
     Track not present in  AccurateRip database
     Copy OK

Track  8

     Filename M:\Maria Peszek - Maria awaria\08 - Maria awaria.wav

     Pre-gap length  0:00:00.44

     Peak level 96.3 %
     Track quality 100.0 %
     Test CRC EA6867E2
     Copy CRC EA6867E2
     Track not present in  AccurateRip database
     Copy OK

Track  9

     Filename M:\Maria Peszek - Maria awaria\09 - Superglue.wav

     Pre-gap length  0:00:00.06

     Peak level 96.1 %
     Track quality 100.0 %
     Test CRC 19C8A0F3
     Copy CRC 19C8A0F3
     Track not present in  AccurateRip database
     Copy OK

Track 10

     Filename M:\Maria Peszek - Maria awaria\10 - Cialo.wav

     Pre-gap length  0:00:01.63

     Peak level 96.4 %
     Track quality 100.0 %
     Test CRC 7C2D73DE
     Copy CRC 7C2D73DE
     Track not present in  AccurateRip database
     Copy OK

Track 11

     Filename M:\Maria Peszek - Maria awaria\11 - Rozpuda.wav

     Pre-gap length  0:00:01.67

     Peak level 96.6 %
     Track quality 99.9 %
     Test CRC 60AA0025
     Copy CRC 60AA0025
     Track not present in  AccurateRip database
     Copy OK

Track 12

     Filename M:\Maria Peszek - Maria awaria\12 - Hedonia.wav

     Pre-gap length  0:00:00.23

     Peak level 97.7 %
     Track quality 99.9 %
     Test CRC 5F58EBC7
     Copy CRC 5F58EBC7
     Track not present in  AccurateRip database
     Copy OK

Track 13

     Filename M:\Maria Peszek - Maria awaria\13 - Ladne slowa to.wav

     Peak level 97.9 %
     Track quality 100.0 %
     Test CRC CE72E9CC
     Copy CRC CE72E9CC
     Track not present in  AccurateRip database
     Copy OK

Track 14

     Filename M:\Maria Peszek - Maria awaria\14 - Muchomory.wav

     Pre-gap length  0:00:14.18

     Peak level 93.7 %
     Track quality 99.9 %
     Test CRC 1AEAA0BC
     Copy CRC 1AEAA0BC
     Track not present in  AccurateRip database
     Copy OK

None of the tracks are present in the AccurateRip database

No errors occurred

End of status report


[CUETools log; Date: 2013-02-17 05:06:03; Version: 2.1.4]
[CTDB TOCID: NPAvW0aE.cv1COuiDGoKPTtpr6M-] found.
        [ CTDBID ] Status
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        [138b984f] (01/10) Differs in 945 samples @27:31:16,27:34:06,27:34:34-27:34:35,27:34:48-27:34:49,27:34:63,27:35:45,27:35:59-27:35:60,27:36:27-27:36:28,27:36:41-27:36:42,27:36:70,27:37:38,27:37:52-27:37:53,27:39:31,27:39:73-27:39:74,27:40:13-27:40:14,27:40:70-27:40:71,28:15:71-28:15:72,28:16:25-28:16:26,29:15:19
        [346fab19] (01/10) No match
Track | CTDB Status
  1   | (10/10) Accurately ripped
  2   | (10/10) Accurately ripped
  3   | (10/10) Accurately ripped
  4   | (10/10) Accurately ripped
  5   | (10/10) Accurately ripped
  6   | (10/10) Accurately ripped
  7   | ( 9/10) Accurately ripped
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 10   | ( 9/10) Accurately ripped, or (1/10) differs in 12 samples @00:51:51
 11   | (10/10) Accurately ripped
 12   | (10/10) Accurately ripped
 13   | (10/10) Accurately ripped
 14   | (10/10) Accurately ripped
[AccurateRip ID: 001805b2-00fdba1f-b90af00e] found.
Track   [  CRC   |   V2   ] Status
 01     [25a544a8|dde05980] (15+02/17) Accurately ripped
 02     [cbb971dc|cd69b2f3] (15+02/17) Accurately ripped
 03     [2736429a|accbc83f] (15+02/17) Accurately ripped
 04     [729a9ac5|c3517bbc] (15+02/17) Accurately ripped
 05     [bf41c7a2|1be9f198] (15+02/17) Accurately ripped
 06     [c1fd14ac|75ab41ef] (15+02/17) Accurately ripped
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 13     [3942f2d5|b51d147d] (14+02/16) Accurately ripped
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Track Peak [ CRC32  ] [W/O NULL] 
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-----------------------

DON'T MODIFY THIS FILE

-----------------------

PERFORMER: auCDtect Task Manager, ver. 1.5.1RC4 build 1.5.1.5
Copyright (c) 2008-2010 y-soft. All rights reserved
http://y-soft.org

ANALYZER: auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.


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Interested? Ask Uncle Google the magic question:
NPAvW0aE.cv1COuiDGoKPTtpr6M avax

28 September 2012

Various Artists - "Fonoteka 7 (Remixed)"

A quality compilation from a Polish retro netlabel (7/10)
Związek Kompozytorów Polskich i Zakład Nagrań Dźwiękowych Estrady informuje: koniec z szeroko propagowaną akcją popularyzowania ckliwych serenadek czy wesołych uwerturek w rytmie polskich tańców ludowych. Istniejące i powstające nadal kompozycje rażą szablonem, banałem oraz żenującym poziomem artystycznym. Nie chodzi tu wcale o tytuły granych pozycji – bądź ich brak – ale o styl interpretacyjny, który nawiązuje najczęściej do najgorszych tradycji muzyków estradowych. Wśród nadesłanych do nas materiałów niewielu kompozytorów pokusiło się o wykroczenie poza zwykłą przeciętność, co najwyżej poprawność, graniczącą jednak z monotonią, szablonem i sztampą. Postawa wielu wykonawców trąci abnegacją i rutyniarstwem. Wieje nudą i szarzyzną.
[...]
Przed państwem ci, których wszystko co napisaliśmy nie dotyczy.
[Read more --->]

This is a quality compilation of contemporary club music: from electronica and nu jazz through hip hop to disco, all with a nice retro feeling, typical for productions coming from Estrada Nagrania netlabel. The retro feeling is strengthened through masterful mixing, blending modern tunes with sampled fragments of Polish radio programmes from the 1970s - often to very funny and surreal effects.

Only several of these tracks suit my personal taste, hence the rating of "7". However, trying to adopt a more objective view, I have to admit all of this material is top class and should satisfy a more club-music-oriented listener. And for people longing for "good old times", ready for a nostalgic time travel back to '70s - this should be a masterpiece.

If somebody is interested in my choice, here is the list of my favorites:
04 - Symbiotic Sounds - 1987
08 - 2 Pac - Thug Style (produced by ylaib)
15 - Printempo - Szarosc poniedzialkowego popoludnia
17 - Ortalio - Cynematyka
19 - Graf Cratedigger - Lotniskowiec
21 - Sawersky - Spectral Type 1
22 - Synnc - Nights

Of course, the clear winner is the one and only Printempo, whose new track is equally fabulous to the material from the debut album of this act, which I reviewed earlier.

The album has been released by the Estrada Nagrania netlabel and you can download it for free in mp3 format. The lossless version is available in the netlabel's Bandcamp store under the "name your price" scheme. You can also listen to the full album online on Bandcamp. Of course, if you like this album and you intend to keep it, I encourage you to make a donation (purchase) through Bandcamp, even if you need only a free mp3 version. After all, "name your price" means any amount you can afford. PLEASE SUPPORT INDEPENDENT ARTISTS.

01 February 2012

Lobotomia - "Kazik to ..."

Maybe next time (5/10)


Very short two-track minialbum from the Polish rock band Lobotomia. The first song is a pitiful attack on one of the greatest Polish rock singer-songwriters, Kazik Staszewski. Some of Kazik's recent actions are truly controversial, but this song is clearly reckoned on causing a scandal and gaining notoriety this way. Their whole idea of making fun of Kazik is based on calling him a prick. Wow... how creative. Bad production completes the picture.

The second track is far more interesting. Forgettable lyrics do not get in the way this time and the music is quite catchy and better produced. But the funny thing is that so hated Kazik is their direct influence to the point of slavish copying of the style of his band Kult.

They should really rethink their promotion strategy, because they obviously can do better than that.

The album has been self-released by the band and is available for downloading at mediafire.com file-sharing website in mp3 format.

[Artist's website]

03 January 2012

Baiki - "Do It Yourself"

A promising act - check it out if you like folk rock (6/10)

The title of the album soon imposed itself :
We had no label, so we threw ourselves in self-production
We had no distributor, so we went into self-distribution
We had no promoter, so we self-promoted
We had no website, so self-webmastered

Knowing we could only rely on ourselves, we named the album after this self-attitude. And to push the concept further, we declined the imagery of a multinational DIY furniture store to create the cover of our album. It was nothing more than a gimmick, no bad intentions… We must confess that the end result was remarkable thanks to the combined talents of 2 friends : Michel and Chan. So we had a good laugh though that didn’t last long. This multinational got really upset. The end result was that we had to bring their minds at peace and promise to put an end to our misdemeanour and commit to stop annoying them again in the future.

This CD was therefore “released” in a fairly confidential way in Belgium at the end of 2003. Nevertheless, there only remains a handful of this “outlaw collector”.

And then hope came from the South, from Montpellier to be precise. A modest label, Musiquémo took “Do It Yourself” under their wings and signed a licensing agreement. A new cover was created, the CD repressed and bang “Do It Yourself” now proudly sits in the music shop racks in France since mid-February 2005.

This is quite an interesting work, blending rock, pop rock and folk rock, based on heavy use of acoustic instruments, with the singer trying to sing in four different languages. I do not know if it was such a good idea, because I have the impression that because of lack of language skills his performance is much weaker than it could be. This is definitely true with my native Polish, but Spanish also sounds very unconvincing, as if he had much trouble with proper pronunciation.

Nevertheless, it is a promising act, with a potential to grow. For the time being some tracks lack good melodies, the others have them too obvious and simple. The ugly cover of the Polish folk standard "Sokoly" shows clearly that they should work much much harder on their arrangements and ability to transmit musical energy through their recordings.

Still, I listened to this album with interest and I put them on my watchlist, hoping they will improve. Check them out if you like folk rock.

Creative Commons License

[Artist's website]

07 December 2011

Kaczmarski, Gintrowski, Lapinski - "Mury" (1981)

Jacek Kaczmarski (March 22, 1957, Warsaw - April 10, 2004, Gdańsk) was a Polish singer, songwriter, poet and author.

Kaczmarski was a voice of the Solidarity trade union movement in 1980s Poland, for his commitment to a free Poland, independent of Soviet rule. His songs criticized the ruling communist regime and appealed to the tradition of patriotic resistance within Poles. He remains best known for his protest songs on social and political subjects ("Mury" (Walls) based on "L'estaca" by Lluís Llach, "Obława" (Wolf hunt (lit. Raid))). However, he was more a poet than a political singer, and his texts have not lost their relevance with the demise of the Soviet union and its communist bloc.

Kaczmarski was known not only for his politically motivated lyrics but also for his characteristically dynamic — even aggressive — classical guitar playing, and expressive performance style. His deep knowledge of not only his nation's history but also of classical literature gave his songs a particularly deep and multi-layered resonance (e.g. "Powtórka z Odysei," recalled Homer's Odyssey, and "Lalka," was a masterful strike at the heart of a riveting Polish novel). He often performed before contrastingly different audiences: groups of friends in their homes, campus venues, and large concert halls in Poland, the rest of Europe and America.



MURY to płyta, od której wszystko się zaczęło, pierwszy program artystyczny tria Przemysław Gintrowski/ Jacek Kaczmarski/ Zbigniew Łapiński. Mury to także tytuł pieśni dzisiaj jeszcze, ponad 20 lat później, utożsamianej z narodzinami fenomenu, jakim była w Polsce lat „Solidarności" (1980–1981) autorska piosenka literacka o kontekście historycznym i politycznym. Nikt wcześniej, ale też i nikt później, nie wykonywał tekstów tak głęboko osadzonych w tradycji kulturowej. Co więcej – absolutnie nikt nie czynił tego z taką pasją, jak Gintrowski i Kaczmarski.

To czysty przypadek, że znalazła się na tej płycie – jakże ważna dla twórczości Jacka Kaczmarskiego – pieśń Źródło, ale MURY są źródłem właśnie: zjawiska jakim miała się okazać działalność artystyczna tria Gintrowski/Kaczmarski/Łapiński oraz źródłem indywidualnej drogi obu bardów, Gintrowskiego i Kaczmarskiego. Oczywiście wkład twórczy tego ostatniego jest dominujący – Kaczmarski pisze i komponuje muzykę do swoich tekstów. Gintrowski komponuje do wierszy poetów, w tym – a w przyszłości coraz więcej – do wierszy Kaczmarskiego. Zbigniew Łapiński w niezwykle świeży i nieustannie twórczy sposób wzbogaca dość monotonną i jednolitą muzykę kolegów. Jego muzyka do wierszy Kaczmarskiego zacznie z czasem odgrywać istotną rolę.

Kilka zaprezentowanych tu piosenek Jacka Kaczmarskiego sygnalizuje podstawowe wątki kontynuowane następnie w całej jego dalszej i dojrzalszej twórczości. Młodość jest w nich niepodważalnym atutem, to z niej płynie gniew poety i pasja wykonawcy. Ale wiersze Kaczmarskiego zaskakują powagą oraz głębią przemyśleń, zapowiadają długą drogę artystyczną, a jak konsekwentna miała się okazać, zademonstrował czas.

Wizytówką Kaczmarskiego-poety jest piękny wiersz, Źródło, jedna z ulubionych pieśni barda i metafora, do której będzie wracał w dalszej twórczości: „I niech łączą się zbocza bezlitosnych wąwozów, bo cóż drąży kształt przyszłych przestrzeni, jak nie rzeka podziemna?" Młodego poetę porwie już wkrótce owa „podziemna rzeka", ale nadzieja – wbrew logice – pozostanie, dopóki źródło... „źródło wciąż bije".

Zaskakuje dojrzałością obserwacji życia wkoło piosenka Starzy ludzie w autobusie. Przy swoich szerokich zainteresowaniach historią, literaturą czy sztuką, Kaczmarski pozostał wiernym świadkiem codzienności i jej bacznym, uważnym obserwatorem: „[...] pasażerów chór nas zdławi i dobrotliwie skarci nas, dwie możliwości nam zostawi – pętlę lub do zajezdni zjazd". A rozmowa z kierowcą zabroniona...

Każda z kolejnych pieśni to początek cyklu, linii tematycznej, obecnej w twórczości Kaczmarskiego już zawsze. Pompeja to wycieczka w antyk: „Odkopywaliśmy miasto Pompeję, jak się odkrywa spodziewane lądy". Jedna z najbardziej znanych wczesnych pieśni tria, Krajobraz po uczcie, jest utworem historycznym z czasów bliskiej sercu Kaczmarskiego-historyka Polski rozbiorowej: „A w stolicy koronacja się zaczyna i król światowy pokazuje szyk, ale z obecnych jeszcze nie wie nikt, że na tortach dał napis: Wiwat Katarzyna!" Imponujący rozmachem utwór Casanova-Fellini (Scena niemiecka) – nieistotne, że inspirowana pośrednio dziełem filmowym – to przykład Kaczmarskiego epickiego. Jego poetycki rozmach zaowocuje z czasem poematami, które przerosną ramy utworu muzycznego (jak chociażby Widzenia na temat końca świata, napisane w Berkeley w 1984 roku). I dalej. Już od pierwszej, debiutanckiej płyty, Kaczmarski realizuje swój niezwykle oryginalny pomysł na pisanie utworów inspirowanych dziełami malarskimi. Pierwszym przykładem owego interesującego, konsekwentnie realizowanego wątku jego twórczości jest pieśń Encore, jeszcze raz według obrazu Fiedotowa („Mam wszystko, czego może chcieć uczciwy człowiek – światopogląd, wykształcenie, młodość, zdrowie, rodzinę, która kocha mnie, dwie, trzy kobiety, gitarę, psa i oficerskie epolety"). Ale owa obrazowość, plastyczność opisu zawsze służy metaforze. Słyszymy to wyraźnie w pieśni Pejzaż z szubienicą według Bruegela (tym razem do muzyki Gintrowskiego), kiedy z ust powieszonego padają zdumiewające słowa: „Tu jasne są przestrzenie i widzę krągłość Ziemi, gdy czasem wiatr podrzuci mnie ponad czarny las..." Na koniec wreszcie została otwierająca album pieśń Ze sceny, według Wysockiego. Jacek Kaczmarski nie ukrywał swojej fascynacji twórczością rosyjskiego barda. Zaadaptował z czasem kilkanaście jego utworów – z legendarną Obławą na czele – zawsze jednak były to przemyślane wybory i twórcze, poetyckie adaptacje tekstów. Oto więc Kaczmarski-tłumacz.

Mury to obrazowy przykład sztuki translatorskiej Jacka Kaczmarskiego. Adaptacje barda zawsze wychodzą poza zwykły przekład i to wychodzą daleko. Tłumaczenie pieśni nie ogranicza się do przekładu języka, bywa często – jak w tym przypadku – szukaniem odpowiednika dla jednej kultury w kulturze drugiej. Dla katalońskiego barda, Louisa Llacha Grande, którego pieśń posłużyła za kanwę Murów, metaforą zniewolenia jest pal, do którego przywiązuje się na pastwiskach owce i oryginalny utwór taki ma właśnie tytuł: L’Estaca („Pal"). Gdyby wszystkie owce pociągnęły postronki w jedną stronę, wyrwałyby pal – stąd metafora, ale zupełnie nieczytelna poza Półwyspem Iberyjskim. Jacek Kaczmarski zamienił pal na mur i powstała najważniejsza pieśń w całym dorobku tria Gintrowski/Kaczmarski/Łapiński, pokoleniowy manifest o przesłaniu tak samo aktualnym wtedy, co i dzisiaj.

Aż zobaczyli ilu ich, poczuli siłę i czas
I z pieśnią, że już blisko świt szli ulicami miast
Zwalali pomniki i rwali bruk – Ten z nami! Ten przeciw nam!
Kto sam – ten nasz najgorszy wróg!
A śpiewak także był sam...

Review by Daniel Wyszogrodzki


I usually discourage people from buying records issued by the majors, as almost all the money goes to the recording industry mafia anyhow and will be used later for committing crimes such as unlawful harassment of fans and bribing authorities to implement changes in law, which would infringe basic human rights.

However, in this case, the said "mafia" did a really good job at remastering all the works of Jacek Kaczmarski and helped reviving his popularity in the 90-ties, supporting him until his premature death in 2004. His works are published with all due respect and esteem that this greatest Polish singer/songwriter deserves. Therefore - you won't hear it from me often - if you like this album, I encourage you to buy it. In this case the record label (Pomaton EMI) really earned its pay and deserves to be rewarded.


Tracklist:
01. Ze sceny
02. Encore, jeszcze raz
03. Pani Bovary
04. Przyjaciele, których nie miałem
05. Pejzaż z szubienicą
06. Śmiech
07. Casanova - Fellini. Scena niemiecka.
08. Pompeja
09. Kraj
10. Krajobraz po uczcie
11. Dziady
12. Cesarz
13. Starzy ludzie w autobusie
14. Mur
15. Źródło (Wąwóz)
16. Mury

[Wikipedia]



Exact Audio Copy V1.0 beta 1 from 15. November 2010

EAC extraction logfile from 19. November 2011, 19:08

Kaczmarski, Gintrowski, Łapiński / Mury

Used drive  : Optiarc DVD RW AD-7240S   Adapter: 2  ID: 1

Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : No
Make use of C2 pointers : Yes

Read offset correction                      : 48
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : No
Used interface                              : Native Win32 interface for Win NT & 2000

Used output format : Internal WAV Routines
Sample format      : 44.100 Hz; 16 Bit; Stereo


TOC of the extracted CD

     Track |   Start  |  Length  | Start sector | End sector 
    ---------------------------------------------------------
        1  |  0:01.00 |  2:44.36 |        75    |    12410   
        2  |  2:45.36 |  4:31.42 |     12411    |    32777   
        3  |  7:17.03 |  2:09.16 |     32778    |    42468   
        4  |  9:26.19 |  3:26.04 |     42469    |    57922   
        5  | 12:52.23 |  3:43.55 |     57923    |    74702   
        6  | 16:36.03 |  3:56.49 |     74703    |    92451   
        7  | 20:32.52 |  5:06.66 |     92452    |   115467   
        8  | 25:39.43 |  3:13.67 |    115468    |   130009   
        9  | 28:53.35 |  1:49.17 |    130010    |   138201   
       10  | 30:42.52 |  3:07.38 |    138202    |   152264   
       11  | 33:50.15 |  3:00.74 |    152265    |   165838   
       12  | 36:51.14 |  2:26.66 |    165839    |   176854   
       13  | 39:18.05 |  2:19.35 |    176855    |   187314   
       14  | 41:37.40 |  2:06.15 |    187315    |   196779   
       15  | 43:43.55 |  3:39.23 |    196780    |   213227   
       16  | 47:23.03 |  4:26.45 |    213228    |   233222   


Range status and errors

Selected range

     Filename V:\temp\Kaczmarski, Gintrowski, Łapiński - Mury.wav

     Peak level 98.8 %
     Extraction speed 2.0 X
     Range quality 100.0 %
     Test CRC D7336061
     Copy CRC D7336061
     Copy OK

No errors occurred

 
AccurateRip summary
 
Track  1  accurately ripped (confidence 11)  [B8E2788E]
Track  2  accurately ripped (confidence 11)  [EF393CBE]
Track  3  accurately ripped (confidence 11)  [67938CDB]
Track  4  accurately ripped (confidence 11)  [BB14C99D]
Track  5  accurately ripped (confidence 11)  [0D982376]
Track  6  accurately ripped (confidence 11)  [DAEA8685]
Track  7  accurately ripped (confidence 11)  [77E3EBA5]
Track  8  accurately ripped (confidence 11)  [2F55716C]
Track  9  accurately ripped (confidence 11)  [0B5159F0]
Track 10  accurately ripped (confidence 11)  [BAF757DC]
Track 11  accurately ripped (confidence 11)  [1F226FDD]
Track 12  accurately ripped (confidence 11)  [9D4783C1]
Track 13  accurately ripped (confidence 11)  [0A6B4CA7]
Track 14  accurately ripped (confidence 11)  [6C647BB6]
Track 15  accurately ripped (confidence 11)  [04A5FE53]
Track 16  accurately ripped (confidence 11)  [8ADEE545]
 
All tracks accurately ripped

End of status report

==== Log checksum 44FC2694CA664F5BA42598F234A36713899ECAF8CBFEB7B28D6AC03673F941DA ====

PERFORMER: auCDtect Task Manager, ver. 1.5.1RC4 build 1.5.1.5
Copyright (c) 2008-2010 y-soft. All rights reserved
http://y-soft.org

ANALYZER: auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.


FILE: 16 - Mury.flac
  Size: 26131107 Hash: 9AB9D9D70849AD7D122293BEC347B092 Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: 5DCFB99141CBB61328031028510060898D1B239A
FILE: 15 - Zrodlo (wawoz).flac
  Size: 19256353 Hash: 11E526DA744657B3B1E2A853F939FA2A Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: DF2F3AEBAD5BA28489992C5F068663165F0250A0
FILE: 14 - Mur.flac
  Size: 10590655 Hash: CCEC8898804B7D5AD48260985028B11B Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: D443DDDC65F00E6CB25CF3A675FC70C8CEE98290
FILE: 13 - Starzy ludzie w autobusie.flac
  Size: 13237348 Hash: 6BD59E05A3DAE262352EE3425CE9B7F7 Accuracy: -m0
  Conclusion: CDDA 99%
  Signature: 0DCFCF4F05AEDCEFC9B1EBC9291F2C732E61FFA5
FILE: 12 - Cesarz.flac
  Size: 13641297 Hash: 7A7A812A7BEC931E4CC8CE133DC78E30 Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: 27DBAF2BF4BE72125ADE953F6585F4E8FABD96F0
FILE: 11 - Dziady.flac
  Size: 17841914 Hash: F8BAED545DE9D4E848187F9159794495 Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: 17BC0621EAC1134A15F621FAEA7218AC8F051D6C
FILE: 10 - Krajobraz po uczcie.flac
  Size: 19779201 Hash: 25514721ABCA772A579F03D36D514C3D Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: 4404EC0B8F59AC03CFEF775803B200F81B1F2BA8
FILE: 09 - Kraj.flac
  Size: 9679471 Hash: 0ED159681E208EA8C4B1CBC54A26C6BB Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: 2A586F17DDA346248B45181FC047364B0C3273BF
FILE: 08 - Pompeje.flac
  Size: 19560295 Hash: 2D50611EE89DBFEDDC3F3760278134AB Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: 6944A9E6E6A3F6718113C8FFB9D27E1BD4755199
FILE: 07 - Casanova - Fellini. Scena niemiecka.flac
  Size: 30096478 Hash: 1837353510E3D73E181D3A7CFDC18445 Accuracy: -m0
  Conclusion: CDDA 99%
  Signature: A2B5FCD405E3ECDF389F775331523AE6F66DCD68
FILE: 06 - Smiech.flac
  Size: 23707508 Hash: FFA234142352E7E5DC662FDE3E5C048C Accuracy: -m0
  Conclusion: CDDA 99%
  Signature: 5F8931BE4E035F0E9A4DC55007B313FD3D90A5D9
FILE: 05 - Pejzaz z szubienica.flac
  Size: 22791350 Hash: 61AF28690AE68CD8DA6412A7A56C08BE Accuracy: -m0
  Conclusion: CDDA 99%
  Signature: D20C81CA27DB1F3AE0BAB787FAC73531FEE6278C
FILE: 04 - Przyjaciele, ktorych nie mialem.flac
  Size: 20856706 Hash: D2935D9397CB83EB146347B8C2963BF1 Accuracy: -m0
  Conclusion: CDDA 100%
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FILE: 03 - Pani Bovary.flac
  Size: 11009145 Hash: 6D3618661926F79DCCC1B4B04B9C1862 Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: C32694790644A6DB25FB42D639CE5F74D04683B4
FILE: 02 - Encore, jeszcze raz.flac
  Size: 24982117 Hash: 25B0B131803B56870921D29F952DAC77 Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: FDEE7FB5C3F97607E53226B6BE9B7A1CCB97C63F
FILE: 01 - Ze sceny.flac
  Size: 17905666 Hash: FF0A14B9603EA833B16B3D38DF4EBEED Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: 6F3F63D2FD6364A1E01722FA6EF8A48F488E64F9


Interested? Follow this link:
http://polskiecd.blogspot.com/2009/08/gintrowski-kaczmarski-apinski-mury.html

21 November 2011

Chlopomania - "Lodowisko Remixes"

Be eco-friendly - remix your garbage (0/10)

Florian filsinger, Television Tom, Hydrator, Aqpa, Puzia remixes well known chlopomania track called Lodowisko.

It's a bland electroclash tune with extremely stupid lyrics that were meant to be funny, but failed miserably. The original mix is accompanied by several remixes of varying, but not so high, quality. It doesn't matter anyhow, because remixing such an atrocious piece of garbage like this one is pointless anyhow and does not qualify for listening. Even one star is too much for this - it deserves 0/5 rating.

The album has been released by the 49manekinow.net netlabel and is available for downloading at archive.org in mp3 format.
Beware!


[Creative Commons License]

[Artist's Myspace]

04 November 2011

Z.o.Z. - "Morfina"

Not bad, but not very interesting either (5/10)

Mix of rock, trip hop and post rock with Polish lyrics. It's not bad, but at the same time not attractive enough to keep my attention focused. They claim they like to experiment, but I didn't hear many experiments on this album. I didn't find catchy melodies either. Lyrics? Correct, but forgettable. Vocals? Your ears won't hurt but nothing more. Gloomy atmosphere? Present, but I wasn't carried away.

To sum up: if you like the genre, you can check it out, but don't expect a masterpiece.

[Artist's Myspace]

Creative Commons License

23 August 2011

Chujawiacy - "Demo EP"

Nice hard rock tunes with bad lyrics (5/10)

This could be a good hard rock EP with industrial feel to it. The melodies are quite catchy, with disturbing depressive atmosphere; production is decent. The main downside of this record are lyrics. They are very strange and surreal, which is not bad by itself. However, associations used in these lyrics just don't work - at least for me. They are very original though.

This is still an interesting effort and you can check this out if you like strange "alternative" music. The best track is no. 05 "Garnizon".

[Artist's Myspace]

Creative Commons License

11 August 2011

The Motyw (Wojciech Wszelaki) - "Music For The People" [SP]

Simple synthpop (5/10)

Two tracks from that album, the compositions that will be on my new album, which will publish soon! The album will be titled "Music for the people." Just music for the people - listen, evaluate, Collect! Yours - the motyw

Simple synthpop tunes. Professionally crafted and with nice melodies, vocals are in tune. Just too plain and easy for my liking. Simply too synthetic, I guess. But it's just me, check it out if you're a fan of the genre, it may be a 10-point album for you.

[Artist's website]

Creative Commons License

10 August 2011

Axis Mundi - "demo(n)SEX"

Not bad but requires more work (and re-recording) (3/10)


This is a regular rock album. The band knows what their instruments are for. The melodies could be more interesting, but this is a personal thing. The best track is no. 5, "Psyhe", an instrumental tune with great twisted bass-driven rhythms. All the lyrics are in Polish, and they are not bad, at least these fragments that I managed to hear and understand.

And this is the main problem with this album - it sounds like it was recorded on a cassette recorder from the 80s and then ripped and encoded to 32 kbit mp3 files. The quality of the sound is far below the border of listenability (as long as we are talking about listening for fun). If it was decently recorded, I'd probably give it 5 or 6, but in it's current state it's not worth a (repeated) listen.

The album has been released on Jamendo and is available for downloading in mp3 or ogg format.
Beware!

[Creative Commons License]

06 June 2011

ajk - "Uratowac resztke mnie cz. 2 (akt 2: Czlowiek w swej wielkosci, Dezintegracja)"

Decent lyrics wrapped in bad music and delivered with weak voice (4/10)

ajk is a singer from Poland.

Wszystkie utwory i teksty: ajk
Projekt okładki i produkcja: tasaLin

Like I already wrote in the other review, this artist is not a bad lyricist. So it's a pity his lyrics are illustrated with such uninteresting or even ugly (a terrible track no. 1) music. He is also a rather lousy vocalist, singing - or in fact reciting - without passion and sometimes almost out-of-tune. To sum it up: waste of time. Maybe he should think about publishing poems instead?

The album has been released on Jamendo and is available for downloading in mp3 or ogg format.
Beware!

[Creative Commons License]

26 April 2011

ajk - "Uratowac resztke mnie cz. 2 (akt 3: Bog, ...)"

Decent lyrics + primitive music (4/10)

ajk is a singer from Poland.

Wszystkie utwory i teksty: ajk
Projekt okładki i produkcja: tasaLin

The artist is quite a talented lyricist. So it's a pity he wraps his poetry in such ugly music. Maybe some musical ideas are interesting, but execution is very weak. The tracks nos. 2 & 3 are listenable electropop tunes, but no. 1 is just a terrible production failure, to the point of the singer being out-of-tune at places. On the track no. 4 the "happy" arrangement is equally clumsy.

The album has been released on Jamendo and is available for downloading in mp3 or ogg format.
Beware!

[Creative Commons License]

The Motyw (Wojciech Wszelaki) - "I Want Now" [SP]

Not catchy enough (5/10)

Pop should be catchy. Period. It is of course highly individual matter and for some people this piece could be great, but for me the melody is not catchy. The technical side is OK, as always with this artist, the style is his usual 80s electropop. If you like the genre, you may check it out.

[Artist's website]

Creative Commons License

The Motyw (Wojciech Wszelaki) - "Sometimes" [SP]

Simple dance track (5/10)

My newest track :)!

It's a simple dance track, but the melody is quite catchy. It's not my favourite genre, but I guess it could be a hit for fans of simple electronic pop with heavy disco influences. The least successful element of this song is singing. The singer sings in tune, but I'd like to hear much more passion in his voice - so it could correspond well with the energetic chorus.

[Artist's website]

Creative Commons License

20 April 2011

The Motyw (Wojciech Wszelaki) - "Like Angel" [SP]

This artist can do better (3/10)

Singiel - prawdopodobnie znajdzie na nowym albumie. Utwór opisuje relacje i więzi dwojga ludzi!

This is a less successful song of the artist. The melody is unattractive, synths are of usual 80s quality. But the worst element is singing - very forced, lacking power. This artist definitely can do better.

The album has been released on Jamendo and is available for downloading in mp3 or ogg format.
Beware!


Creative Commons License

[Artist's website]

19 April 2011

ajk - "Uratowac resztke mnie cz. 2 (akt 4: A zostanie tylko milosc, Eksplozja)"

Unattractive electronic pop (3/10)
ajk is a singer from Poland.

Wszystkie utwory i teksty: ajk
Projekt okładki i produkcja: tasaLin

Unattractive electronic pop. The Polish lyrics are not bad, but melodies are boring, and what worse - do not fit the vocal lines. It sounds like two different tracks combined into one song.

The album has been released on Jamendo and is available for downloading in mp3 or ogg format.
Beware!

[Creative Commons License]

18 April 2011

Robal - "Podwodny rower"

Try harder, guys (4/10)

Well... Much work lies ahead for the vocalist if they want to make their music enjoyable. The lyrics are silly, his interpretation is sloppy; on "Garby" on the verge of self-parody. "Pykam fajke" is slightly better. The rest of the band is also better, although tunes are repetitive and boring. It's not a total disaster, but they have still much to learn.

The album has been released on Jamendo and is available for downloading in mp3 or ogg format.

[Artist's Myspace]
Beware!

[Creative Commons License]

ajk - "Uratowac resztke mnie cz. 2"

Decent acoustic rock (6/10)

ajk is a singer from Poland.

Album został nagrany 02 czerwca 2009 roku, w Studiu KWART w Bochni.
Projekt okładki: Adam Pyrz Trzeci

It is quite decent acoustic rock. First of all, we have here good lyrics sang in tune and with confidence. Maybe the voice of the artist could be stronger, maybe the melodies could be catchier, but it is not a bad recording. Check it out if you are a fan of the genre.

All the songs are in Polish, and since lyrics are quite important in such kind of music, this work probably will not be interesting for people not speaking po polsku. ;-)

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15 April 2011

Samplastik - "Duchowe karate"

Hip hop masterpiece (10/10)

Samplastik jest sztuką walki stworzoną przez Mistrza Z. jako metoda obrony przed słabą muzyką bez użycia broni. Dawniej dla tej sztuki używano różnych nazw : rybne ciosy, bitne cymbały lub Okinawa-te. Co ważne jednak - nazwa Samplastik została zatwierdzona dopiero w 2006 roku - roku psa dodajmy.
Tym razem wprost na wasze klaty leci 17 zabójczych ciosów, przygotowanych co prawda zdecydowanie wcześniej, jednak jak zwykle medytacje i poszukiwania wewnętrznej równowagi sprawiły, że publikacja tego audio-papirusa się opóźniła. Nadchodzący turniej na śmierć i życie pokaże czy droga wojownika, którą obrał Zdrawko_k, jest drogą zwycięstwa.

I don't like hip hop.

It doesn't mean I am unable to appreciate and enjoy good hip hop works. What I mean is that this genre is generally so devoid of creativeness and populated by morons without even a trace of talent that good hip hop works are almost as hard to find as the brain of G.W. Bush. I hate boring R&B beats repeated in the majority of hip hop songs like they were produced on the same assembly line in a Chinese rap factory of Crappy Music, Inc. I hate stupid self focused lyrics ("Yo niggas! This is MC Moron rapping to all my hommies. Let me tell ya all them bitches are mine."). I hate uncreative ripping off the music of others only to drown it in a meaningless mumbling of some retard. That is why I usually avoid hip hop, because the probability it will be listenable is extremely low.

That's why it's almost a miracle I didn't just move along seeing this is a hip hop album. It must have been the sixth sense or something that stopped me and forced me to try it out. Because this is the rare hip hop gem. With great intelligent meaningful lyrics. With great flow. With powerful rhyming skills:

"Niósł czerwony grzebień w tylnej kieszeni
I lekko się uśmiechał wychodząc z sutereny
Potem przeczesał włosy chyba setny raz z kolei
Wyjął Carmeny, miał plamę na flaneli.
"

This is an excerpt from "Czerwony grzebień", a really atmospheric song about a serial killer - one of the best on this album.

But that's still not all. What else? Original beats - no repetitive R&B shit here. The record is full of catchy creative tunes, utilizing a variety of real instruments (or really convincing samples) and clever electronic sounds. So...
Yo niggas! Listen to me! Let me tell ya this.
Samplastik is the mastah of a hip hop bliss.


No, no, take it easy - that's not Samplastik. That's just my take on a shitty hip hop. Quite successful I think. ;->

Back to the subject. Despite the above rave and the highest possible rating, you shouldn't get the impression that I think this is a perfect work. It could be better. Not every song is equally good (the worst being no. 15 "Niczego więcej", another take on a similar theme to that of "Czerwony grzebień", but much less successful), but still, you have 17 tracks here, and the average quality is definitely sky-high for the regular hip hop. Not every track is also original (for example no. 07 "Więcej nie chcę" strongly resembles Eminem's work - too strongly in my opinion). So why five stars? Because it rises so high from the pool of usual hip hop shit, that it deserves to be acclaimed. Like Samplastik well put it himself:

Widziałem was na spotkaniu w Empiku / I saw you waiting for fans in the record store
Jak siedzieliście sami przy stoliku / You sat alone by the table
I tylko jeden dziennikarz się spytał / And only one journalist asked you
Jak można gówno tłoczyć na płytach. / How come they publish shit on CDs


So it's not 10/10 on my scale, but rather 10/10 on a hip hop scale. This record is definitely 100% shit-free.

The final disclaimer: all the lyrics on this album are in Polish, so this work may not be interesting for people that can't speak our strange language.

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[Artist's website]




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09 April 2011

The Motyw (Wojciech Wszelaki) - "Analog Live"

Simple, disco-based synthpop - not my cup of tea (4/10)

Primitive synthpop or - more precisely, electropop, as synthpop is usually based on rock music, use some guitars and rock expression, even if it is executed with electronic means. This album is definitely based on disco, dance, pop - the artist is very far from rock stylistics. And that's what I mean by "primitive": using the most simple, obvious and commercial-driven forms of artistic expression. Even in synthpop music there are works, which are highly original and thought provoking (Depeche Mode, for example). But not this time, ladies and gentlemen. Compared with this album, even Erasure or Pet Shop Boys write experimental music.

Still, this is not a total flop. Many people love such "easy" music. That's why I described above what I mean by primitive - this isn't in any way primitive when it comes to production or performance. The artist knows how to write pop melodies, he has an acceptable voice with a nice timbre. And the issue of a chosen stylistics is just a matter of taste. If only such recordings populated charts in Poland, I'd be a happy man. Unfortunately, much worse acts gain a huge popularity. I would definitely prefer to hear this guy on radio instead of the highly successful Polish crap-pop band Feel. So, if you like such simple, "easy-listening" disco-based pop, check it out.

By the way, here is a remastered and extended version of this album and some of the added tracks are much better.

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[Artist's website]